In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Well, this movie I enjoyed very much. To answer to those complaining about the slow pace: you're right. That's what's different and pretty nice in my opinion. For instance that moment when Ash is slicing a cabbage, cooking in her apartment. Boy! What a slow yet intense moment. Nothing to "see" but how much to feel. I'd say i like John Wo's movies too you know, but this style is the opposite, and better i think if a comparison can be made.
You might think i'm a weirdo but next time you see it try to focus on the apparent emptyness of some of the scenes ... like the one in the subway ... i hope you'll see what i mean.
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