The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.

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The land is filled with people in urns chattering at top speed, but only to themselves, not to one another. The focus goes to three people: a man, his mistress and his wife.

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Drama | Short | Fantasy

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14 July 2001 (Finland)  »

Also Known As:

Beckett: Näytelmä  »

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Compellingly focused Beckett on Film.
2 June 2003 | by (United Kingdom) – See all my reviews

This adaptation is one of the most impressive of the often variable series of Beckett on Film productions. Anthony Minghella - I must admit I have not seen his well known films - is spot-on with an interesting interpretation; replacing the quick-fire spotlighting of a dark stage with subtly worked angles, and largely close ups of the three main actors.

Juliet Stevenson, Kristin Scott Thomas and Alan Rickman are magnificent; what a task it must have been to have learned all those rapid-fire lines. The camera itself is a player, with its buzzing, denoting fore-grounding and focus on characters. A brilliant editing job is achieved; the play's cyclic repetition is negotiating excellently. This is a very inscrutable text at first viewing, but considering the same material is repeated, many of the verbal tricks become clearer. A convoluted narrative, made up of three different perspectives; always, the language is masterful in its precision.

A fine adaptation; perfectly captures the material of a sometimes-overlooked play: one of Beckett's shorter and less lauded works, but one every bit as deadening and obliquely shattering in its impact as the others.

Rating:- **** 1/2/*****


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