Rupert, a ten year old boy, falls hopelessly in love for the first time. When it all goes terribly wrong, he wishes never to experience heartache again. Turning to a book of magic, he invokes a spell to shield him from emotion forever.
The annual British Hairdressing Championship comes to Keighley, a town where Phil, and son, Brian, run a barbershop and Phil's ex-wife, Shelly, and her lover, Sandra, run a beauty salon. ... See full summary »
Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
Hamm is blind and unable to stand; Clov, his servant, is unable to sit; Nagg and Nell are his father and mother, who are legless and live in dustbins. Together they live in a room with two windows, but there may be nothing at all outside.
One would think that three people sitting in urns, not moving, telling the same story twice would be dull and boring, but its not. Using cross cutting and cinema tricks to make what on stage is a very static, very dull and over rated piece of twaddle, Anthony Minghella had fashioned an interesting and quite stimulating piece of film. What the point of it all is or is not I will leave up to the viewer.
The real achievement of this film is how it makes essentially a play where nothing physically happens into a movie with motion and movement and excitement (of a sort). Film students would be hard pressed to find a better example of what it means for the cinema to be in motion.
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