Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
A macho cruiser comes of age. Frustrated by the repetitious grind of one night stands and aimless hustling, study drug dealer Rick is looking for meaning and intimacy in his life. Like his ... See full summary »
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge... Written by
After poor test screenings, New Line had 15 Minutes (2001) director John Herzfeld come in and shoot some additional scenes - notably the ending, and cemetery finale - to wrap things up. Also, dialogue scenes were cut, and some scenes also shortened to speed up the pace. This caused the film to miss several release dates. Regular Herzfeld composer J. Peter Robinson also worked on some new score to jazz things up. New Line also had to change the name from El Diablo, due to a law suit from the game developer Blizzard. Potential titles included Push The Limits, Diablo (no El in front), Sean Vetter, Vetter and This Man's Dominion. A Man Apart was finally chosen as the studio felt it suited the theme of the film. See more »
Shadow of Camera is visible on Memo Lucero's taxi towards the beginning of the film. See more »
I watched this movie a few days ago, i have to admit it's different from Vin's other movies, the story did not make much sense in some parts,it felt a little overcooked in others., and slow paced in the middle. While the movie had the explosions, gun fights and car chases, I felt that it was not about the violence/revenge as much as it was about Vin's character mourning his wife's death and choosing to do so in anger, it was his way of screaming, letting the world hear his pain.
The thing that really effected me is the relationship between Sean and Stacey, the connection they had, even though we did not see much in the beginning of the movie, i felt that they had a strong bond. The acting
in between the violent scenes is not half bad, specially Vin's scene
at the hospital, it's heart breaking. It is a good start for Vin in to do more " human " normal everyday roles, we have to respect the guy for that.
21 of 29 people found this review helpful.
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