The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins. Written by
After the Bride leaves O-Ren's door at the House of Blue Leaves (when Go-Go returns inside) the camera follows her down the stairs through the bar, past the kitchen, into the ladies room; we then go out of the ladies' room, back to the stairs and follow Sofie Fatale along the exact same path to the ladies' room, ending with the ring of her cellphone. The shot is done in a single, unedited take. See more »
When O-ren Ishii's motorbike guard is in the tunnel, you can hear the pitch rise and drop. The first time this happens, the motorcycle is at a fixed point with respect to the camera. In reality, the sound implies that the source is moving toward and then away from the observer, due to the Doppler effect. See more »
Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
Bill... it's your baby...
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In the end credits the bride stunt double is listed twice See more »
Having seen Tarantino's 3 previous films, going into the cinema, my expectations for"Kill Bill" were already over the roof. However, regardless of my high hopes for quality entertainment, I was not prepared for this film. I was dumbfounded. I was blown away. I had quite simply never seen anything even remotely like it. In "Kill Bill", the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With "Kill Bill", Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation.