Two people from different strata in society, Chandni and Neeraj will do anything to get there obligations carried out. While Chandni always dreams of a luxurious life, Neeraj wants some of ... See full summary »
Vishal and Jyoti come from different backgrounds, but fall in love, and in spite of oppositions from both the couples' sides, are married. After marriage, they settle down to some wedded ... See full summary »
Mr. Choudhary does not approve of his son, Arun, indulging in singing songs and music. He wants him to be a businessman like himself. Out of fear of his father finding out about his ... See full summary »
Two people from different strata in society, Chandni and Neeraj will do anything to get there obligations carried out. While Chandni always dreams of a luxurious life, Neeraj wants some of his assignments them be complete. Chandni travels to Bombay, gets married to rich and wealthy, Dr. Rana, and moves in with him. Neeraj gets married to beautiful and attractive starlet Sarita. Both has now thought that there respective lives is settled, unknown to them that they has thrown there lives in jeopardy. Written by
Alas! Alag-Alag couldn't save Kaka's dwindling career!
The year was 1985 and Late Rajesh Khanna was no more a superstar. Yes, he had projects but none of them were powerful enough to revive his career that was on a downward slide. The quartet (Samanta, Pancham, Kaka and Kishore) had come together again to create a magic, but as time would see, Alag-Alag couldn't become more than a musical hit. During the early and mid-80s the art cinema was at its peak and films like Garm Hawa, Jaane Bhi Do Yaaron, Tarang, Ardh Satya etc. were actually sketching a true portrait of the Indian society. Alag-Alag is very-very filmy, I mean it misses something that could connect it with the paradigm of real world. The story is a simple tale of two individuals, who start off bickering but end up loving each other. The film portrays their struggle and how they manage to get over all the obstacles to ultimately attain their 'Zindagi Ka Maqsad' (Life's Goal) that unfortunately changes twice or thrice in 3 hours. The good thing about Alag-Alag is that it's loaded with memorable and lingering songs and is also very nostalgic. I watch it whenever I like to take a trip to the mid-80s, when films used to be so stress busting comical creations. Ah! The Wonderful 80s.
Neeraj (Rajesh Khanna) is an aspiring singer, who comes to Mumbai hoping to make it big in the music world. In Mumbai, he lives with his friend Karim (Deven Verma), who assists him in his hunt for opportunities. Even though Neeraj is talented, yet none of the music directors want to give him a chance as a playback singer. He sings for the common people living in the neighborhood and is admired by all.
Chandni (Tina Munim) is an innocent runaway village belle, who has come to Mumbai to find a suitable and rich husband for herself. Neeraj and Chandni come across each other and keep fighting over trivial issues. Fate takes Chandni to Dr. Pratap Rana (Shashi Kapoor), who is a successful doctor and lives in a palatial house. Dr. Rana is a widower and Chandni due to her sheer innocence, wants to chance upon him. However, Dr. Rana looks upon her as his daughter.
One day Neeraj is discovered by a successful actress Sarita (Bindu). Neeraj thinks she could help him getting a chance to perform, but Sarita is actually obsessed with him and wants to pull him into a live-in relationship. When Neeraj comes to know of Sarita's amorous intentions, he severs his relationship and goes back to Karim. It's there he realizes that he only loves Chandni and wants to begin his life with her.
Chandni is blessed with a melodious voice and Dr. Rana wants to teach her urban mannerism. For this he sends Chandni to Begum Zaidi (Gita Siddharth). On the other side, Neeraj finally gets his long awaited chance to become a playback singer. He makes it big in the world of music and then his 'Zindagi Ka Maqsad' shifts to Chandni. He follows Chandni to Begum Zaidi's house and vows to 'kindle the flame of love' in Chandni's heart. Despite denying earlier, Chandni finally realizes that she loves Neeraj and they thus come on the same note.
Chandni wants to go to Dr. Rana and Neeraj decides a spot to meet once she is back. When Chandni goes to Dr. Rana, she finds him on deathbed. Rana dies soon after wishing Chandni a happy life. Now we see that previously Neeraj had a rift with his billionaire Dad (Subbiraj) that led him to Mumbai. He rejoins his family and is now a billionaire too (Wish I were lucky too!). Neeraj wants to meet Chandni but meets an accident that turns him mute (I never knew that injury on vocal chords is a psychological problem. Wonder how they made it up!).
When Neeraj doesn't show up, Chandni is left all alone and homeless. To hide his inability, Neeraj begins to avoid Chandni. Feeling that she has been ditched by Neeraj, Chandni's 'Zindagi ka Maqsad' shifts towards realizing the dreams of now deceased Dr. Rana, who wanted to see her as a successful singer. Neeraj helps Chandni in realizing her goals unbeknownst to her, because now Neeraj's 'Zindagi Ka Maqsad' is to establish Chandni as a successful singer. He begs a great music maestro Mirza ji (Om Shivpuri) to groom Chandni. Well, you see Mirza ji and Karim both live in the same house....Oops this was a goof!
Alag-Alag had scope, but only if it were released in 70s. By early 80s, the audience had adopted a new taste for action films and family dramas. There were so many young and promising faces to challenge an aging Rajesh Khanna. Mithun, Rishi Kapoor, Jackie Shroff, Anil Kapoor, Sunny Deol etc. had a list of successful films behind them. Rajesh Khanna had hits and semi-hits like 'Souten,' 'Avtaar,' and 'Kudrat,'yet I won't say he was fit for Alag-Alag. He looks too old and his wardrobe doesn't suit him. I mean, he looks funny with those costumes when he tries to throw his jaded charms acting like a young boy that he surely wasn't. I guess Shakti Samanta had to cast him as a hero because Kaka produced the film. Samanta should have disagreed with Kaka just the way Mahesh Bhatt did while directing 'Naam,' for which producer Rajendra 'Jubilee' Kumar asked him to give the part Sanjay Dutt was playing to his own son Kumar Gaurav. Time told that Bhatt was right, else 'Naam' would have been a fiasco. Desipte a simple story line with so many unprecedented events, packed with funny twists and turns, 'Alag- Alag' is still a strong representative of the 80s, so you can watch it too in case you are a hardcore fan of Rajesh Khanna (like me) and need to take a quick trip to the 80s.
0 of 0 people found this review helpful.
Was this review helpful to you?