Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Back when the Earth was being overrun by glaciers, and animals were scurrying to save themselves from the upcoming Ice Age, a sloth named Sid, a woolly mammoth named Manny, and a saber-toothed tiger named Diego are forced to become unlikely heroes. The three reluctantly come together when they have to return a human child to its father while braving the deadly elements of the impending Ice Age. Written by
Originally, Sid was supposed to be a con-sloth and a hustler, and there were even two finished scenes of the character conning some aardvark kids and a very suggestive scene with two female sloths later in the movie. Sid was also supposed to have a female sloth named Sylvia chasing after him, whom he despised and kept ditching. All the removed scenes can be seen on the "Super Cool Edition" DVD. See more »
At the start of the cave drawings scene, the baby babbles, but his mouth doesn't move. See more »
At one point in the credits it says "Ice Age Babies" and lists all the babies born to the crew during the course of production. This feature is copied from Pixar's animated films, which always list the "Production Babies" during their credits. See more »
Just saw ICE AGE, a very funny and especially nice looking film. The story is simple but effective, the characters lovable and nicely fleshed out but what really shines is the digital set design.
More inspired by traditional animated movies than reality, the designs give you a really, really nice looking world in a astounding use of colour. Sometimes the touches of reality shine through (especially the water was impressive), but nonetheless, it's a fantasy-world based on reality. Including loads of vast landscapes especially helps to minimise the costs of rendering.
Pixar films shine with technical brilliance, this one shines with effective uses of technical know-how.
Enough technical babble, the film's entertaining, family-friendly and sometimes just hilariously funny.
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