115 user 79 critic

Thirteen Conversations About One Thing (2001)

R | | Drama | 5 July 2002 (USA)
2:22 | Trailer

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In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.


8 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Bureau Chief
Sig Libowitz ...
Assistant Attorney
Legal Assistant
Dion Graham ...
Defense Attorney
Fernando López ...
Defendant (as Fernando Lopez)
Brian Smiar ...
Paul Austin ...
Allie Woods Jr. ...
Cab Driver (as Allie Woods)
Chris Hammond, Aspiring Medical Student


A physics professor approaching middle age decides to change his life with unexpected results. A rising young prosecuting attorney's plans are thrown into disarray as the result of a single careless act while distracted. A woman reluctantly faces her husband's infidelity. An envious insurance claims manager with family problems seeks revenge on a cheerful coworker, but has second thoughts. And an optimistic young cleaning woman awaits a miracle, only to have her faith shaken by a traumatic event. These ordinary people all find themselves asking the fundamental question philosophers have pondered throughout history: What is happiness, and how does one achieve it? Written by Anonymous

Plot Summary | Add Synopsis


Ask yourself if you're really happy.



Motion Picture Rating (MPAA)

Rated R for language and brief drug use | See all certifications »

Parents Guide:



Official Sites:



| |

Release Date:

5 July 2002 (USA)  »

Also Known As:

13 Conversations  »

Filming Locations:


Box Office


$4,500,000 (estimated)

Opening Weekend:

$89,499 (USA) (24 May 2002)


$3,287,435 (USA) (27 November 2002)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The films story is inspired by two different head injuries that director Jill Sprecher endured. See more »


The computer monitor that Troy sits behind after his promotion has neither a power nor signal cord connected to the rear panel (other, similar computers are conventionally connected). See more »


Gene: [Angrily] What is it? What are you smiling at?
See more »

Crazy Credits

Shawn Elliott is correctly spelled in the first set of credits, but is spelled as 'Shawn Elliot" in the end credits. See more »


Featured in The 2003 IFP Independent Spirit Awards (2003) See more »


Wohl denen die da Wandeln
Music by Heinrich Schütz (as Heinrich Schuetz)
Vocal arrangement by Richard Erickson
Sung by Holy Trinity Lutheran Church Parish Choir
See more »

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User Reviews

The Dancing Expositor, the Fluttering White
22 April 2003 | by (Virginia Beach) – See all my reviews

It must be quite something to know about screen writing and sit down to a blank sheet of paper. You can start with images, or characters or situations. You have to choose the type of thread and how you trace it, including the key decision about who you are. These sisters take a different approach, very writerly, very clever. They start with the simple question of happiness in a life and come at it from multiple directions, surrounding and probing it. The characters are secondary to the writer's curiosity, and the 'stories' even more incidental. Sometimes you have a film that works with the viewer to grow a world and ideas; here you simply watch as ideas grown on a page are revealed to you. Quite different, precious, but never close to lifealtering or even viscerally engaging.

The film itself superficially resembles a 'Short Cuts' or 'Things You Can Tell' in that many story lines are interwoven. But the differences are profound. Altman's projects are driven by characters and situations that touch because they ramble. The 'Things You Can Tell' project is similar to this one in that its several components are all about the same idea. But 'Things' uses the device of one woman in many bodies, each with a different actress. In this project, the device is deliberate diversity of the characters, each facet having a discernible face.

I liked it. Its not highly cinematic, rather small theater. Its not the stuff that changes one's imagination. But it is literate, refined, and well woven in terms of the words.

As to the actors and their roles, one thing all these multifaceted projects have is the option for the viewer to select a backbone. As a matter of hardwiring we reflexively choose one thread as foreground and the others as background. For me, the anchor was Beatrice, which probably tells you a lot about me. The resurrection from disillusionment (with the opening of the doll's eye!) was a bit heavy so far as the character, but DuVall as an actor really impressed me. All of these actors played characters with an unrecognized inner life. Some, like Turturro work with more self-referential techniques, but with her it seemed true.

Ted's Evaluation -- 3 of 4: Worth watching.

17 of 23 people found this review helpful.  Was this review helpful to you?

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