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Brings to life the diaries of young people who witnessed first-hand the horrors of the Holocaust. Through an emotional montage of archival footage, personal photos, and text from the ... See full summary »
Roy gets cut from his high school football team just days after his estranged father dies. For him, football is more than a proving ground; it is a promised escape from his lonely rural existence and salvation from the paralyzing passivity that dominates his life. Enter Gideon, a loner living on the roughneck fringe who is looking for gamers--kids who scrap hard--to play on his six-man football squad. Roy joins the Renegades, and he and Gideon enter into tenuous friendship that pushes the limits of male bonding. Written by
Sujit R. Varma
Some of the songs referenced by Gid and/or Floyd throughout the movie include
"Ragged But Right" by Riley Puckett 1934
"Nothing But Trouble" by Lonnie Johnson 1929
"Cash On The Barrelhead" by The Louvin Brothers 1954
"Rank Stranger" by Albert E. Brumley 1954
"Will Jesus Wash The Bloodstains From Your Hands?" by Hazel Dickens 1964
"Straighten Up And Fly Right" by The Nat King Cole Trio 1949
"Wayfaring Pilgrim" by Almeda Riddle 1932
Gid also references "Drifting Too Far From The Shore" and "Going Back To Jericho" during the ice fishing scene but he doesn't state an artist or year. There is a deleted scene in which Floyd references "I Ain't Drunk, I Am Just Drinkng" by Jimmy Liggins but Gid interrupts him before he can state the year. See more »
My father told me if I was hard enough, I wouldn't break. He lied. Everything breaks.
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Love is difficult no matter what relationships are binded together. However, male bonding can be the most difficult and fraught with anxiety. To find love among men means weakness in parts of our society. "The Slaughter Rule" converges on that dilemma within an archetypal framework of male sports.
Superb casting is generated in the chemistry between the mature teenager Roy Chutney (Ryan Gosling) and adolescent adult Gideon Ferguson (David Morse), who wrangle on the dangerous edge of pederasty. Not finding true love with women, Gid searches and grasps for intimacy the only way he has known: football. Roy subconsciously searches for the father he never really had, getting a little more than he bargained for in return.
In bleak blizzard landscapes and amid hard scrabble lives, the Smith brothers and their camera freeze on the action, whether on the playing fields or the local restaurant or honky tonk. Beautifully photographed in Montana and containing wonderfully written dialogue, one feels they have known the characters for a long, long time. They embody flesh, blood, bones, brains, guts, heart, and love.
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