The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.



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Complete credited cast:


The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.

Plot Summary | Plot Synopsis


Drama | Short | Fantasy



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Release Date:

14 July 2001 (Finland)  »

Also Known As:

Beckett: Näytelmä  »

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Version of Spil (1974) See more »

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User Reviews

1 July 2001 | by (Bexleyheath) – See all my reviews

This, being cutting-edge modern drama, I approached with not a little trepidation when Channel Four started its "Becket on Film" season. I'd already watched the five-minute short "Catastrophe" with John Gielgud and I didn't know what the hell that was on about.

For the newcomer, "Play" is bizarre and difficult to get to grips with. Three disembodied heads gabble away incessantly in monotone voices, each relating their own versions of a love triangle while a frantic CCTV camera cuts between them. I applaud Becket's decision to play the story twice, as otherwise I would not have fully appreciated this complex tale.

Essentially, "Play" is "Rashomon" at Warp 9. The shaky, noisy camera cuts between the three heads (Kristin Scott Thomas, Alan Rickman and Juliet Stevenson) as they fulfill their punishment to talk about their sins for eternity. It gets more and more frantic,cutting away first in mid-speech, then in mid-sentence, then in mid-word. Then Stevenson starts laughing hysterically. At times the film itself breaks down, as if it has been retrieved from hell itself.

At the end of 15 frantic minutes I was left a little confused by the three-layer dialogue. I shall need to watch this a few times, preferably with a script, to pick out the separate narrative strands. However, Minghella's direction was nothing short of sensational. He may have taken liberties with Becket's original text, but the rapid cross-cutting, repetition and the intrusive whir or the camera as it selected its target, made for one of the most breathtaking fifteen minutes of film I have ever had the privilege to see. This will not appeal to everyone, but I recommend it to the more adventurous viewer.

19 of 21 people found this review helpful.  Was this review helpful to you?

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