Critic Reviews



Based on 19 critic reviews provided by
New York Post
What do you get when you mix a Douglas Sirk melodrama with a Sergio Leone Western? Tears of the Black Tiger, a high-camp Western from, of all places, Thailand.
Village Voice
Nothing is too crazed, corny, or freakishly florid for Tears of the Black Tiger. The debut of writer-director Wisit Sasanatieng is a delightfully unabashed affair, conceived in such good, giddy spirits it might have been called "Blissfully Yours."
The A.V. Club
The movie is never going to have broad appeal. Though Sasanatieng makes a few swings at real poignancy--which don't really connect--mostly this is the kind of relentlessly postmodern "fun" best served in small portions, and preferably on dessert plates.
A delirious fever dream of pulp-western conventions by way of 1950s Hollywood melodrama, Thai filmmaker Wisit Sasanatieng surreal oddity unfolds in heavily manipulated colors so rich they seem ready to leap off the screen, punctuated by spasms of over-ripe dialogue, floridly dramatic songs and maniacal villainous laughter.
New York Daily News
Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
A jaw-dropper: a delirium-inducing crash course in international trash.
The intoxicating madness of Tears of the Black Tiger is in the end too willed, too deliberate, to be entirely divine.
This is a scrapbook, a happy jumble, of many of the things we instinctively respond to in movies: color, shape, sound and movement, all intensified by heightened emotion.
Fun, if finally too silly.
A few more films like Tears of the Black Tiger, and kitsch will be on its way to having a bad name.

More Critic Reviews

See all external reviews for Fah talai jone (2000) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews