| Photos (See all 72 | slideshow) | Videos (see all 4) |
Directed by | |||
| Simon Wells | |||
Writing credits(WGA) | ||
| H.G. Wells | (novel) | |
| David Duncan | (earlier screenplay) | |
| John Logan | (screenplay) | |
Produced by | |||
| Arnold Leibovit | .... | executive producer | |
| David V. Lester | .... | associate producer (as David Lester) | |
| John Logan | .... | co-producer | |
| Laurie MacDonald | .... | executive producer | |
| Walter F. Parkes | .... | producer | |
| Jorge Saralegui | .... | executive producer | |
| David Valdes | .... | producer | |
Original Music by | |||
| Klaus Badelt | |||
Cinematography by | |||
| Donald McAlpine | (as Donald M. McAlpine) | ||
Film Editing by | |||
| Wayne Wahrman | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Oliver Scholl | |||
Art Direction by | |||
| Christopher Burian-Mohr | (as Chris Burian-Mohr) | ||
| Bruce Robert Hill | |||
| Donald B. Woodruff | (as Donald Woodruff) | ||
Set Decoration by | |||
| Victor J. Zolfo | |||
Costume Design by | |||
| Deena Appel | |||
| Bob Ringwood | |||
Makeup Department | |||
| Alexi | .... | hair stylist: second unit | |
| Norman Cabrera | .... | special makeup department sculptor: KNB effects group | |
| Daniel Curet | .... | additional hair stylist: second unit | |
| Alex Diaz | .... | fabricator: KNB EFX Group | |
| Shirley Dolle | .... | hair stylist: second unit (as Shirley Dollé) | |
| Scott H. Eddo | .... | key makeup artist | |
| John M. Elliott Jr. | .... | makeup department head | |
| Margaret E. Elliott | .... | makeup artist: second unit | |
| Stephen Elsbree | .... | key hair stylist: second unit | |
| Greg Figiel | .... | character effects supervisor: Stan Winston Studio | |
| Jake Garber | .... | co-makeup artist: Jeremy Irons | |
| Connie Grayson Criswell | .... | key hair technician: Stan Winston Studio (as Connie Grayson) | |
| Charlotte Harvey | .... | hair stylist: second unit (as Charlotte Harvey-Garoutte) | |
| Beth Hathaway | .... | fabricator: KNB EFX Group | |
| Scott Hersh | .... | makeup artist: New York | |
| Jeff Himmel | .... | fabrication department: Stan Winston Studio | |
| Kathy Kane-Macgowan | .... | key hair technician: Stan Winston Studio (as Kathy MacGowan) | |
| Rick Kelsey | .... | hair stylist: New York | |
| Heidi Kulow | .... | makeup artist: New York | |
| Barbara Lorenz | .... | key hair stylist | |
| Jacklin Masteran | .... | hair stylist | |
| Christopher Allen Nelson | .... | makeup application: KNB EFX Group (as Christopher Nelson) | |
| Greg Nelson | .... | makeup artist: second unit | |
| Gregory Nicotero | .... | supervisor: KNB EFX Group (as Greg Nicotero) | |
| Cheri Ruff | .... | hair stylist: second unit | |
| Robin Slater | .... | makeup artist: second unit | |
| Richard Snell | .... | key makeup artist: second unit | |
| Thom Timan | .... | hair stylist: New York | |
| Arjen Tuiten | .... | mold/technical department: Stan Winston Studio | |
| Nanci Cascio | .... | hair stylist day player (uncredited) | |
| Louis Kiss | .... | special makeup effects artist (uncredited) | |
| Robert Maverick | .... | makeup artist (uncredited) | |
| Christopher Allen Nelson | .... | special makeup effects artist (uncredited) | |
| Bradley Stenson | .... | additional makeup artist: New York (uncredited) | |
| Rick Stratton | .... | makeup artist (uncredited) | |
| Alan Tuskes | .... | key special makeup effects technician (uncredited) | |
Production Management | |||
| Lisa Dennis Kennedy | .... | post-production supervisor | |
| David V. Lester | .... | unit production manager (as David Lester) | |
Art Department | |||
| Ross Anderson | .... | assistant property master: second unit (as Ross A. Anderson) | |
| Michael Ardito Jr. | .... | labor foreman | |
| Steve Burg | .... | illustrator (as Stephen Burg) | |
| Jeff Butcher | .... | property master: New York | |
| Marco A. Campos | .... | general foreman | |
| Glenn M. Carrere | .... | set dresser | |
| Cora Lee Coomber | .... | construction accountant | |
| Larry A. Cornick | .... | lead man | |
| Brad Curry | .... | drapery foreman | |
| Michael D'Imperio | .... | assistant property master (as Michael Dimperio) | |
| Chris Dent | .... | art department assistant | |
| Gary Diamond | .... | set designer | |
| Robert Fechtman | .... | assistant art director | |
| Glenn Forbes | .... | property master: second unit | |
| Paul W. Gorfine | .... | stand-by painter: New York | |
| Mark Heard | .... | paint foreman | |
| Eric Hill | .... | set dresser | |
| Bill 'Kauhane' Hoyt | .... | stand-by painter (as Bill Hoyt) | |
| Dorit Hurst | .... | buyer (as Dorit Oberman) | |
| Akeo Ihara | .... | assistant property master: New York | |
| James Jackson | .... | set dresser (as Jim Jackson) | |
| Patrick Janicke | .... | illustrator | |
| Martha Johnston | .... | assistant art director | |
| Andrew L. Jones | .... | model maker | |
| James Jones | .... | lead sculptor (as James H. Jones) | |
| Scott G. Jones | .... | set dresser | |
| Kristen Kelly | .... | buyer | |
| Robin Koenig | .... | lead man: New York | |
| Gary B. Krakoff Jr. | .... | propmaker foreman | |
| Gary A. Krakoff | .... | construction coordinator | |
| Tim R. Lafferty | .... | stage foreman (as Tim Lafferty) | |
| Jack Laspada | .... | labor foreman (as Jack LaSpada) | |
| Scott Maginnis | .... | property master | |
| Ben Massi | .... | paint foreman | |
| Lyle Maves | .... | plasterer foreman | |
| Hank Mayo | .... | storyboard artist | |
| Amie McCarthy | .... | assistant property master (as Amie Frances McCarthy Winn) | |
| Sam Mendoza | .... | stage foreman | |
| David M. Milstien | .... | key set dresser (as David M. Milstein) | |
| H. Bruce Norrbom | .... | fabrication foreman (as H.B. Norrbom) | |
| Franklin T. Perry | .... | metal propmaker | |
| Lauren E. Polizzi | .... | assistant art director (as Lauren Polizzi) | |
| Jeffrey Rollins | .... | set dresser: New York | |
| Lee Runnels | .... | greens foreman | |
| Charles S. Serrano | .... | propmaker foreman (as Charles Steven Serrano) | |
| Vladimir Spasojevic | .... | illustrator | |
| Angela Stauffer | .... | art department coordinator | |
| Christine Sysko | .... | set dresser: New York | |
| Bill Taliaferro | .... | set designer (as William Taliaferro) | |
| Michael Thurman | .... | set dresser (as Mike Thurman) | |
| Bruce West | .... | set designer | |
| Tom West | .... | set dresser: New York | |
| Christine Wick | .... | set dresser: New York | |
| Darrell L. Wight | .... | set designer | |
| Tim Wilcox | .... | digital illustrator (as Timothy G. Wilcox) | |
| Lawrence Amanuel | .... | lead greens (uncredited) | |
| Lawrence Amanuel | .... | lead greensman (uncredited) | |
| Doreen Austria | .... | graphic designer (uncredited) | |
| Chris Baker | .... | conceptual design and storyboards (uncredited) | |
| Tony Castagnola | .... | greens foreman (uncredited) | |
| Daniel J. Courchaine | .... | scenic artist (uncredited) | |
| Dan Crawley | .... | props (uncredited) | |
| Vincent D'Aquino | .... | greensman (uncredited) | |
| Val I. Deikov | .... | sculptor gang boss (uncredited) | |
| Yann Denoual | .... | sculptor (uncredited) | |
| Tammy DeRuiter | .... | painter (uncredited) | |
| Anthony Franco | .... | buyer (uncredited) | |
| Christopher Glass | .... | storyboard artist (uncredited) | |
| Grey Hill | .... | sculptor (uncredited) | |
| J. Bryan Holloway | .... | sculptor gang boss (uncredited) | |
| Kon Iliov | .... | propmaker/gangboss (uncredited) | |
| Sean D. Jackson | .... | greensman (uncredited) | |
| David James | .... | sculptor (uncredited) | |
| Scott Lafferty | .... | carpenter (uncredited) | |
| P.K. MacCarthy | .... | storyboard artist (uncredited) | |
| Jennifer N. MacLeod | .... | art department assistant (uncredited) | |
| Richard N. McGuire | .... | gangboss (uncredited) | |
| Christopher Morente | .... | greensman (uncredited) | |
| Aaron Newton | .... | general foreman (uncredited) | |
| Steve Park | .... | set dresser (uncredited) | |
| Rick Polikowski | .... | propmaker (uncredited) | |
| Peter Regnier | .... | set dresser (uncredited) | |
| Kino Scialabba | .... | concept artist (uncredited) | |
| Charles S. Serrano | .... | general foreman: construction (uncredited) | |
| Victor M. Shannon | .... | plasterer (uncredited) | |
| Hans Soto | .... | greens person (uncredited) | |
| Jack White | .... | food stylist (uncredited) | |
| John Wojnowski III | .... | pre-production model maker (uncredited) | |
| Todd Wolcott | .... | stand-by greensman (uncredited) | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Michael J. Broomberg | .... | foley artist (as Michael Broomberg) | |
| Ed Callahan | .... | dialog editor | |
| Rick Canelli | .... | adr recordist | |
| Mike Chock | .... | sound effects editor (as Michael Chock) | |
| John T. Cucci | .... | foley artist (as John Cucci) | |
| Perry Dodgson | .... | cable person | |
| Avram D. Gold | .... | dialogue supervisor | |
| Elliott Koretz | .... | sound effects editor (as Elliott L. Koretz) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Mary Jo Lang | .... | foley mixer | |
| Linda Lew | .... | foley recordist | |
| Eric Lindemann | .... | sound effects editor | |
| Eric Lindemann | .... | special sound effects (as Eric Lindeman) | |
| David MacMillan | .... | production sound mixer (as David R.B. MacMillan) | |
| Mark A. Mangini | .... | sound designer (as Mark Mangini) | |
| Mark A. Mangini | .... | supervising sound editor (as Mark Mangini) | |
| Harrison D. Marsh | .... | boom operator (as Duke Marsh) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Josephine Nericcio | .... | special sound effects assistant (as Josie Nericcio) | |
| Dan O'Connell | .... | foley artist | |
| Thomas J. O'Connell | .... | adr mixer | |
| Sonny Pettijohn | .... | special sound effects assistant | |
| John Pospisil | .... | special sound effects | |
| Eric Potter | .... | sound effects recordist | |
| John Roesch | .... | foley artist | |
| Debora Seaman | .... | foley recordist | |
| Reuben Simon | .... | foley supervisor | |
| Charles Ewing Smith | .... | dialog editor | |
| Carolyn Tapp | .... | foley recordist | |
| Steve Tushar | .... | foley editor | |
| David A. Whittaker | .... | dialogue editor | |
| Frank Fleming | .... | sound recordist (uncredited) | |
| Shawn Ian Kerkhoff | .... | digital sound assistant (uncredited) | |
| Matt L. Lockhart | .... | assistant: Klaus Badelt (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Philip Rogers | .... | adr recordist (uncredited) | |
