CIA operative Nathan Muir (Redford) is on the brink of retirement when he finds out that his protege Tom Bishop (Pitt) has been arrested in China for espionage. No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to free Bishop. As he embarks on his mission to free Bishop, Muir recalls how he recruited and trained the young rookie, at that time a sergeant in Vietnam, their turbulent times together as operatives and the woman who threatened their friendship. Written by
Pitt had signed on for Ocean's Eleven which was due to commence directly after Christmas. Filming was hemmed in by Pitt's dates and Scott acknowledged there was a stopwatch on them all the time. Redford understood the pressures on Brad and he never complained. See more »
When Nathan needs money to rescue Tom Bishop, he calls his broker's (Mitch Alford) office in London to liquidate his accounts. The time is a little after 9 PM Washington time, which would be after 2 AM in London, but the office is open and a secretary answers the phone. See more »
[looking at Muir's wall with awards and commendation medals hung on them]
If these walls could talk, huh. All this history, I envy you.
Then bag your job, you can be just like me.
No, really. The debt this country owes you guys.
Chuck, are you gonna dance with your hand on my ass all night or are you gonna make your move?
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In the opening credits, many of the credits are each preceded by a jumble of letters flickering on the screen. This may be a reference to the opening credit sequence of one of Robert Redford's earlier spy movies, Sneakers (1992). See more »
There are many reasons why we like a movie or not. For me, this is the case in witch small things were enough to like it: the two main actors, the places in which the action occurs, and the fact that it has more to do with a love affair, in a tragic atmosphere than about spies. Well, of course this is about spies - two of them - and mostly about the relation between them; if they are similar enough to understand each other, they are also different enough to generate some tension in the relation.
Maybe this is more about how the characters move around each others than about action or intrigue. In fact this is so obvious that the way in which the story is told is mostly in flashback, with Muir (Robert Redford) introducing all of them and narrating part. So, the story is the story and the spy game is what Muir does within the CIA, in 24 hours or so. The distinction is important because if you think of this as a traditional spy movie (maybe like the Bourne Identity or Supremacy) it has two obvious flaws for the genre: the plot is very simple (maybe predictable) and there's no bad guy, no one to kill or to revenge; there's also almost no genuine action, and, as far as I can remember, Bishop (Brad Pitt) only fires one weapon in the whole movie. Maybe what mislead most of the people was the title of the movie, and maybe that's why most of them didn't like it. However, in my opinion, this is a very good movie, with strong leading roles and a compelling story.
No gadgets, no arms, no villains, no action...oh, no,this is a whole different game, and it's a serious and a dangerous game: the game of people and their relations.
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