CIA operative Nathan Muir (Redford) is on the brink of retirement when he finds out that his protege Tom Bishop (Pitt) has been arrested in China for espionage. No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to free Bishop. As he embarks on his mission to free Bishop, Muir recalls how he recruited and trained the young rookie, at that time a sergeant in Vietnam, their turbulent times together as operatives and the woman who threatened their friendship. Written by
The coffee cup Bishop drinks from before finding Hadley's empty apartment is nearly identical to the coffee cups seen at CIA in Langley. See more »
In Beirut, the men wait for the sheik at the head of a boat launch ramp, not at dock (pier). No way is he getting out of that boat without at least one person getting soaked up to their knees! (Likely the sheik himself, or do two guys carry him?) See more »
In the opening credits, many of the credits are each preceded by a jumble of letters flickering on the screen. This may be a reference to the opening credit sequence of one of Robert Redford's earlier spy movies, Sneakers (1992). See more »
I can't believe some of the nonsense I've read here. People are complaining that Redford looked too old in the flashback scenes -- for one, I thought he looked believable. Secondly, Hollywood hasn't cloned Redford in a vat yet so we'll just have to live with scenes like this. So get over it. Others complain that the movie is somehow BORING, which blows my mind, considering it's non-stop, fast paced action and dialogue. If you're attention span is too short for this movie I'm sure you'll enjoy crap like "XXX". Others complain about messy plot logic (how did a CIA operative get into a Chinese prison? Huuu duhh, I dunno! It's a popcorn flick you morons! It's not a 900 page novel or a documentary). The plot takes a few leaps here and there, but a Snake Eyes or Face/Off this film is not. I read complaints about the 'arty', flashy 'MTV' style editing and filming techniques -- I actually thought the movie was filmed and edited superbly and the contemporary, TV-commercial style actually complemented the film. It's crisp, tight, taut and entertaining. You get the feeling this is a high-quality production, whereas with something like "Mission Impossible 2" the same type of style is implemented but it comes off feeling cheap. Not here, not with this movie. As with Enemy of the State, it works. I have a feeling some of the people that thought it was boring simply couldn't follow what was going on. The plot does make sense if you have the attention span to keep up.
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