| Dave Wilson | .... | adr mixer: Atlanta (uncredited) | |
Special Effects by | |||
| Jan Aaris | .... | special effects: second unit (as Jan H. Aaris) | |
| Richard Alonzo | .... | art department: Stan Winston Studio (as Richie Alonzo) | |
| Jon G. Belyeu | .... | special effects: second unit | |
| David Beneke | .... | art department: Stan Winston Studio (as Dave Beneke) | |
| Patrick G. Brady | .... | mold/technical department: Stan Winston Studio (as Patrick Brady) | |
| Greg Burgan | .... | mold/technical department: Stan Winston Studio | |
| Tamara Carlson | .... | fabrication department: Stan Winston Studio (as Tamara Carlson-Woodard) | |
| Rick Cedillo | .... | fabrication department: Stan Winston Studio | |
| Jim Charmatz | .... | key artist: Stan Winston Studio | |
| John Cherevka | .... | art department: Stan Winston Studio | |
| Eric Cook | .... | special effects (as Eric P. Cook) | |
| Ken Culver | .... | key foam technician: Stan Winston Studio | |
| Jon Dawe | .... | mechanical department: Stan Winston Studio | |
| Rob Derry | .... | mechanical department: Stan Winston Studio | |
| Dawn Dininger | .... | fabrication department: Stan Winston Studio | |
| Michael Duenas | .... | special effects (as Michael Dueñas) | |
| John Paul Fedele | .... | mold/technical department: Stan Winston Studio (as Jon Fedele) | |
| Eric Fiedler | .... | mechanical designer: Stan Winston Studio | |
| Lucinda Foy | .... | special effects technician | |
| Deborah Galvez | .... | key hair technician: Stan Winston Studio | |
| Ronald D. Goldstein | .... | special effects (as Ronald Goldstein) | |
| Chris Grossnickle | .... | mold/technical department: Stan Winston Studio | |
| Moto Hata | .... | key artist: Stan Winston Studio | |
| Kurt Herbel | .... | mechanical department: Stan Winston Studio | |
| Tonja Hill | .... | special effects (as Tonja Leialoha Hill) | |
| James Hirahara | .... | mechanical department: Stan Winston Studio (as Jimmy Hirahara) | |
| Grady Holder | .... | lab technician: Stan Winston Studio | |
| Hiroshi 'Kan' Ikeuchi | .... | mechanical department: Stan Winston Studio (as Hiroshi Ikeuchi) | |
| Carey Jones | .... | key technician: Stan Winston Studio | |
| Mark Jurinko | .... | key artist: Stan Winston Studio | |
| Hiroshi Katagiri | .... | key artist: Stan Winston Studio | |
| Kris Kobzina | .... | mold/technical department: Stan Winston Studio | |
| Richard J. Landon | .... | mechanical department: Stan Winston Studio (as Richard Landon) | |
| Bill Lee | .... | special effects | |
| Russell Lukich | .... | effects coordinator: Stan Winston Studio (as Russ Lukich) | |
| Jeffrey Machit | .... | special effects: second unit (as J.C. Machit) | |
| Mark Maitre | .... | art department: Stan Winston Studio | |
| Bob Mano | .... | mechanical department: Stan Winston Studio | |
| Keith Marbory | .... | mold/technical department: Stan Winston Studio | |
| Nick Marra | .... | key artist: Stan Winston Studio | |
| Jason Matthews | .... | effects coordinator: Stan Winston Studio | |
| Tony McCray | .... | mold department supervisor: Stan Winston Studio | |
| Kevin McTurk | .... | mold/technical department: Stan Winston Studio | |
| Andrew Miller | .... | special effects | |
| Christine Onesky | .... | special effects | |
| Michael Ornelaz | .... | hair department coordinator: Stan Winston Studio | |
| Joey Orosco | .... | art department: Stan Winston Studio | |
| Eric Ostroff | .... | mold/technical department: Stan Winston Studio | |
| Christina Presita | .... | mold/technical department: Stan Winston Studio | |
| Kristina Radicheva | .... | special effects | |
| Justin Raleigh | .... | mold/technical department: Stan Winston Studio | |
| Robert Ramsdell | .... | art department: Stan Winston Studio (as Rob Ramsdell) | |
| Joe Reader | .... | key technician: Stan Winston Studio | |
| Reggie Rizzo | .... | fabrication department: Stan Winston Studio | |
| David A. Schroeder | .... | special effects | |
| Robert Simokovic | .... | special effects: second unit | |
| Doyle Smith | .... | special effects | |
| Harry Smith | .... | special effects (as Harry J. Smith Jr.) | |
| Desiree Soto Vaughn | .... | fabrication department: Stan Winston Studio (as Desiree Vaughn-Soto) | |
| Douglas J. Stewart | .... | art department: Stan Winston Studio (as Doug Stewart) | |
| Bob Stoker | .... | special effects foreman (as Bob Stoker Jr.) | |
| Lucinda Strub | .... | special effects foreman | |
| Robert Sturgis | .... | special effects (as Robert M. Sturgis) | |
| Matt Sweeney | .... | special effects supervisor | |
| Fred Tessaro | .... | special effects | |
| Christopher Towle | .... | mold/technical department: Stan Winston Studio (as Chris Towle) | |
| Mario Vanillo | .... | special effects | |
| A.J. Venuto | .... | mold/technical department: Stan Winston Studio | |
| Mike Wever | .... | special effects: second unit | |
| George Zamora | .... | special effects (as George M. Zamora) | |
| Leonel Zapien | .... | special effects | |
| Chris Baer | .... | special effects lab technician (uncredited) | |
| Christopher Bergschneider | .... | technician: Stan Winston Studio (uncredited) | |
| Jon Bethke | .... | special effects crew (uncredited) | |
| Brian Blair | .... | technician: Stan Winston Studio (uncredited) | |
