After waking from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.After waking from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.After waking from a four-year coma, a former assassin wreaks vengeance on the team of assassins who betrayed her.
- Nominated for 5 BAFTA Awards
- 30 wins & 103 nominations total
Shin'ichi Chiba
- Hattori Hanzo
- (as Sonny Chiba)
Chia-Hui Liu
- Johnny Mo
- (as Gordon Liu)
Kenji Ôba
- Bald Guy (Sushi Shop)
- (as Kenji Oba)
Summary
Reviewers say 'Kill Bill' is acclaimed for its stylized action, dynamic fight scenes, and genre-blending approach. Tarantino's direction and Thurman's performance are praised, along with the eclectic soundtrack and vibrant visuals. However, some find the violence excessive and the narrative simplistic. The film is seen as bold and visually striking, though it divides opinions on artistic merit and storytelling.
Featured reviews
Just saw Kill Bill: Vol. 1 and was surprised, to be honest, at how incredibly GOOD this film is. Here is a craftsman (or artist, if you prefer) at the top of his game. Some of the shots are simply incredible; the score is, for the most part, vintage Tarantino selections- and the RZA does a very good job at filling the blanks; Uma Thurman is a great female lead, for sheer presence (and decent acting chops). Even Lucy Liu, who I expected was going to re-hash her Charlie's Angel character, burst on the scene like a flaming nunchuck.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
The stringing together of the scenes was impeccable. The transitions, the intercutting between dialogue, the flashbacks... I simply could not get enough. Tarantino IS, indeed, having fun here. He is giving us a film that may not go down as a classic, Pulp Fiction style, but that shows us what is yet to come. I doubt that he's lost his writing talents (as some have claimed), and I actually disagree that the dialogue in the film is "poor", or that there are "no memorable lines" (Empire). The kung-fu genre has never been a particularly good park to display Shakespearean writing virtuosisms. The lines work fine. The plot is simple enough, but Tarantino takes a burger and serves it as "steak tartare with sauce au poivre and asparagus terrine". He basically manages to cram so much information into the film that plot is simply irrelevent. What is relevent is the Bride's thirst for blood, her primal sense of vengeance and our total devotion to her. Bill, of course, is one of the greatest characters to ever NOT appear on screen. Overall, a great movie and an example of how a filmmaker's tool is not his pen: it's his eye.
I know it's a couple years late, but I had to write a review for some of the few people that haven't seen one of my favorite and refreshing I've seen over the last few years. Kill Bill Vol. 1 is yet another quality film of Tarantino's short, but distinguished list.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
Kill Bill involves a nameless woman (Uma Thurman) who is slowing seeking revenge on her former hit squad the Viper Squad and her boss Bill (David Caradine.) Her former hit squad wronged her by gunning down her closest friends and family during her wedding and putting her into a coma while being pregnant. A few years later she awakens in a hospital, without child, and tries to track down each member of the squad. As the story progresses (through this film and the sequel), you find out who she really, why Bill wanted her dead and the fate of her daughter.
The movie is really a combination of Tarantino's love for the 70's over-dramatized Kung-Fu movie era and story of revenge with rich dialog. Yes, this movie is violent, but in a cheesy way. This created some controversy and really had audiences stirred up, failing to realize it was supposed to be over the top without no sense of realism. Like I said, it was supposed to be a tribute more so than a gruesome action flick. With all cheesiness aside, I can understand how some people could feel a little woozy after seeing someone lose an arm and having 4 gallons of Kool-Aid red blood shoot out of the body like a whale's blow hole. What really makes this movie is Tarantino ability to make bad to mediocre actors seem like good ones, a smart and hilarious dialog and a good storyline. Of course, this is what he does in pretty much in all of his movies.
There are various plot holes in the story, but we are really meant to ignore them unlike most movies. Just like the gory scenes, come to grips to the fact that the most of the implausibilities are there just to fill in the gaps of the movie. The movie also features a couple of classic Tarantino showdowns, including an unforgettable one with the Japanese infamous crime lord, O-Ren Ishii (Lucy Lui.) Once again, Tarantino puts his imagination at work again in his story telling by using some of his old techniques like jumping timelines and some new ones like adding Japanese animation for character backgrounds.
I wouldn't really recommend this film to someone who is really not from the Pulp Fiction era. This film is really just homage to flicks that frequently appear on Sunday Samurai Showcase, revenge and Tarantino's continuous fascination with Uma Thurman. This film contains extreme violence and sometimes strange dialog coupled with some pretty good acting and directing. If you're not a fan of Tarantino's films, you should pass on this one because it is doesn't stray to far from his other stuff. If you like his other works, this is a must see due to its originality and quality. And, if you just don't like Tarantino himself, and find him annoying like everybody else, I don't blame you but it's still worth your while seeing.
