In this second installment of the Whispering Corridors series, a young girl finds a strange diary, capable of arousing hallucinations, kept by two of her senior fellow-students who seem to have an unusually close bond.
Yu-jin and her blind mother move to a small village from Seoul. On her first day at the new school, Yu-jin gets picked on by her classmates. Along with other victims of hatred, Yu-jin puts ... See full summary »
After writing a series of articles about pedophilia, the journalist Ji-won receives threatening calls on her cellular and she changes her number. Her close friend Ho-jung and her husband ... See full summary »
A detective, his 3 girls & a murder case. Complex emotional relationships and human nature's darker sides are explored in this captivating suspense drama about a cop whose lust for love threatens to get in the way of his professional life.
Hye-jin's homecoming should have been a joyous occasion. She was especially happy to see her childhood friend again, the shy Eun-ju. However, when a secret is revealed, harsh words are exchanged. These words deeply affect Eun-ju and,in the next scene, we see her plummeting from a 30-story building. In a flashback provided by Seon-ae, we learn that the ghost of Eun-ju is hunting down all of Hye-jin's friends and killing them. Is this possible or is a more worldly force at work? What is this mysterious tape that everyone is asking about? Written by
Thomas Giammarco <firstname.lastname@example.org>
This South Korean thriller can't claim much originality in its basic story. A group of young adults are linked by a guilty secret from their college days. They start being haunted by visions of someone who was killed accidentally several years before, and begin dying violently themselves. The idea dates back to at least 1980 (PROM NIGHT), and more recently formed the basis for I SAW WHAT YOU DID LAST SUMMER. But writer-director An Byung-ki, evidently familiar with Italian gialli, maintains interest by giving the plot a quite convoluted structure plus several bizarre twists and turns as the film progresses. The influence of Dario Argento is specially noticeable. Mr. An also invests the story with enough ambiguity that, until the last scene, we're not sure whether the vengeful ghost seen by the characters is for real or simply a projection of their guilt.
The young cast generally furnish convincing and underplayed performances. Particularly noteworthy are Kim Kyu-ri as a psychology major and Ha Ji-won as the film's enigmatic nemesis. The picture's mood of unease is greatly enhanced by imaginative lighting, smoothly gliding camerawork, sharp editing, and a varied but never intrusive score. KAWEE successfully continues South Korea's recent emergence as a new force in the psychological horror film sub-genre.
Westerners can catch this movie on VCD or DVD under the titles NIGHTMARE and HORROR GAME MOVIE. It's highly recommended.
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