| Shane Buckallew | .... | mold maker (uncredited) | |
| Jaime Galindo | .... | special effects laborer (uncredited) | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group (uncredited) | |
| Steve Newburn | .... | key technician: Stan Winston Studio (uncredited) | |
Visual Effects by | |||
| Charles Abou Aad | .... | CG effects animator: Digital Domain | |
| Matthew Adams | .... | rotoscope supervisor: Cinesite | |
| Michael Alkan | .... | 3D modeler: C.O.R.E. Digital Pictures (as Mike Alkan) | |
| Michael Alkan | .... | animator: C.O.R.E. Digital Pictures (as Mike Alkan) | |
| Stephanie Allen | .... | visual effects executive producer: C.O.R.E. Digital Pictures | |
| Tom Allen | .... | CG effects animator: Digital Domain | |
| Miles Anderson | .... | gaffer: Digital Domain | |
| Paul Anderson | .... | animator: C.O.R.E. Digital Pictures | |
| Tony Anderson | .... | miniature director of photography: Digital Domain | |
| Darryl Anka | .... | visual effects storyboard artist: Digital Domain | |
| Joel Aron | .... | lead digital artist: ILM | |
| Jeffrey Edward Baksinski | .... | motion tracker supervisor: Cinesite (as Jeff Baksinski) | |
| Lynn Basas | .... | CG lighter: Cinesite | |
| Geoffrey E. Baumann | .... | walk-through coordinator: Digital Domain | |
| Peter Baustaedter | .... | digital matte painter: Digital Domain | |
| Lisa Bechard | .... | visual effects production manager: C.O.R.E. Digital Pictures | |
| Brian Begun | .... | lead compositor: Digital Domain | |
| Chuck Bemis | .... | camera assistant: Illusion Arts Inc. (as Chuck Beamis) | |
| Krista Benson | .... | digital compositor: Digital Domain | |
| Jill Berger | .... | CG lighter: Cinesite | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Tom Bertino | .... | animation supervisor: ILM | |
| Duncan Blackman | .... | 3D matchmove artist: ILM | |
| Melanie Boettcher | .... | accountant: Illusion Arts Inc. | |
| Kevin Bouchez | .... | digital compositor: Digital Domain | |
| Brigitte Bourque | .... | digital compositor: Cinesite | |
| Justin Brandstater | .... | matte artist: Illusion Arts Inc. | |
| Suzy Brown | .... | digital matte painter: Digital Domain | |
| Sonja Burchard | .... | digital compositor: Digital Domain | |
| Amanda Burton | .... | digital rotoscope/paint artist: Digital Domain | |
| Ronnie Bushaw | .... | digital matte painter: Digital Domain | |
| Jodi Campanaro | .... | lead digital compositor: Digital Domain | |
| Mike Castillo | .... | digital compositor: Cinesite | |
| Oscar G. Castillo | .... | CG effects animator: Cinesite (as Oscar Castillo) | |
| Lanny Cermak | .... | lead 3D matchmove artist: ILM | |
| Pamela Choules | .... | production coordinator: Illusion Arts Inc. | |
| Shanna Chung Lim | .... | CG lighter: Cinesite (as Shanna Lim) | |
| Kevin Clark | .... | visual effects editor: Cinesite | |
| Thomas Clary | .... | digital effects 2D coordinator: Digital Domain (as Tom Clary) | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Grazia Como | .... | technical assistant: Digital Domain | |
| James Cook | .... | miniature model maker: Digital Domain | |
| Matt Cordner | .... | CG effects animator: Digital Domain (as Matthew Cordner) | |
| John Michael Courte | .... | technical director: Digital Domain | |
| Kelly G. Crawford | .... | visual effects editor: Illusion Arts Inc. | |
| Lee Croft | .... | digital paint and rotoscope artist: ILM | |
| Chris Dawson | .... | motion control operator: Digital Domain | |
| Aladino V. Debert | .... | CG modeler/lighter: Digital Domain | |
| Mark Della Rosa | .... | 3D modeler: C.O.R.E. Digital Pictures | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Jason Doss | .... | 3D integration artist: Digital Domain | |
| Brady Doyle | .... | visual effects production assistant: Digital Domain | |
| Loring Doyle | .... | digital rotoscope/paint artist: Digital Domain | |
| Joe Dubs | .... | digital artist: Cinesite | |
| Syd Dutton | .... | special visual effects: Illusion Arts Inc. | |
| Timothy Eaton | .... | visual effects editor: ILM (as Tim Eaton) | |
| Scott Edelstein | .... | 3D integration artist: Digital Domain | |
| Sam Edwards | .... | digital compositor: Digital Domain | |
| Jonathan Egstad | .... | digital effects supervisor: Digital Domain | |
| Kevin Elam | .... | visual effects producer: Cinesite | |
| Jeff Ertl | .... | digital artist: ILM | |
| Sean Andrew Faden | .... | sequence lead CG time travel sequence: Digital Domain | |
| Sean Andrew Faden | .... | time effects sequence digital lead | |
| Matthew Fairclough | .... | technical director: Digital Domain | |
| Alan K.M. Faucher | .... | miniature supervisor: Digital Domain (as Alan Faucher) | |
| Aaron Ferguson | .... | creature developer: ILM | |
| Ivy Fong | .... | CG and editorial technician: ILM | |
| Dan Fowler | .... | character animator: Digital Domain | |
| Carl N. Frederick | .... | computer graphics supervisor: ILM (as Carl Frederick) | |
| Robert A.D. Frick | .... | CG effects animation lead: Digital Domain | |
| Todd Fulford | .... | digital artist: ILM | |
| David Gainey | .... | animator: ILM | |
| George Gambetta | .... | film group technician: ILM | |
| Carolyn Garcia | .... | production assistant: Illusion Arts Inc. | |
| Jonathan Gerber | .... | CG modeler: Cinesite | |
