Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin ... Written by
Donald mentions "Flowers for Algernon" as a film being about flowers (although Donald admits that he had never seen the film). Charlie tells Donald that "Flowers for Algernon" was both not about flowers, nor was it a film. While Charlie is completely right that "Flowers for Algernon" is not about flowers, he is only technically correct that it is not a movie; when the novel was adapted into a film in 1968, it was retitled "Charly." Cliff Robertson won an Academy Award for Best Actor for playing the title character. See more »
In the beginning of the film, when John La Roche is trudging through the swamp searching for orchids, he is seen up to his armpits in water. Once out of the water, when the park enforcement officer approaches them, the water line on LaRoche's shirt is clearly seen as just above the waist - about a foot lower than the point to which he was submerged. See more »
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would ...
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"We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE See more »
From portals to orchids, Jonze and Kauffman strike again
Three years after director Spike Jonze and writer Charlie Kauffman's brilliantly offbeat masterpiece Being John Malkovich, comes their latest stream of conscious head trip. Yes folks, this one stars Nicholas Cage...and, Nicholas Cage.
The film starts off appropriately enough inside Being John Malkovich(or more precisely on the set of Being John Malkovich when Malkovich is inside his own head) But this is no sequel...no no, much more than that. We soon go back to the beginning. Not the beginning of the movie, but to the beginning of it all. To the dawn of the universe, a zero in the fabric of time itself hurling toward the deep chasm of entropy. From the primitive scribblings of early man to the manic late night scribblings of the neurotic Charlie Kauffman(played by Cage)
What we have here is a film about orchid thieves, high society New York socialites, screenwriters, identical twins, crocodiles, narcotic rings, and internet porn...err, more aptly put: a movie about a guy writing a movie about a book inside of another movie. Oh yeah, and it's based on a true story. Sound confusing?
Adaptation is the screen treatment of the best selling non fiction book The Orchid Thief. Only thing is the main character in the film is doing the adapting, and writing himself into script. In the film we go from early primordial man to Being John Malkovich's floor seven and a half...and somehow it all makes sense.
Is this an incoherent parable on the parasitic relationship between writers and their subjects? The evolution from single cell organisms to paleolithic glee? Or a look at how everything seems to have a purpose in life? Somehow between the obscure Hollywood industry injokes, Silence of the Lambs references, and celebrity Boggle tournaments I missed something.
Unfortunately by the third act(when the movie goes from non fiction to fiction) Adaptation unravels and ends up gravely falling apart. But perhaps that is the point. A film about a real life struggle to adapt a book that doesnt have much suspense in it, and the peril of trying to work some fictional thriller plotlines in at the last minute. Either way, hats off to Jonze and Kauffman for once again bringing us an audaciously unconventional idea and tearing down the box. All this from the adaptive skills of an orchid.
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