IMDb > Avalon (2001)
Avalon
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Avalon (2001) More at IMDbPro »

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Avalon -- CT #1

Overview

User Rating:
6.6/10   10,759 votes »
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Director:
Writer:
Kazunori Itô (screenplay)
Contact:
View company contact information for Avalon on IMDbPro.
Release Date:
20 January 2001 (Japan) See more »
Tagline:
Dare to enter a world of future videogames
Plot:
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon... See more » | Add synopsis »
Plot Keywords:
Awards:
3 wins & 1 nomination See more »
User Reviews:
Eyes that do not see... See more (142 total) »

Cast

  (in credits order) (complete, awaiting verification)
Malgorzata Foremniak ... Ash
Wladyslaw Kowalski ... Game Master
Jerzy Gudejko ... Murphy
Dariusz Biskupski ... Bishop
Bartlomiej Swiderski ... Stunner (as Bartek Swiderski)
Katarzyna Bargielowska ... Receptionist
Alicja Sapryk ... Gill
Michal Breitenwald ... Murphy of Nine Sisters
Zuzanna Kasz ... Ghost
Adam Szyszkowski ... Player A
Krzysztof Szczerbinski ... Player B (as Krszysztof Szczerbinski)
Marek Stawinski ... Player C
Jaroslaw Budnik ... Cooper (voice)
Andrzej Debski ... Cusinart (voice)
rest of cast listed alphabetically:
Elzbieta Towarnicka ... Soloist at Philharmonic
Zdzislaw Szymborski ... Man at Philharmonic (uncredited)

Directed by
Mamoru Oshii 
 
Writing credits
Kazunori Itô (screenplay)

Produced by
Takehiko Chino .... associate producer
Ryoichi Fukuyama .... associate producer
Kazumi Kawashiro .... co-producer
Tetsu Kayama .... executive producer
Shinji Komori .... associate producer
Atsushi Kubo .... producer
Takenari Maeda .... associate producer
Yasuki Miki .... associate producer
Katsuharu Nagata .... associate producer
Katsuhiro Ogawa .... assistant producer
Naoyuki Sakagami .... executive producer
Toru Shiobara .... executive producer
Nobuyuki Tohya .... associate producer
Shin Unozawa .... co-producer
Shigeru Watanabe .... executive producer
 
Original Music by
Kenji Kawai 
 
Cinematography by
Grzegorz Kedzierski 
 
Film Editing by
Hiroshi Okuda 
 
Production Design by
Barbara Nowak 
Takashi Watabe 
 
Costume Design by
Magdalena Biernawska-Teslawska  (as Magdalena Teslawska)
 
Production Management
Masato Araki .... production manager
Janusz B. Czech .... production manager
 
Second Unit Director or Assistant Director
Makoto Kamiya .... special assistant director
Isao Kaneko .... first assistant director
 
Art Department
Hiroyuki Hayashi .... digital art director
Yoshihisa Kato .... imageboard designer
Tom Miller .... property master
Tanake Watabe .... art designer
Waldemar Weiss .... construction coordinator
 
Sound Department
Shuji Inoue .... sound designer
Tom Myers .... sound designer
Tom Myers .... sound re-recording mixer
Randy Thom .... sound designer
Randy Thom .... sound re-recording mixer
Kazuhiro Wakabayashi .... sound director
Stuart McCowan .... assistant sound designer (uncredited)
 
Visual Effects by
Nobuaki Koga .... visual effects supervisor
 
Camera and Electrical Department
Piotr Obloza .... gaffer
 
Animation Department
Atsushi Takeuchi .... mechanical designer
 
Editorial Department
Reiko Saitoh .... assistant to editor
 
Music Department
Tomoyuki Asakawa .... musician
Tom Boyd .... musician: oboe soloist
Kenji Kawai .... music arranger
Kenji Kawai .... music producer
Kenji Kawai .... synthesizers/percussion
Shigeru Otake .... music coordinator
Jerzy Swoboda .... conductor
Elzbieta Towarnicka .... musician: soprano
 
Other crew
Seiichi Tanaka .... title designer: main titles
Kazue Yoneda .... production assistant
Akiko Yukawa .... production assistant
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Gate to Avalon" - Hong Kong (English title) (video box title)
See more »
MPAA:
Rated R for some violence
Runtime:
107 min
Country:
Language:
Color:
Color | Black and White (Sepiatone)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
Bishop is played by Dariusz Biskupski. 'Biskup' is Polish for bishop.See more »
Goofs:
Factual errors: The screen showing Ash's points after the first battle lists as a Gotten Item an SVD 7.65x56R. The SVD Dragonov is a Russian sniper rifle which uses 7.62x54R ammunition.See more »
Quotes:
Bishop:what do you think is the best, a game you think you can finish, but never do, or a game that seems impossible to win, but isn't?See more »
Movie Connections:
Referenced in Assault Girls (2009)See more »

FAQ

What happened to the dog ?
See more »
82 out of 97 people found the following review useful.
Eyes that do not see..., 28 November 2004
Author: SupaChupacabra from NYC

I think many of the complaints about this movie are by those that overlook one of the most obvious statements of the movie... that day to day life is boring & tedious, (walking hallways, taking lonely boring train rides, feeding your dog, watching an annoying person eat) all the while the visual world (read spiritual, artistic, visionary, higher level, etc.) is breath-taking. None of the characters of this world are privy to the visual poetry we are being exposed to as viewers... and that is part of the point, they are blind to it... yet it's a reminder that technological obsessiveness, or material obsessiveness, blinds everyone from simple visual beauty. The lighting alone in the movie was incredibly inventive, variations of sepia tones that went from red to green to blue during the course of the movie... overall the lighting and photography in the movie was amazing. You could take any given frame of this film and have a very beautiful photograph. There is a lot of CGI work in this movie that many nay-sayers called "low budget" and didn't even notice. Watch at the very end of the movie how the ghost's mouth wavers, almost like the Mona Lisa, from sad half-frown into a smirk, and this was done in post. I'm sure many people missed very subtle and beautiful touches like this on first viewing. If someone were to critique it for lack of complexity, I would agree... Blade Runner was not "deep" in the same way... but both, upon multiple viewings, remain almost timelessly poignant while being very reflective of when they were made, and I'm sure in 10 years this movie will seem as striking, as Blade Runner is to me now over 20 years since it's release. This will be one to watch over and over again every 6 months.

One caveat... the Miramax version is rubbish. The translations are horrible and stupid. Literally you lose half the meaning of the film. At one point Ashe is talking to the Gamemaster discussing Avalon (the mythic island) and discussing Odin and the helmet of forgetting... right as she puts the VR helmet on. In the Miramax version... the Gamemaster just says "be careful it's dangerous in there"... etc. Not even close, it's like they didn't bother even attempting a real translation, pathetic.

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