| John Gibson | .... | technical director lead: Digital Domain (as Johnny Gibson) | |
| Kevin Gillen | .... | CG effects animator: Digital Domain | |
| Brian Goldberg | .... | technical director: Digital Domain | |
| Susan Goldsmith | .... | digital paint and roto lead: ILM | |
| Kirk Greenberg | .... | best boy grip: Digital Domain | |
| Ron Gress | .... | digital paint lead: Digital Domain | |
| Bryan Grill | .... | compositing supervisor: Digital Domain | |
| Jonah Hall | .... | technical director: Digital Domain | |
| Michael S. Harbour | .... | digital compositor: Cinesite (as Mike Harbour) | |
| John Hart | .... | digital matte painter: Digital Domain | |
| John Helms | .... | digital artist: ILM | |
| Darren Hendler | .... | technical director: Digital Domain | |
| Claas Henke | .... | lead compositor: Digital Domain | |
| Linda Henry | .... | digital compositor: Digital Domain | |
| Garman Herigstad | .... | CG effects animator: Digital Domain | |
| John Hewitt | .... | CG look development: Cinesite | |
| John Higbie | .... | miniature shoot support: Digital Domain | |
| David Hodgins | .... | character animator: Digital Domain | |
| Robert Hoffmeister | .... | digital high speed compositor: Digital Domain | |
| Sharon Smith Holley | .... | visual effects editor | |
| Aaron Holly | .... | creature developer: ILM | |
| Stephanie Hornish | .... | visual effects and animation producer: ILM | |
| Lubo Hristov | .... | art director: Cinesite | |
| Arkay Hur | .... | digital artist: Cinesite | |
| Jason Iversen | .... | technical director lead: Digital Domain | |
| Joe Jackman | .... | CG effects animator: Digital Domain | |
| Kevin Jackson | .... | CG modeler/lighter: Digital Domain | |
| Aaron James McComas | .... | CG effects animator: Digital Domain (as Aaron McComas) | |
| Bernardo Jauregui | .... | assistant visual effects coordinator: Digital Domain | |
| Hilery Johnson | .... | digital rotoscope/paint artist: Digital Domain | |
| Jeffrey Kalmus | .... | digital imaging supervisor: Digital Domain | |
| Alan Kapler | .... | CG effects animator: Digital Domain | |
| Val Keller | .... | assistant visual effects editor: Digital Domain | |
| Joe Ken | .... | digital compositor: Digital Domain | |
| Mark Kenaston | .... | digital technician: Illusion Arts Inc. | |
| Michael Kennedy | .... | digital artist: ILM | |
| Michael Kory | .... | 3D artist: Illusion Arts Inc. | |
| Adam Kowalski | .... | camera operator: Illusion Arts Inc. | |
| Bridgitte Krupke | .... | visual effects coordinator: Cinesite (as Bridgitte Nance) | |
| Markus Kurtz | .... | CG effects animator: Digital Domain | |
| Bill LaBarge | .... | 3D effects animator: Cinesite | |
| Joanne Ladolcetta | .... | digital rotoscope/paint artist: Digital Domain | |
| Donna Lanasa | .... | CG and editorial technician: ILM | |
| Christopher Lance | .... | digital compositor: Cinesite (as Chris Lance) | |
| Krystine Lankenau | .... | digital artist: Cinesite | |
| Jeroen Lapre | .... | digital artist: ILM | |
| Mark Larranga | .... | lead digital compositor time travel sequence: Digital Domain | |
| David Latour | .... | animator: ILM | |
| David Lauer | .... | lead digital compositor time travel sequence: Digital Domain | |
| Vincent Lavares | .... | digital asset manager: Cinesite (as Vince Lavares) | |
| Mike Leben | .... | motion control operator: Digital Domain | |
| Lynn Ledgerwood | .... | special rigging: Illusion Arts Inc. | |
| Michelle Leigh | .... | digital effects 3D coordinator: Digital Domain | |
| Mike Lemmon | .... | CG effects animator: Digital Domain (as Michael Lemmon) | |
| Julian Levi | .... | visual effects producer: Digital Domain | |
| John Lisman | .... | mechanical effects: Digital Domain | |
| Christine Lo | .... | lead digital compositor time travel sequence: Digital Domain | |
| Dave Lockwood | .... | digital compositor: Digital Domain | |
| Margaret B. Lynch | .... | visual effects and animation coordinator: ILM (as Margaret Lynch) | |
| Dwayne Lyon | .... | best boy electric: Digital Domain | |
| Barbara Mah | .... | production coordinator: C.O.R.E. Digital Pictures | |
| Mike Makara | .... | CG animator: Cinesite | |
| Greg Maloney | .... | compositing supervisor: ILM | |
| Raleigh Mann | .... | CG and editorial technician: ILM | |
| Charlotte Manning | .... | technical director: Digital Domain | |
| Brian Marincic | .... | key grip: Digital Domain | |
| Allen Maris | .... | visual effects coordinator | |
| Ramona Martinez | .... | digital artist: Cinesite | |
| Stephan Martinière | .... | visual effects storyboard artist: Digital Domain | |
| Fumi Mashimo | .... | lead animator: Illusion Arts Inc. (as Fumi Mashimo) | |
| Doug Masters | .... | animation supervisor: C.O.R.E. Digital Pictures | |
| Mamie McCall | .... | production coordinator: Illusion Arts Inc. | |
| Mark 'Crash' McCreery | .... | character design | |
| Samantha McGovern | .... | digital compositor: Digital Domain (as Samantha McGee) | |
| Kelvin McIlwain | .... | matte artist: Illusion Arts Inc. | |
| Erika A. McKee | .... | visual effects production coordinator: Digital Domain (as Erika McKee-Martin) | |
| Valerie McMahon | .... | digital artist: Cinesite | |
| Brandon McNaughton | .... | digital compositor: Digital Domain | |
