| Photos (See all 46 | slideshow) | Videos (see all 9) |
| Robert Redford | ... | Nathan D. Muir | |
| Brad Pitt | ... | Tom Bishop | |
| Catherine McCormack | ... | Elizabeth Hadley | |
| Stephen Dillane | ... | Charles Harker | |
| Larry Bryggman | ... | Troy Folger | |
| Marianne Jean-Baptiste | ... | Gladys Jennip | |
| Matthew Marsh | ... | Dr. William Byars | |
| Todd Boyce | ... | Robert Aiken | |
| Michael Paul Chan | ... | Vincent Vy Ngo | |
| Garrick Hagon | ... | CIA Director Cy Wilson | |
| Andrew Grainger | ... | Andrew Unger | |
| Bill Buell | ... | Fred Kappler | |
| Colin Stinton | ... | Henry Pollard | |
| Ted Maynard | ... | CIA Administrator | |
| Tom Hodgkins | ... | CIA Lobby Guard | |
| Rufus Wright | ... | Folger's Secretary | |
| Demetri Goritsas | ... | Billy Hyland | |
| Quinn Collins | ... | OPS Center Security Officer | |
| Sam Scudder | ... | Back Bencher | |
| Yann Johnson | ... | CIA Back Bencher | |
| Pat McGrath | ... | Cleaner | |
| Shane Rimmer | ... | Estate Agent | |
| David Hemmings | ... | Harry Duncan | |
| James Aubrey | ... | Mitch Alford | |
| In-Sook Chappell | ... | Alford's Receptionist (as In Sook Chappell) | |
| Benedict Wong | ... | Tran | |
| Ken Leung | ... | Li | |
| Adrian Pang | ... | Jiang | |
| Ho Yi | ... | Prison Warden (as Ho-Yi) | |
| David Cheung | ... | Down's Prisoner (as David Y. Cheung) | |
| Tony Xu | ... | Interrogator | |
| Mark Sung | ... | Ambulance Driver | |
| David Tse | ... | Prison Doctor (as David K.S. Tse) | |
| Logan Wong | ... | Prison Guard | |
| Hon Ping Tang | ... | Prison Guard | |
| Daniel Tse | ... | Warden's Lieutenant (as Dan Tse) | |
| Vincent Wang | ... | Outer Gate Guard | |
| Stuart Milligan | ... | Vietnam: Captain | |
| Joseph Chanet | ... | Vietnam: VC General | |
| Eddie Yeoh | ... | Vietnam: General Hun Chea | |
| Freddie Joe Farnsworth | ... | Vietnam: Radioman | |
| Joerg Stadler | ... | Frederick Schmidt - Berlin | |
| Zsolt Zágoni | ... | Berlin: West German Businessman | |
| Balázs Tardy | ... | Vopo #1 - Berlin | |
| Pál Oberfrank | ... | Berlin: Vopo #2 | |
| Géza Schramek | ... | Berlin: East German Refugee | |
| Imre Csuja | ... | Berlin: Bar Owner | |
| Melinda Völgyi | ... | Berlin: Bar Owner's Wife | |
| Károly Rékasi | ... | Berlin: East German Border Guard | |
| Kimberly Paige | ... | Sandy - Berlin (as Kimberly Tufo) | |
| Iain Smith | ... | Berlin: Ambassador Cathcart | |
| Gregory Groth | ... | Berlin: CIA Training Instructor | |
| Peter Linka | ... | Berlin: CIA Polygraph | |
| Omid Djalili | ... | Beirut: Doumet | |
| Amidou | ... | Dr. Ahmed - Beirut | |
| Nabil Massad | ... | Beirut: Sheik Salameh | |
| Mohamed Picasso | ... | Colonel Ajami - Beirut | |
| Aziz Ait Essahmi | ... | Beirut: Checkpoint Guard | |
| Moustapha Moulay | ... | Beirut: Arab Businessman | |
| Mohamed Quatib | ... | Beirut: Motorcyclist / Decoy Man | |
| Farid Regragui | ... | Beirut: Suicide Van Driver | |
| Dale Dye | ... | Commander Wiley - Rescue Sequence | |
| Tim Briggs | ... | Rescue Sequence: Heli Pilot | |
| Frank Nall | ... | Reporters: CNN Reporter | |
| Ian Porter | ... | Reporters: US-China Reporter | |
| Charlotte Rampling | ... | Berlin: Anne Cathcart | |
| rest of cast listed alphabetically: | |||
| Ian Boo Khoo | ... | Chinese Prisoner (uncredited) | |
| Anita Deutsch | ... | A Girl (uncredited) | |
| James Embree | ... | Special Forces Team Member - Rescue Sequence (uncredited) | |
| Philip Harvey | ... | Lift CIA Agent (uncredited) | |
| Tibor Kenderesi | ... | Old Man in Window - Berlin (uncredited) | |
