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Retiring CIA agent Nathan Muir recalls his training of Tom Bishop while working against agency politics to free him from his Chinese captors.



(story), (screenplay) | 1 more credit »
3,113 ( 433)
3 nominations. See more awards »



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Cast overview, first billed only:
Robert Aiken
Vincent Vy Ngo
CIA Director Cy Wilson
Andrew Grainger ...
Henry Pollard
Ted Maynard ...
CIA Administrator
Tom Hodgkins ...
CIA Lobby Guard


CIA operative Nathan Muir (Redford) is on the brink of retirement when he finds out that his protege Tom Bishop (Pitt) has been arrested in China for espionage. No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to free Bishop. As he embarks on his mission to free Bishop, Muir recalls how he recruited and trained the young rookie, at that time a sergeant in Vietnam, their turbulent times together as operatives and the woman who threatened their friendship. Written by ck

Plot Summary | Plot Synopsis


"Poor is the pupil who does not surpass his teacher" (Leonardo Da Vinci) See more »


Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for language, some violence and brief sexuality | See all certifications »

Parents Guide:



Official Sites:


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Release Date:

21 November 2001 (USA)  »

Also Known As:

Juego de espías  »

Box Office


$115,000,000 (estimated)

Opening Weekend:

£1,019,847 (UK) (23 November 2001)


$26,871 (USA) (22 February 2002)

Company Credits

Show detailed on  »

Technical Specs


| (TV)

Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The scene where Robert Redford's character asks Brad Pitt's character if he knew anybody in 'this apartment house' and tells him to be up on one of the balconies in five minutes is from a book by former Mossad agent Victor Ostrovsky who describes this test as part of the training of a Mossad agent. See more »


In 1985 in the Beirut café, the song heard in the background is "Noor Eshams" by the Lebanese singer Pascal Mashalani, the song was released for the first time in 2000. See more »


Charles Harker: We need the press on this like we need a third tit.
Nathan Muir: You using the other two?
See more »

Crazy Credits

In the opening credits, many of the credits are each preceded by a jumble of letters flickering on the screen. This may be a reference to the opening credit sequence of one of Robert Redford's earlier spy movies, Sneakers (1992). See more »


Referenced in Argo (2012) See more »


Written by Arto Tuncboyaciyan, Briane Keane
Performed by Brian Keane, Omar Faruk Tekbilek, Arto Tuncboyaciyan
Courtesy of Celestial Harmonies
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Smilie's Game: Spy the Image
23 November 2001 | by (Virginia Beach) – See all my reviews

Tony delivers something I would have expected from brother Ridley -- a set of images about images:

--the photographic and editing style is one of successive photographs often shifted/zoomed with the shutter click; some black and whites, many color deprived.

--the hero's cover story is as a photo journalist and his photos are shown the same as the CIA's, Redford's recollections, and the 'narrator's.'

--The agency is primarily about images in real life, images and action and that's self-referentially played up here. Scott uses a style of zooming in and out by jump cuts that he developed on his last film -- also about images and the intelligence community. Lots of cameras and binoculars here.

--the dramatic action is global, involving several hotspots with lots of action. When viewing that action, the cameras are hand-held. When watching the calm, controlling scenes at headquarters, we see them more statically as they are being videotaped, often spying through blinds. (Spy = see.) Often the images have digital tags.

--Some of the field scenes with Redford and Pitt are shot as though from a spy plane (as in that swooping, sweeping shot on a roof) or if interior as seen through a hole.

--Lots of helicopter shots, and lots of helicopters. It seems every combination was employed among the following: ground, interior of heli, interior of second heli, front of heli, heli POV, above heli. This by itself is self-referential when you notice how many of the 'ordinary' shots are from helis.

There is also a clever self-reference in the casting. Pitt was hailed as the 'new Redford' when he appeared in 'Thelma and Louise,' by brother Ridley. Then in 'River Runs' he was directed by Redford, in a Redfordlike role, underscoring the relationship. Here, he also is mentored, but in my opinion outacts Redford at every turn. I believe Scott intended to use Redford's limits as a tired actor to the advantage of this reference. Pitt has been working hard in relatively minor but challenging roles and the results show.

The only real complaints are the clumsy plot mechanics: the last day before retirement -- a clear 24 hour to doom clock -- a wily and complete outwitting of the pencilnecks -- all the CIA analysts and technicians as outwittable dimmies -- a senior character says 'get everything we have on so and so' and 10 seconds later a secretary appears with the files in multiple copies -- a helicopter is shot down: it disappears behind the trees and then we see a fireball. Fortunately we gloss over all that stuff. Couldn't in 'Enemy of the State.'

37 of 60 people found this review helpful.  Was this review helpful to you?

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