| Michael Miller | .... | digital compositor: Digital Domain (as Michael F. Miller) | |
| Rachel Miller | .... | CG and editorial technician: ILM | |
| Michael Min | .... | digital artist: ILM | |
| Bekki Misiorowski | .... | visual effects accountant: Digital Domain | |
| Todd Mitchell | .... | film group technician: ILM | |
| Kama Moiha | .... | digital compositor: Cinesite | |
| Carlos Morales | .... | digital rotoscope/paint artist: Digital Domain | |
| Michael Muir | .... | digital artist: ILM | |
| Bill Murphy | .... | visual effects production assistant: Cinesite | |
| Jennifer Murray | .... | digital paint and rotoscope artist: ILM | |
| Howie Muzika | .... | CG modeling & lighting lead: Digital Domain | |
| David Nahman-Ramos | .... | CG and editorial technician: ILM | |
| Erik Nash | .... | visual effects supervisor: Digital Domain | |
| C. Andrew Nelson | .... | digital paint and rotoscope artist: ILM | |
| Kimberly K. Nelson | .... | visual effects producer | |
| David Niednagel | .... | 3D integration artist: Digital Domain | |
| Sean O'Connor | .... | digital compositor: Cinesite | |
| Melanie Okamura | .... | CG modeler/lighter: Digital Domain | |
| Michael Orlando II | .... | 3D matchmove artist: ILM (as Michael Orlando) | |
| Mike Ossian | .... | 3D integration artist: Digital Domain (as Michael Ossian) | |
| Ken Ouellette | .... | animator: C.O.R.E. Digital Pictures | |
| Ken Ouellette | .... | technical director: C.O.R.E. Digital Pictures | |
| Ingrid Overgard | .... | digital paint and rotoscope artist: ILM | |
| Chad Owen | .... | digital artist: Cinesite | |
| Paul George Palop | .... | technical director: Digital Domain | |
| Bradley Parker | .... | character animation lead: Digital Domain (as Brad Parker) | |
| Richard Patterson | .... | digital supervisor: Illusion Arts | |
| Lou Pecora | .... | digital compositor: Digital Domain | |
| James Peterson | .... | CG effects animator: Cinesite | |
| Jason Piccioni | .... | digital compositor: Cinesite | |
| Corinne Pooler | .... | paint supervisor: Cinesite | |
| David Prescott | .... | CG supervisor | |
| Brennan Prevatt | .... | digital compositor: Digital Domain | |
| James E. Price | .... | visual effects supervisor | |
| A.J. Raitano | .... | first assistant camera: Digital Domain | |
| Natasha Rand | .... | visual effects graphic designer: Digital Domain | |
| David Rey | .... | composite supervisor: Cinesite | |
| Brian Ripley | .... | digital matte painter: Digital Domain | |
| Stephanie Rogers | .... | data operator: Cinesite | |
| Michelle Rothburgh | .... | production assistant: Illusion Arts Inc. | |
| Sean Rourke | .... | digital editor: Cinesite | |
| Philip Rowe | .... | computer services: Cinesite | |
| Eric Rylander | .... | lead miniature pyro technician: Digital Domain | |
| Ryo Sakaguchi | .... | CG effects animator: Digital Domain | |
| Scott Salsa | .... | supervising mechanical engineer: Digital Domain | |
| J.D. Sansaver | .... | miniature model maker: Digital Domain | |
| David Satchwell | .... | CG lighter: Cinesite | |
| Bill Schaeffer | .... | digital rotoscope/paint artist: Digital Domain | |
| Kevin Schwab | .... | digital imaging operator: Cinesite | |
| Donovan Scott | .... | lead digital compositor: Digital Domain | |
| Luke Scully | .... | miniature assistant director: Digital Domain | |
| Nick Seldon | .... | miniature crew lead: Digital Domain | |
| John A. Shaw | .... | technical support: C.O.R.E. Digital Pictures (as John Shaw) | |
| Daveed Shwartz | .... | digital matte painter: Digital Domain | |
| Cybele Sierra | .... | digital compositor: Cinesite | |
| Andrew Silvestri | .... | data operator: Cinesite | |
| Aaron Singer | .... | 3D integration artist: Digital Domain | |
| Kenneth Smith | .... | digital color timing supervisor: ILM | |
| Laurel A. Smith | .... | animator: C.O.R.E. Digital Pictures (as Laurel Smith) | |
| Suzanne Smith | .... | texture painter: Cinesite | |
| Thomas J. Smith | .... | visual effects supervisor: Cinesite | |
| Aaron Snow | .... | digital technician: Illusion Arts Inc. | |
| Tony Sommers | .... | lead view painter: ILM | |
| Richard Soper | .... | mechanical effects: Digital Domain | |
| Lisa Spence | .... | digital production manager: Digital Domain (as Lisa K. Spence) | |
| Scott Squires | .... | visual effects supervisor: ILM | |
| Serge Sretschinsky | .... | CG supervisor: Cinesite | |
| Tom St. Amand | .... | animator: ILM | |
| Rob Stauffer | .... | CG effects animator: Digital Domain | |
| Alexander L. Stephan | .... | CG effects animator: Digital Domain (as Alexander Stephan) | |
| George Stevens | .... | model maker crew chief: Digital Domain | |
| Tim Stevenson | .... | animator: ILM | |
| Catherine Sudolcan | .... | producer: Illusion Arts | |
| Arthur Sutherland | .... | motion tracker: Cinesite | |
| Gaku Tada | .... | CG modeler/lighter: Digital Domain | |
| Bill Taylor | .... | special visual effects: Illusion Arts Inc. | |
| David Taylor | .... | CG and editorial technician: ILM | |
| Marjolaine Tremblay | .... | animator: ILM (as Marjolaine Tremblay-Silva) | |
| Hiroshi Tsubokawa | .... | CG effects animator: Digital Domain | |
| Zachary Tucker | .... | 3D previs/integration lead: Digital Domain | |
| Alfred Urrutia | .... | CG effects animator: Digital Domain | |
