'Page 3' takes a behind-the-scenes look at A-list celebrity lifestyles through the eyes of a female entertainment journalist. It explores the power-play between the rich and famous and the ... See full summary »
Konkona Sen Sharma,
Geeta Rao has two admirers - one is Siddharth Tyabji and the other is Vikram Malhotra circa 1969 West Bengal that is witnessing it's struggle against the ruling Congress party, joining ... See full summary »
Kay Kay Menon,
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
Chandra Prakash Dwivedi
A young man named Satya (J.D Chakravarthy) comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku... See full summary »
Silsila is the "manager" of one traffic signal, that is he collects the "hafta" (protection tax) from each signal squatter plying his trade. There's Tsunami, a little scavenger boy, there's... See full summary »
Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the ... See full summary »
Mumtaz is a village girl whose family is killed in communal riots. She moves to Mumbai with her uncle, the only family member she has left. They are desperately poor and her uncle persuades her to become a bar girl at Chandni Bar. This is merely temporary, he promises, until he gets a job. Mumtaz is a shy girl who loathes the work, but she forces herself to dance and flirt. However, the uncle doesn't keep his promise; he lives on her earnings, drinking them away, and never gets a job. He adds one final, unforgivable crime to the list when he gets drunk and rapes her. By this time she has caught the eye of a gangster called Potiya Sawant. When she tells Potiya what her uncle did to her, Potiya decides to "defend her honor." Potiya shoots the uncle. Mumtaz, bereft of any male protection in the dangerous slums, marries Potiya. She is determined to make the best of things. She leaves the bar and stays home to raise her two children, whom she carefully protects from the world of ... Written by
This is one of the movies that allows to peek at the life of the people who have suffered and haven't seen the light at the end of the tunnel. The movie is very effective for it takes us into the life of a beer bar dancing girl (Mumtaz) in the city of Bombay, and shows us the rut that she is in and any attempts made by her to rise are in vain. The movie is both dark in content and in the lighting which is symbolic of the hopelessness and is very effective. Tabu's performance is noteworthy as she depicts the life of Mumtaz with absolute sincerity. Details, such as, her twirling the cord of the phone when she is in a state of hopelessness shows she has really immersed herself into the character. With her performance you never feel that she is putting on a show. The movie neither glamourizes nor demeans the profession of these girls and the director deserves praise for that. The lack of songs is highly appropriate for this movie as this is not a "feel good" movie. As a warning to the faint of heart, this movie is highly disturbing and should be avoided when depressed.
10 of 12 people found this review helpful.
Was this review helpful to you?