I did not realize it's been that long until I wrote the title for this review... time flies. But the good thing about it, is that Kill Bill doesn't feel dated. I guess that's the advantage of making an homage movie with elements that are purposefully reminiscent of old movies... the final result is pretty timeless. This is pure Tarantino having fun creating something straight from Wire Fu and Chambara movies I'm sure were part of his childhood. Other movies may have more impressive fight choreographies but to this day the Lucy Liu / Uma Thurman fight is one of the best executed: pacing, cinematography, music... just perfect. Highly recommended as a classic Tarantino that doesn't age.
Having seen Tarantino's 3 previous films, going into the cinema, my expectations for 'Kill Bill' were already over the roof. However, regardless of my high hopes for quality entertainment, I was not prepared for this film. I was dumbfounded. I was blown away. I had quite simply never seen anything even remotely like it.
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
In 'Kill Bill', the revenge plot serves only as a larger story arc, thus allowing Tarantino to play with as many different genres as he likes, and boy - what a mix he dishes out! With complete disregard for the conventions of filmmaking, he paints an expressionistic masterpiece in his own unique style, the likes of which the world has never seen before. Cinema rarely gets this exciting. With 'Kill Bill', Tarantino proved once and for all that all the hype around his persona is justified: he IS the most daring, original - and entertaining! - filmmaker of his generation. Simply amazing: 10 stars out of 10.
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget And B-Movies: http://www.imdb.com/list/ls054808375/
All-Time Favorite Films: http://www.IMDb.com/list/mkjOKvqlSBs/
10EVON1TY
I can't explain why you like this movie so much. I don't know how rare this feeling comes to me. Actually this happens only for this movie. I don't know how can I explain why I like this movie so much. I don't like that much Samurai movies, I don't like that much Gangster movies. I don't know how this movie effected me this much. Is it revenge? No it doesn't have the greatest Screenplay.
I really don't know why. If someone would say "This movie is so nonsense, they're in modern times, so why are they fighting with Katanas? At least for not dying they could use guns." I would agree and can't argue.
Tarantino made an amazing Collage with this movie. But the things is I wasn't familiar with those, at least not one by one. So that's also does'nt explains completely why I like this movie so much.
So it could be the technical aspects. Right?
Yes it could be but I don't know any other movie that I rated 10 without amazing storyline.
Revolutionary acting scenes could be the reason.
Or maybe just the brilliant chosen Scores carries the movie?
I don't know there are so many things that could be the reason. I think all of them effects the movie positively. It has simple but effective screenplay that based on revenge. It has great action scenes, great technical aspects, great scores. Most importantly it is the Collage of so many things. It's the only movie that brings you the taste of Western with Samurai movies and so many more. Still I can't say why I like this movie in one sentence but I think the biggest reason is the great Collage.
I really don't know why. If someone would say "This movie is so nonsense, they're in modern times, so why are they fighting with Katanas? At least for not dying they could use guns." I would agree and can't argue.
Tarantino made an amazing Collage with this movie. But the things is I wasn't familiar with those, at least not one by one. So that's also does'nt explains completely why I like this movie so much.
So it could be the technical aspects. Right?
Yes it could be but I don't know any other movie that I rated 10 without amazing storyline.
Revolutionary acting scenes could be the reason.
Or maybe just the brilliant chosen Scores carries the movie?
I don't know there are so many things that could be the reason. I think all of them effects the movie positively. It has simple but effective screenplay that based on revenge. It has great action scenes, great technical aspects, great scores. Most importantly it is the Collage of so many things. It's the only movie that brings you the taste of Western with Samurai movies and so many more. Still I can't say why I like this movie in one sentence but I think the biggest reason is the great Collage.
Storyline
Did you know
- TriviaWhen Chiaki Kuriyama (Gogo) was shooting the scene where she flings her ball and chain out, she accidentally hit Quentin Tarantino on the head as he stood by the camera.
- GoofsWhen the Bride boards the airplane she has the samurai sword with her in the cabin. Obviously, this wouldn't happen in reality. This is a stylistic choice for this film. The couple sitting directly behind The Bride have a sword as well, and a third sword can be seen. In addition, all of O-Ren's outriders have swords prominently displayed on their bikes.
- Quotes
Hattori Hanzo: Revenge is never a straight line. It's a forest, And like a forest it's easy to lose your way... To get lost... To forget where you came in.
- Crazy creditsShin'ichi Chiba (Hattori Hanzo) is listed as the samurai sword advisor. He played a maker of samurai swords in the film.
- Alternate versionsMany changes were made to the movie to minimize the violent and adult content when it was broadcast on TBS. One of the most interesting: The "Pussy Wagon" was changed to a "Party Wagon".
- ConnectionsEdited from The Grand Duel (1972)
- SoundtracksBang Bang (My Baby Shot Me Down)
Music by Sonny Bono
Lyrics by Sonny Bono
Performed by Nancy Sinatra
Courtesy of Boots Enterprises, Inc.
By Arrangement with Celebrity Licensing
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Kill Bill Vol. 1: La venganza
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $70,099,045
- Opening weekend US & Canada
- $22,200,000
- Oct 12, 2003
- Gross worldwide
- $180,908,413
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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