Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry her. He only knows her by mail. The woman that comes does not like the picture he got, but he ... See full summary »
Irrestisible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during ... See full summary »
In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, ... See full summary »
In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »
In World War II, the widow Barny sees the Italian soldiers arriving in occupied Saint Bernard while walking to her job. Barny lives with her daughter and works correcting tests and feels a ... See full summary »
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out ... See full summary »
Rocco and his female accomplice, Angèle hijack a truck from a trucking company in the Saharan desert. The head of the trucking company, Castigliano hires Rocco's friend, Hervé and a newly ... See full summary »
Nothing more to say. Except perhaps that the only reason to endure this sorry effort is Sami Naceri. He's not as convincing as in Petit Ben for instance, but this is rather due to the poorer than poor direction.
Anyway, I'll never understand why there are people out there feeling the need to foozle a masterpiece with their less than mediocre efforts.
The same thing is bound to happen when next year the assault on "Le Deuxième Soufflé" will happen to see the light of day.
What about a little respect for the work of a genius? It should be common knowledge, that the films of Jean-Pierre Melville can't be surpassed. Who's gonna save us from such a crap when even the french start to beat the Americans when it comes to making trashy remakes of their masterpieces? What's next? A remake of "Le Samourai" starring Tom Cruise? Argh!
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