| Tong Lung | ... | Chinese Prison Guard (uncredited) | |
| Andrea Osvárt | ... | Muir's Cousin (uncredited) | |
| Wil Röttgen | ... | East German Refugee #2 - Berlin (uncredited) | |
| Chuen Tsou | ... | Prison Guard (uncredited) | |
| Matthew Walker | ... | Digger Gibson (uncredited) | |
| Terrance Ottis Williams | ... | Lloyds of London Office Guy (uncredited) | |
Directed by | |||
| Tony Scott | |||
Writing credits(WGA) | ||
| Michael Frost Beckner | (story) | |
| Michael Frost Beckner | (screenplay) and | |
| David Arata | (screenplay) | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| Daniel Mindel | (director of photography) (as Dan Mindel) | ||
Film Editing by | |||
| Christian Wagner | |||
Casting by | |||
| Lucinda Syson | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Norris Spencer | |||
Art Direction by | |||
| Kevin Phipps | (supervising art director) | ||
Set Decoration by | |||
| Jille Azis | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist: Mr. Pitt (as Frida Aradóttir) | |
| Jean Ann Black | .... | makeup artist: Mr. Pitt (as Jean Black) | |
| Graham Johnston | .... | chief hair stylist | |
| Graham Johnston | .... | chief makeup artist | |
| Gary Liddiard | .... | makeup artist: Mr. Redford | |
| Laura McIntosh | .... | assistant makeup artist | |
| Tena Parker | .... | hair stylist: Mr. Redford (as Tena Parker-Liddiard) | |
Production Management | |||
| Lee Alliston | .... | unit manager | |
| John Bernard | .... | production supervisor: Morocco | |
| Sarah Bradshaw | .... | production supervisor | |
| Judi Bunn | .... | production supervisor | |
| Chen On Chu | .... | production manager: HK | |
| Simon Crook | .... | unit manager: Israel | |
| Steve Harvey | .... | unit manager | |
| Ian Hickinbotham | .... | production supervisor | |
| Cindy Irving | .... | production manager: Morocco | |
| Jim Rowe | .... | production manager: Vancouver | |
| James W. Skotchdopole | .... | unit production manager: Morocco | |
| Michael Solinger | .... | post-production supervisor | |
| Nancy Rae Stone | .... | executive in charge of production | |
| Maria Ungor | .... | production supervisor: Budapest | |
| Emõke Vágási | .... | unit manager | |
| Lisa Rodgers | .... | post production executive (uncredited) | |
Special Effects by | |||
| Oscar G. Castillo | .... | technical director | |
| Terence J. Cox | .... | special effects senior technician | |
| Furedi Csaba | .... | special effects technician (2001) | |
| Attila Erczkovi | .... | pyrotechnician | |
| Raymond Ferguson | .... | senior technician | |
| Ron Hone | .... | special effects senior technician | |
| Matthew Horton | .... | special effects technician | |
| Gabor Kiszelly | .... | special effects: Hungary | |
| Charles Moran | .... | demolition supervisor | |
| Ferenc Ormos | .... | special effects coordinator: Hungary | |
| György Solymosi | .... | special effects: Hungary | |
| Mike Splatt | .... | special effects technician | |
| Gareth Wingrove | .... | special effects technician | |
| Trevor Wood | .... | special effects supervisor | |
Visual Effects by | |||
| Matthew Adams | .... | rotoscope supervisor: Cinesite | |
| Blondel Aidoo | .... | executive producer: Asylum | |
| Ted Andre | .... | visual effects compositor: Cinesite | |
| Jeffrey Edward Baksinski | .... | motion tracking supervisor: Cinesite | |
| Oscar G. Castillo | .... | technical director | |
| Ken Dackermann | .... | digital compositor | |
| Elton Garcia | .... | digital compositor | |
| Jonathan Gerber | .... | computer graphics artist: Cinesite | |
