Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
While his latest movie Being John Malkovich (1999) is in production, screenwriter Charlie Kaufman is hired by Valerie Thomas to adapt Susan Orlean's non-fiction book "The Orchid Thief" for the screen. Thomas bought the movie rights before Orlean wrote the book, when it was only an article in The New Yorker. The book details the story of rare orchid hunter John Laroche, whose passion for orchids and horticulture made Orlean discover passion and beauty for the first time in her life. Charlie wants to be faithful to the book in his adaptation, but despite Laroche himself being an interesting character in his own right, Charlie is having difficulty finding enough material in Laroche to fill a movie, while equally not having enough to say cinematically about the beauty of orchids. At the same time, Charlie is going through other issues in his life. His insecurity as a person doesn't allow him to act upon his feelings for Amelia Kavan, who is interested in him as a man. And Charlie's twin ... Written by
Charlie Kaufman writes the way he lives... With Great Difficulty. His Twin Brother Donald Lives the way he writes... with foolish abandon. Susan writes about life... But can't live it. John's life is a book... Waiting to be adapted. One story... Four Lives... A million ways it can end. See more »
A paragraph from Donald Kaufman's script "The Three" is shown at the very end of the credits. It reads: "We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE See more »
Donald suggests Flowers for Algernon as an example of a movie about flowers, to which Charlie replies, "It's not about flowers; besides it's not a movie." In fact, the book had been filmed twice - once as Charly and for television as Flowers for Algernon. See more »
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would ...
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The screenplay is credited as being written by both Charlie Kaufman and his fictional brother Donald. See more »
One Part Lullaby
Written by John Davis, Lou Barlow and Wally Gagel
Published by Careers-BMG Music Publishing, Inc. o/b/o itself, Endless Soft Hits, Loobiecore and Blisswg Productions
Performed by The Folk Implosion
Courtesy of Interscope Records
Under license from Universal Music Enterprises See more »
actors & director create startling and original film
"Adaptation" is an off-the-wall film with a startling second half. Overall, the film is darkly comic, but viewers get an unexpected dose of movie action and violence before everything is said and done.
It's fair to say that there is a fair amount of violence in the film, and even when you know it's coming, you're still caught off guard. Spike Jonze is merciless in this regard. Some of the scenes are incredibly graphic, in fact.
There is a certain adolescent male tone to the film (the violence + sexual fantasy + masturbation). This is partially due to characterization and partially due to the director's own aesthetic and perspective. It's not a bad thing, necessarily, either. It just feels as if an unassuming (white male) kid who grew up thinking a lot about girls and watching movies where stuff blowed up made this film... See it and you'll know what I'm saying.
The script is crazy. Absolutely zany. Akin to "Being John Malkovich" really. Fortunately, this well gives opportunity for Nic Cage, Meryl Streep, and Chris Cooper to really be free with their art.
Cage has a difficult role, portraying two very different identical twin brothers. Cage is at the emotional core of the film. If his performance doesn't resonate, the film doesn't work. I thought Cage was excellent. And that the script really gives him some wonderful, challenging material to work with. His first scene with Tilda Swinton (looking gorgeous!) is excellent.
Meryl Streep...well, what can be said. She's fantastic. She exudes a tiredness and connectedness and hopelessness and sadness, evolving the character brilliantly over the course of the film.
Similarly, Chris Cooper brings a humanity to the role of the Orchad Thief, really grounding the narrative and making it all believable. Again, he's given a brilliant opening scene and he works wonders with it. Throughout, he is believably arrogant, lonely, vulnerable, and just plain real. Cooper's performance is as rich as any other I've seen this year; truly, truly sublime.
"Adaptation" is certainly not for everyone. If you're looking for something starkly different and simmering with originality, give this film a try, though. Amidst some cloying self-referential clap-trap, there are actually some really freshing film moments.
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