Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
A clown fish named Marlin lives in the Great Barrier Reef loses his son, Nemo. After he ventures into the open sea, despite his father's constant warnings about many of the ocean's dangers. Nemo is abducted by a boat and netted up and sent to a dentist's office in Sydney. So, while Marlin ventures off to try to retrieve Nemo, Marlin meets a fish named Dory, a blue tang suffering from short-term memory loss. The companions travel a great distance, encountering various dangerous sea creatures such as sharks, anglerfish and jellyfish, in order to rescue Nemo from the dentist's office, which is situated by Sydney Harbor. While the two are doing this, Nemo and the other sea animals in the dentist's fish tank plot a way to return to Sydney Harbor to live their lives free again. Written by
Nemo's father Marlin was originally voiced by William H. Macy. According to James Stewart's book "DisneyWar", it was after seeing an early cut of the film with Macy's voice that then-Disney CEO Michael Eisner infamously told his board of directors, "This will be a reality check for those guys...It's OK, but nowhere near as good as their previous films. Of course, they think it's great. Trust me, it's not." Director 'Andrew Stanton' recast the role of Marlin with Albert Brooks, and the film went on to get some of Pixar's best reviews ever and become the highest-grossing animated film of all-time. See more »
When the ocean fish all swim down to save themselves from the fishermen's net, part of the wood eventually breaks off as the net falls to the bottom of the sea floor. However in the subsequent shots, the wood is not seen. See more »
Yes, Marlin. I... No, I see it. It's beautiful.
So, Coral, when you said you wanted an ocean view, you didn't think you were going to get the whole ocean, did you? Huh?
Oh, yeah. A fish can breathe out here. Did your man deliver, or did he deliver?
[...] See more »
During the end credits, Mike Wazowski (the one-eyed character from Monsters, Inc. (2001)) can be seen swimming across the screen while wearing scuba-diving equipment. See more »
Pixar Studios have done it again. I have to say that these guys are totally good in computer animation, as well as in storytelling. Rarely do those qualities come together but here they are, delivering unto the audience once again something that one can only be drowned with wonder. Such is the marvel of Finding Nemo.
The story is about Nemo (voiced by Alexander Gould), a young clownfish who is fed up with his dad Marlin's (Albert Brooks) excessive paranoia over him. He swims to a place where his dad forbids him and ends up being captured by a scuba diver. He is then placed in a fish tank in a dental clinic somewhere along the harbors of Sydney. Thus the quest of Marlin, along with Dory (a hilarious forgetful blue tang voiced by Ellen DeGeneres) to find Nemo before it's too late.
The story is a simple one but where the film more than makes up is on the overwhelming sense of detail and rich, lavish colors and textures as if we aren't really watching an animated film at all. Scenes such as Marlin bringing Nemo to school while swimming through corals and anemones, to the aquarium where Nemo was taken to, are nothing short of breathtaking, and undoubtedbly one of the most outstanding animation ever to hit the screen.
The world of "Finding Nemo" is simply alive with lovable creatures swimming about their daily lives under the ocean, darting across the screen in playful manners. The viewer almost literally dives into another world for nearly two hours and one cannot help but be completely captivated.
The music and screenplay also blend very well with the visual feast that it produces such a high quality movie. From its basic storyline, to the father-and-son relationship theme, to the wonderful underwater world throughout, this is really an adventure through an ocean of stunning visuals and storytelling.
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