| Michael S. Harbour | .... | digital compositor: Cinesite (as Michael Harbour) | |
| Todd Hemsley | .... | Inferno artist: yuco | |
| Chris Holmes | .... | digital compositor | |
| Tommy Hooper | .... | technical supervisor: Asylum | |
| Chris Jensen | .... | digital imaging operator | |
| Fred Jimenez | .... | 2D technical assistant: Cinesite | |
| Vincent Lavares | .... | digital asset manager: Cinesite Hollywood | |
| Kevin Lingenfelser | .... | visual effects supervisor: Cinesite | |
| Nathan McGuinness | .... | visual effects supervisor: Asylum | |
| Todd Mesher | .... | Inferno artist | |
| Alex G. Ortoll | .... | digital artist | |
| Jon Quon | .... | 3D technical assistant: Cinesite (as Jonathan Quon) | |
| Jay Robinson | .... | visual effects artist | |
| Mike Sullo | .... | visual effects producer: Cinesite | |
| Garson Yu | .... | visual effects producer | |
| Travis Baumann | .... | Inferno artist (uncredited) | |
| Marla Carter Barrett | .... | title compositor: yU+Co (uncredited) | |
| Harriet Donington | .... | bidding producer: Cinesite (uncredited) | |
| Carl S.G. Moore | .... | visual effects associate producer: Cinesite (uncredited) | |
Stunts | |||
| Greg Campbell | .... | stunt department coordinator | |
| Ray De-Haan | .... | stunts | |
| Kelly Dent | .... | stunts | |
| Steve Dent | .... | stunt coordinator | |
| Bradley Farmer | .... | stunt double: Brad Pitt | |
| László Imre | .... | stunts | |
| Rob Inch | .... | stunts | |
| Péter Katona | .... | stunt performer | |
| Theo Kypri | .... | stunts | |
| David Leitch | .... | martial arts stunts | |
| Levente Lezsák | .... | stunts | |
| Andy Merchant | .... | stunts | |
| Dominic Preece | .... | stunts | |
| C.C. Smiff | .... | stunts | |
| Reg Wayment | .... | stunts | |
| Richard Wu | .... | stunt performer | |
| Steve Altes | .... | stunt driver (uncredited) | |
| Stuart Clark | .... | utility stunts (uncredited) | |
| Kelly Dent | .... | stunt double: Catherine McCormack (uncredited) | |
| David Leitch | .... | stunt double: Brad Pitt (uncredited) | |
| Tong Lung | .... | stunts (uncredited) | |
| Marc Wolff | .... | stunt pilot (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Nathan Bayne | .... | casting intern | |
| Jason Devoy | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting | |
| Tamás Kertész | .... | extras casting | |
| Berenice Percival | .... | casting assistant | |
| Ersin Pertan Jr. | .... | casting assistant | |
| László Sipos | .... | Hungarian casting | |
| Stephen Vincent | .... | casting assistant | |
| Seth Yanklewitz | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costumer | |
| Allan Hay | .... | wardrobe master | |
| György Homonnay | .... | wardrobe supervisor: Hungary | |
| Steven Kirkby | .... | stand-by wardrobe | |
| József Lender | .... | dresser | |
| David Page | .... | costumer: Mr. Redford | |
| Jonny Pray | .... | costumer: Mr. Pitt | |
| Lily Scott | .... | wardrobe runner | |
| Gabor Szabo | .... | costumer | |
| Lizz Wolf | .... | assistant costume designer | |
Editorial Department | |||
| Monica Anderson | .... | associate editor | |
| Tania Clarke | .... | assistant editor | |
| Simon Cozens | .... | first assistant editor | |
| Elizabeth Dean | .... | post-production coordinator (as Elizabeth Dionne) | |
| Julius Gladwell | .... | assistant editor | |
| Francis Hadinoto | .... | editorial runner | |
| Shane Harris | .... | assistant colorist | |
| Mo Henry | .... | negative cutter | |
| Kevin Holt | .... | assistant editor | |
| Robert J. Lemos | .... | assistant film editor | |
