Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
CIA operative Nathan Muir (Redford) is on the brink of retirement when he finds out that his protege Tom Bishop (Pitt) has been arrested in China for espionage. No stranger to the machinations of the CIA's top echelon, Muir hones all his skills and irreverent manner in order to find a way to free Bishop. As he embarks on his mission to free Bishop, Muir recalls how he recruited and trained the young rookie, at that time a sergeant in Vietnam, their turbulent times together as operatives and the woman who threatened their friendship. Written by
The building identified as the US Embassy in Hong Kong is actually the headquarters of HSBC - the Hong Kong and Shanghai Banking Corporation. See more »
Tom Bishop's hair is streaked with gray in the beginning of the film, when he is infiltrating Su Chou Prison. During the brief flashes of interrogation scenes throughout the movie, his hair is black. During the final rescue scene, his hair has streaks of gray in it again. See more »
Seventy-four casualties, an apartment block leveled, one dead terrorist? Yeah, happy.
We have some fucked up barometer for success, don't we?
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In the opening credits, many of the credits are each preceded by a jumble of letters flickering on the screen. This may be a reference to the opening credit sequence of one of Robert Redford's earlier spy movies, Sneakers (1992). See more »
Four Seasons Concerto No. 1 in E Spring
Written by Antonio Vivaldi
Performed by Nigel Kennedy / English Chamber Orchestra
Courtesy of EMI Records Ltd.
Under license from EMI-Capitol Music Special Markets See more »
I can't believe some of the nonsense I've read here. People are complaining that Redford looked too old in the flashback scenes -- for one, I thought he looked believable. Secondly, Hollywood hasn't cloned Redford in a vat yet so we'll just have to live with scenes like this. So get over it. Others complain that the movie is somehow BORING, which blows my mind, considering it's non-stop, fast paced action and dialogue. If you're attention span is too short for this movie I'm sure you'll enjoy crap like "XXX". Others complain about messy plot logic (how did a CIA operative get into a Chinese prison? Huuu duhh, I dunno! It's a popcorn flick you morons! It's not a 900 page novel or a documentary). The plot takes a few leaps here and there, but a Snake Eyes or Face/Off this film is not. I read complaints about the 'arty', flashy 'MTV' style editing and filming techniques -- I actually thought the movie was filmed and edited superbly and the contemporary, TV-commercial style actually complemented the film. It's crisp, tight, taut and entertaining. You get the feeling this is a high-quality production, whereas with something like "Mission Impossible 2" the same type of style is implemented but it comes off feeling cheap. Not here, not with this movie. As with Enemy of the State, it works. I have a feeling some of the people that thought it was boring simply couldn't follow what was going on. The plot does make sense if you have the attention span to keep up.
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