| Ted Van Dorn | .... | lead model painter: Digital Domain (as Ted Van Doorn) | |
| Esdras Varagnolo | .... | CG modeler/lighter: Digital Domain | |
| Mark Visser | .... | software developer: C.O.R.E. Digital Pictures | |
| Andrew Waisler | .... | CG effects animation lead: Digital Domain | |
| Dan Wanket | .... | CG modeler: Cinesite | |
| Eric Warren | .... | 3D integration artist: Digital Domain | |
| Mike Wassel | .... | lead matte artist: Illusion Arts Inc. (as Michael J. Wassel) | |
| Harold Weed | .... | lead digital modeler: ILM (as Howie Weed) | |
| Eric Weinschenk | .... | digital compositor: Digital Domain | |
| Byron Werner | .... | digital rotoscope/paint lead: Digital Domain | |
| Erin West | .... | digital paint and rotoscope artist: ILM | |
| Vernon R. Wilbert Jr. | .... | CG modeling & lighting lead: Digital Domain | |
| Andy Wilkoff | .... | CG effects animator: Digital Domain | |
| David S. Williams Jr. | .... | compositing supervisor: Illusion Arts | |
| Deborah Wiltman | .... | digital compositor: Cinesite | |
| Scott Wirtz | .... | lead animator: ILM | |
| Debra Wolff | .... | visual effects editor: Digital Domain | |
| Chris Wood | .... | digital rotoscope/paint artist: Digital Domain | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Rachel Wyn Dunn | .... | digital compositor: Digital Domain (as Rachel Dunn) | |
| Chris Y. Yang | .... | CG effects animator: Digital Domain (as Christopher Yang) | |
| Jens Zalzala | .... | CG effects animator: Digital Domain | |
| Nancy Adams | .... | 3D integration artist: Digital Domain (uncredited) | |
| Bernd Angerer | .... | character animator (uncredited) | |
| Denise Ballantyne | .... | visual effects consultant (uncredited) | |
| Wally Chin | .... | 3D technical assistant (uncredited) | |
| Zachary Cole | .... | technical support: ILM (uncredited) | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain (uncredited) | |
| Robert Coquia Jr. | .... | 3D technical assistant (uncredited) | |
| Craig T. Currie | .... | model maker (uncredited) | |
| Feliciano di Giorgio | .... | senior compositor (uncredited) | |
| Joshua Doud | .... | data integration artist (uncredited) | |
| Erik Gamache | .... | digital artist (uncredited) | |
| Lloyd Hess | .... | technical support (uncredited) | |
| Fred Jimenez | .... | 2D technical assistant (uncredited) | |
| David Krause | .... | technical coordinator (uncredited) | |
| Scott Lukowski | .... | model maker (uncredited) | |
| S. Scott McCaulley | .... | facilities supervisor: Digital Domain (uncredited) | |
| Jon Meier | .... | data integration artist (uncredited) | |
| Dan Patterson | .... | data I/O operator: Digital Domain (uncredited) | |
| Brian Peyatt | .... | visual effects coordinator: Digital Domain (uncredited) | |
| Jon Quon | .... | technical assistant: Cinesite (uncredited) | |
| Olun Riley | .... | CG lighter: Cinesite (uncredited) | |
| Rod Ripley | .... | IS systems administrator: Digital Domain (uncredited) | |
| George Sakellariou | .... | production engineering: ILM (uncredited) | |
| Todd Sarsfield | .... | digital artist (uncredited) | |
| Eliot Sirota | .... | digital artist: Digital Domain (uncredited) | |
| Tess Spaulding | .... | system administrator (uncredited) | |
| Bryan Taylor | .... | visual effects artist (uncredited) | |
| Alphonso Young | .... | digital compositor and matte painter (uncredited) | |
Animation Department | |||
| Marcus Taylor | .... | animatic editor: pre-production (uncredited) | |
Casting Department | |||
| Maryellen Aviano | .... | extras casting coordinator (as Maryellen Aviano-Roberts) | |
| Robert Clotworthy | .... | adr voice casting | |
| Amanda Harding | .... | casting associate | |
| Terri Tracy | .... | casting assistant (uncredited) | |
Editorial Department | |||
| Randy Bricker | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Martin Cohen | .... | post-production executive | |
| David Orr | .... | color timer | |
| Michal Pfeil | .... | editorial production assistant | |
| Lisa Marie Serra | .... | post-production coordinator | |
| Bronwyn Waddington | .... | assistant editor | |
| Kevin Du Toit | .... | assistant post-production (uncredited) | |
Music Department | |||
| Christopher Brooks | .... | supervising music editor (as Christopher S. Brooks) | |
| Tonia Davall | .... | music contractor | |
| Ramin Djawadi | .... | additional music arranger | |
| Jim Dooley | .... | additional music arranger | |
| Gavin Greenaway | .... | conductor | |
| Todd Homme | .... | executive in charge of music | |
| Maude Jerome | .... | composer: song "Sweet Rosie O'Grady" | |
| Tim Jones | .... | additional music arranger | |
| Alan Meyerson | .... | music scoring mixer | |
| Maggie Rodford | .... | music coordinator | |
| Tony Stanton | .... | music preparation | |
| Katy Stephan | .... | featured vocalist | |
| Rick Wentworth | .... | conductor | |
| Nick Wollage | .... | music recordist | |
| Geoff Zanelli | .... | composer: additional music | |
| Bruce Fowler | .... | orchestrator (uncredited) | |
| Ladd McIntosh | .... | orchestrator (uncredited) | |
Transportation Department | |||
| J. Wesley Adams | .... | driver | |
| Linda Cipperley | .... | driver (as Lynda Cipperley) | |
| Michael Coady | .... | driver | |
| Angelo Corello | .... | driver | |