| Robert Malina | .... | assistant editor: avid | |
| Dan Muscarella | .... | color timer | |
| Mark T. Osborne | .... | assistant colorist (as Mark Osborne) | |
| Missy Papageorge | .... | digital intermediate producer | |
| Geraint Huw Reynolds | .... | assistant editor | |
| Debs Richardson | .... | assistant editor | |
| Thor Roos | .... | color timer: Vancouver dailies | |
| Steven Rosenblum | .... | editorial consultant | |
| Anna Solorio-Catalano | .... | assistant editor | |
| Stefan Sonnenfeld | .... | digital telecine colorist | |
| Gary Trentham | .... | first assistant editor | |
| Corinne Villa | .... | first assistant film editor | |
Music Department | |||
| Justin Caine Burnett | .... | additional music arranger (as Justin Burnett) | |
| Toby Chu | .... | additional music arranger | |
| Toby Chu | .... | assistant music engineer | |
| Peter DiStefano | .... | musician: guitar | |
| Adam Evans | .... | musician: electric guitar | |
| Bruce Fowler | .... | orchestrator | |
| Harry Gregson-Williams | .... | conductor | |
| Isobel Griffiths | .... | music contractor | |
| Roland Heap | .... | assistant scoring engineer | |
| Joe Henson | .... | musician: bass guitar | |
| Brian Keane | .... | composer: additional music | |
| Anzu Lawson | .... | playback singer (as Cristina Lawson) | |
| Yvonne McDonald | .... | music coordinator | |
| Alan Meyerson | .... | score mixer | |
| Alan Meyerson | .... | score recordist | |
| Gretchen O'Neal | .... | music production supervisor | |
| Christopher S. Parker | .... | music coordinator | |
| G. Marq Roswell | .... | music supervisor | |
| Arto Tunçboyaciyan | .... | arranger: Siseler | |
| Richard Whitfield | .... | music editor | |
| Gavyn Wright | .... | orchestra leader (as Gavin Wright) | |
Thanks | |||
| Elizabeth Scott | .... | dedicatee | |
| Yael Zeevi | .... | thanks: Israeli crew | |
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| Munich | The Legend of Rita | The Baader Meinhof Complex | The Professional: Golgo 13 | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Germany section |
I can't believe some of the nonsense I've read here. People are complaining that Redford looked too old in the flashback scenes -- for one, I thought he looked believable. Secondly, Hollywood hasn't cloned Redford in a vat yet so we'll just have to live with scenes like this. So get over it. Others complain that the movie is somehow BORING, which blows my mind, considering it's non-stop, fast paced action and dialogue. If you're attention span is too short for this movie I'm sure you'll enjoy crap like "XXX". Others complain about messy plot logic (how did a CIA operative get into a Chinese prison? Huuu duhh, I dunno! It's a popcorn flick you morons! It's not a 900 page novel or a documentary). The plot takes a few leaps here and there, but a Snake Eyes or Face/Off this film is not. I read complaints about the 'arty', flashy 'MTV' style editing and filming techniques -- I actually thought the movie was filmed and edited superbly and the contemporary, TV-commercial style actually complemented the film. It's crisp, tight, taut and entertaining. You get the feeling this is a high-quality production, whereas with something like "Mission Impossible 2" the same type of style is implemented but it comes off feeling cheap. Not here, not with this movie. As with Enemy of the State, it works. I have a feeling some of the people that thought it was boring simply couldn't follow what was going on. The plot does make sense if you have the attention span to keep up.