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Adaptation. (2002)

R  |   |  Comedy, Drama  |  14 February 2003 (USA)
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Ratings: 7.7/10 from 134,890 users   Metascore: 83/100
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A lovelorn screenwriter becomes desperate as he tries and fails to adapt The Orchid Thief by Susan Orlean for the screen.



(book), (screenplay), 1 more credit »
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Won 1 Oscar. Another 51 wins & 82 nominations. See more awards »



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Cast overview, first billed only:
Russell (as G. Paul Davis)
Ranger Steve Neely (scenes deleted)
Orlean's Husband


While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin ... Written by Huggo

Plot Summary | Plot Synopsis


From the creator of Being John Malkovich, comes the story about the creator of Being John Malkovich. See more »


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language, sexuality, some drug use and violent images | See all certifications »

Parents Guide:



Official Sites:




Release Date:

14 February 2003 (USA)  »

Also Known As:

The Orchid Thief  »

Box Office


$19,000,000 (estimated)

Opening Weekend:

$384,478 (USA) (6 December 2002)


$89,971 (Hong Kong) (13 June 2003)

Company Credits

Show detailed on  »

Technical Specs


| (TV)

Sound Mix:

| |


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The "filmography" link in the DVD includes a page for the fictional Donald Kaufman, listing his works as "Adaptation" and "The Three". There is a hidden link in the DVD main page. Scroll up from the main set of links and there is a telephone icon which appears, linking to a page with an "Adaptation Answering Machine" phone number, which had an answering machine with a message to leave your comments. Unfortunately, that phone number is no longer active. See more »


When Susan talks to John in her hotel room, the cord that runs out of her phone is clearly seen. But when the conversation continues as Susan lies on the floor, the cord is gone. See more »


[first lines]
Charlie Kaufman: [voiceover] Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would ...
See more »

Crazy Credits

Meryl Streep's wardrobe designer is credited as "Mr. Streep's wardrobe" See more »


References Lake Placid (1999) See more »


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Frequently Asked Questions

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User Reviews

Plot Construction as Protagonist--but what a fascinating construct. Pure brain food.
16 October 2009 | by (United States) – See all my reviews

Adaptation (2002)

I adapted. I evolved. My second take on this movie was a turnaround from the first, when I thought it was needlessly complicated and self-absorbed. After all, the lead character is the screenwriter, and he's so full of himself and his self-pitying diary entries he has an identical twin to double the narcissism. I remembered enjoying it, but thinking it wheedling and grad school ultra-clever, too.

But that's not it at all. This is a movie that is all about plot construction but not about being inside the plot in the normal viewer-filmmaker way. For me, I couldn't just watch to see what was going to happen next. Things happen, there is a true climax of an ending, but it's how they happen that matters. The layering of time frames is paralleled by the layering of realities--until you realize that it's all real, and that the supposed movie being written is and isn't the movie we are watching. Or if it is, totally, and we see it's genesis on screen, it is still a screenplay about something real. Or not, once you see that the book, "The Orchid Thief," which is a real book by Susan Orlean, is not "Adaptation" at all, but just a thread for Kaufman to weave these different personalities and plots together.

Fiction or fact, who cares? Well, that's part of the film's cunning--there's even a cameo of John Malkovich at the start, and a shot of that famous Being John Malkovich set of the half sized floor 7 ½ in an office building. And for the record, there is a Ghost Orchid that grows in the Everglades, Polyrrhiza lindenii, and yes, you can now buy it legally from growers with greenhouses. But Charles Kaufman the very real screenwriter (Being John Malkovich, of course, and Synecdoche, New York) is played by an actor, Nicholas Cage, with Cage's usual nervous ticks and uneasiness. Perfect for this role.

But does it all work? On the brain, yes. It's fascinating and engrossing, the work of a screenwriter showing off his chops. Is there suspense? Not really, even though it involves thieves and guns and romance. More telling, do we care about the characters? Nope again. Not for me. I'm curious about these people--Meryl Streep as the writer of the book, and Chris Cooper as the orchid thief are both right on--but not worried about their survival, in love or in life. Still, I had to see every minute because I wanted to see how these very disparate characters were used to construct the construction, to force a point.

To say the movie isn't original or well done is foolish. The director? The redoubtable Spike Jonze, who seems to have let Kaufman lead the way, so the filming, per se, is excellent without being notable. You can't quite tell he's a television commercial director, but once you find that out it makes sense, and the movie is broken into short pieces not unlike your average t.v. experience.

To say Adaptation isn't to your taste is, of course, very reasonable. But if you can watch it the way I did the second time, open to its inner meanderings and the jumping from layer to layer, open that is to the working of the narrative plot stripped bare, you'll be glued.

16 of 20 people found this review helpful.  Was this review helpful to you?

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