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Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge... Written by
After poor test screenings, New Line had 15 Minutes (2001) director John Herzfeld come in and shoot some additional scenes - notably the ending, and cemetery finale - to wrap things up. Also, dialogue scenes were cut, and some scenes also shortened to speed up the pace. This caused the film to miss several release dates. Regular Herzfeld composer J. Peter Robinson also worked on some new score to jazz things up. New Line also had to change the name from El Diablo, due to a law suit from the game developer Blizzard. Potential titles included Push The Limits, Diablo (no El in front), Sean Vetter, Vetter and This Man's Dominion. A Man Apart was finally chosen as the studio felt it suited the theme of the film. See more »
When Sean and his group get in the silver car to leave the plane hanger, the car has a temporary license sticker in its rear window. When the car pulls out of the hanger, the temporary sticker is gone and there is a proper license plate where one should be. See more »
One of those films which I don't think the current IMDb score (5.4) actually captures.
It's a bit formulaic - ex-bad-boy super-DEA agent gets the bad guy, pays with the life of his nearest & dearest, and goes out for revenge. Even I saw the reveal at the end coming way-off (I rarely do), but I still really enjoyed this film.
I thought it was very well plotted and paced; Vin Diesel played it gruff, but mostly low-key (no huge sobbing moments, or tearful walks on the beach, which was refreshing). His character, along with that of his friend, were fleshed out into more-rounded human beings than the usual action hero & sidekick. The enemies were straight out of 'the Big Book Of Drug Dealers and Cartel lackeys', but Timothy Oliphant was amusing and well played, as ever (also a great turn in The Good Girl).
And I found the violence viscerally satisfying & gritty, without being seriously glorified, or venturing (too far) into Bad Boys style Hollywood explosions, helicopter gunships, LA car chases etc.
Most surprising of all (to me) is that Vin agreed to grow his hair out a little - as you would in an extended hospital stay - and roughen up his otherwise clean shaven / macho male model looks. Wandering around with the goatee, he reminded me more of the guy out of Cypress Hill.
Kudos also goes to the ending. It could have finished two scenes earlier than it did, but the tying up of loose ends wasn't done in an overly sentimental or triumphant way, which was similarly refreshing.
Good screenplay, good acting (in a pretty standard film like this), and mostly avoiding the really obvious clichés of plot & character. I really enjoyed it. On the scale of revenge movies - it's not as good as Mel Gibson's remake of Payback, or The Rock in the remake of Walking Tall. But it would hold its own alongside them in a collector's box set.
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