| Nancy DeAmicis | .... | driver | |
| Vashti Desire | .... | driver | |
| Mike Fenster | .... | driver (as Michael Fenster) | |
| Roger D. Huffman | .... | driver | |
| Jeff Lira | .... | transportation co-captain: second unit | |
| Don Newman | .... | driver | |
| Julio Cesar Ortiz | .... | driver | |
| Marty Radcliff | .... | driver (as N. Marty Radcliff) | |
| Christopher Rigby | .... | transportation co-captain | |
| Tom Roberts | .... | transportation captain: second unit (as Tommy Roberts) | |
| Jonathan A. Rosenfeld | .... | transportation coordinator | |
| Anthony Rowdon | .... | driver (as Anthony P. Rowdon) | |
| Jeff Verdick | .... | transportation captain | |
| Richard Vincent | .... | driver | |
| Jerry Winchell | .... | driver | |
| Hedy Phil Balani | .... | production driver (uncredited) | |
Thanks | |||
| Roman Mitichyan | .... | special thanks | |
| Gore Verbinski | .... | special thanks | |
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I was interested in seeing this remake simply to find out if it was as bad as a myriad of critics have suggested it to be . I did love the 1960 version and I am not keen on people remaking my favourite movies , but surely last year`s remake of HG Wells romantic fantasy wasn`t going to be as bad as painted was it ?
Herbert George Wells wrote the source novel so why not call the hero Herbert or George ? It`s also a Victorian sounding name so why`s the hero got a name that resembles Steve Martin`s character in THE MAN WITH TWO BRAINS ? This screenplay just like David Duncan`s from the 1960 version lacks an opening hook but it does speculate that even if time travel did exist it would be impossible to change ones destiny , an interesting thought . Screenwriter
John Logan adds a post modernist sequence featuring both HG Wells and STAR TREK . I didn`t think the humour worked very well but I had to admire his cheek , and since everyone cycles everywhere Logan suggests that in the mid 21st century America has elected a president from the green party which no doubt caused civilisation to collapse . Like most other movies set in the far flung future there are illogical gaps in the screenplay . For example remnants of the present day would still exist . Put it like this : The pyramids of Egypt are a few thousand years old and at the present rate of degeneration they won`t exist in a few thousand years but Alexander goes 798,000 years into the future and the skeletal remains of 21st century New York still remain ! , but as I said this is a common flaw in time travel stories as is the ridiculous notion that hundreds of thousands of years into the future people will still be able to understand and speak English , so this can be forgiven on the grounds of dramatic license . My only real criticism of the screenplay is that John Logan borrows a bit too much from Duncan`s earlier screenplay , otherwise this is a fairly good adaptation on Wells groundbreaking novel . Adding the ubermorlock is an inspired idea that works very well
I`m in two minds who to credit / criticise as director . As you may know Simon Wells left the project days before the project was completed and was replaced by Gore Verbinski so for the purposes of this review I`ll refer to the director simply as " The director " , and the director does manage one show stopping moment as the camera pans out from Alexander at the end of the 19th century across an ever evolving landscape eventually stopping on a lunar colony . The most controversial aspect of the film seems to be the casting or more especially the casting of dark skinned actors as the eloi , but I fail to see what the problem is . The eloi live on the surface in bright sunlight so why shouldn`t they be dark skinned ? It`s also in keeping with the social darwinism of Wells novel . The eloi have evolved due to environment the same way as the ubermorlock has evolved , and social darwinism is totally amoral so there`s no right or wrong , or good and bad involved . I do wish people would stop playing the race card . As for the ordinary morlocks they`re superbly designed with some great make up involved but the director throws a massive spanner in the works by having them running a hundred miles an hour and being able to jump great heights which suddenly makes them unconvincing which is a great pity , they would have worked better as men dressed up rather than CGI supermen . I did like Jeremy Irons as the scene stealing ubermorlock though . A word of warning for those of you who suffer from photo sensitivity , sadly once again this is a movie that heavily features strobe lighting . I`m not epileptic which is just as well because I wouldn`t want to risk a seizure watching THE TIME MACHINE . Sadly there seems to be more and more films being produced with this technique in style used and sadly I`ve had to keep saying - Stop using strobe lighting in movies . It`s totally irresponsible for directors to do this .
To sum up the 2002 remake of THE TIME MACHINE was light years away from the debacle I`d been led to expect . It`s fairly good in its own right but not as good as George Pal`s 1960 version , maybe because it lacks the charm of the former , a charm that movie had in abundance , but this version is still pretty good as remakes go