| Malgorzata Foremniak | ... | Ash | |
| Wladyslaw Kowalski | ... | Game Master | |
| Jerzy Gudejko | ... | Murphy | |
| Dariusz Biskupski | ... | Bishop | |
| Bartlomiej Swiderski | ... | Stunner (as Bartek Swiderski) | |
| Katarzyna Bargielowska | ... | Receptionist | |
| Alicja Sapryk | ... | Gill | |
| Michal Breitenwald | ... | Murphy of Nine Sisters | |
| Zuzanna Kasz | ... | Ghost | |
| Adam Szyszkowski | ... | Player A | |
| Krzysztof Szczerbinski | ... | Player B (as Krszysztof Szczerbinski) | |
| Marek Stawinski | ... | Player C | |
| Jaroslaw Budnik | ... | Cooper (voice) | |
| Andrzej Debski | ... | Cusinart (voice) | |
| rest of cast listed alphabetically: | |||
| Zdzislaw Szymborski | ... | Man at Philharmonic (uncredited) | |
| Elzbieta Towarnicka | ... | Soloist at Philharmonic (uncredited) | |
Directed by | |||
| Mamoru Oshii | |||
Writing credits(in alphabetical order) | ||
| Kazunori Itô | ||
Produced by | |||
| Takehiko Chino | .... | associate producer | |
| Ryoichi Fukuyama | .... | associate producer | |
| Kazumi Kawashiro | .... | co-producer | |
| Tetsu Kayama | .... | executive producer | |
| Shinji Komori | .... | associate producer | |
| Atsushi Kubo | .... | producer | |
| Takenari Maeda | .... | associate producer | |
| Yasuki Miki | .... | associate producer | |
| Katsuharu Nagata | .... | associate producer | |
| Katsuhiro Ogawa | .... | assistant producer | |
| Naoyuki Sakagami | .... | executive producer | |
| Toru Shiobara | .... | executive producer | |
| Nobuyuki Tohya | .... | associate producer | |
| Shin Unozawa | .... | co-producer | |
| Shigeru Watanabe | .... | executive producer | |
Original Music by | |||
| Kenji Kawai | |||
Cinematography by | |||
| Grzegorz Kedzierski | |||
Film Editing by | |||
| Hiroshi Okuda | |||
Production Design by | |||
| Barbara Nowak | |||
| Takashi Watabe | |||
Costume Design by | |||
| Magdalena Biernawska-Teslawska | (as Magdalena Teslawska) | ||
Production Management | |||
| Masato Araki | .... | production manager | |
| Janusz B. Czech | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Makoto Kamiya | .... | special assistant director | |
| Isao Kaneko | .... | first assistant director | |
Art Department | |||
| Hiroyuki Hayashi | .... | digital art director | |
| Yoshihisa Kato | .... | imageboard designer | |
| Tom Miller | .... | property master | |
| Tanake Watabe | .... | art designer | |
| Waldemar Weiss | .... | construction coordinator | |
Sound Department | |||
| Shuji Inoue | .... | sound designer | |
| Tom Myers | .... | sound designer | |
| Tom Myers | .... | sound re-recording mixer | |
| Randy Thom | .... | sound designer | |
| Randy Thom | .... | sound re-recording mixer | |
| Kazuhiro Wakabayashi | .... | sound director | |
| Stuart McCowan | .... | assistant sound designer (uncredited) | |
Visual Effects by | |||
| Nobuaki Koga | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Piotr Obloza | .... | gaffer | |
Animation Department | |||
| Atsushi Takeuchi | .... | mechanical designer | |
Editorial Department | |||
| Reiko Saitoh | .... | assistant to editor | |
Music Department | |||
| Tomoyuki Asakawa | .... | musician | |
| Tom Boyd | .... | musician: oboe soloist | |
| Kenji Kawai | .... | music arranger | |
| Kenji Kawai | .... | music producer | |
| Kenji Kawai | .... | synthesizers/percussion | |
| Shigeru Otake | .... | music coordinator | |
| Jerzy Swoboda | .... | conductor | |
| Elzbieta Towarnicka | .... | musician: soprano | |
Other crew | |||
| Seiichi Tanaka | .... | title designer: main titles | |
| Kazue Yoneda | .... | production assistant | |
| Akiko Yukawa | .... | production assistant | |
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| Akira | Children of Men | The Matrix Reloaded | Battle Royale | All About Lily Chou-Chou |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
Avalon is a beautiful movie, but not for everyone. If you mainly like action or fast-paced movies you may be turned off by some of the slow scenes during the movie. Avalon has action though, and explosions galore. Some of the story is a little ridiculous and hard to follow, but that isn't necessarily a bad thing at all.
This is the only film I know of that was a co-production of both Japan and Poland. Directed by Mamoru Oshii, but filmed mostly in Poland and in the native Polish language.
While watching this movie you get a feeling of a very unique quality. It was filmed (or altered in post) to resemble an old Sepia toned film, but still with the high-resolution of today's film standard. This adds a very bleak and depressive visual style to much of the movie. That's a good thing, because this is not a happy movie in the least.
Avalon relies heavily on CGI throughout the movie, due to the "cyber game world" that the movie is largely dealing with. Much of the CGI effects are quite interesting to watch. You can often tell they are CGI effects, but it's obvious that it's a computer dominating world with players inside it.
Another effective element to the film was the excellent music score by Kenji Kawai. This has to be one of the most beautiful and engaging film scores I've heard in a long time. It ranges through many different forms, even to the operatic. Very layered and complex, yet easy on the ears. Recorded with the Warsaw Philharmonic Orchestra, tons of people played the various musical instruments in the recording of the score, according to the end credits. I would compare it in a sense to Christopher Young's otherworldly and haunting score for the first two Hellraiser films. It's a shame that the soundtrack to Avalon is currently only available as an expensive import CD.
Even if you dislike the film, you must watch it once just for the amazing music...it really is that good.