Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
A macho cruiser comes of age. Frustrated by the repetitious grind of one night stands and aimless hustling, study drug dealer Rick is looking for meaning and intimacy in his life. Like his ... See full summary »
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him. Bad move.
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge... Written by
After poor test screenings, New Line had 15 Minutes (2001) director John Herzfeld come in and shoot some additional scenes - notably the ending and cemetery finale - to wrap things up. Also, dialog scenes were cut and some scenes also shortened to speed up the pace. This caused the film to miss several release dates. Regular Herzfeld composer J. Peter Robinson also worked on some new score to jazz things up. New Line also had to change the name from El Diablo due to a law suit from the game developer Blizzard. Potential titles included Push The Limits, Diablo (no El in front), Sean Vetter, Vetter and This Man's Dominion. A Man Apart was finally chosen as the studio felt it suited the theme of the film. See more »
Vetter's Dodge truck clearly blocks Jack's Porsche preventing him from leaving, although later in the scene it is backed up giving plenty of room for Jack to leave. See more »
I tracked you for seven years. You never went to the same place twice. Until you came home.
I told you you had no idea what you were getting yourself into. If you'd stayed out of my business, your wife would still be alive. Mira, cabrón... Your arrogance killed her, not me. Like your arrogance coming here! Do you think you could come into my domain and kill me?
If I wanted you dead, you would be.
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Lately, i do not watch too many old-fashioned' action films like this. This has mostly to do with the fact that action films are somehow always the same. The only things that can make an action film decent are not too many corny scenes and some comedic elements. Take for instance Cradle 2 the Grave, which I saw a couple of weeks back. Now the action was pretty OK, there were some funny elements, but there were some stupid things as well (such as a corny ending). Or Bulletproof Monk, which was a bit corny overall. While A Man Apart is certainly not a good film, it is one of the better old school' action films I've seen lately. The acting is decent, there are no corny elements and there is a good mix of emotion / softness and action. The film might not be suited for the big screen, but it does well as a rental (BTW: the film was shot between 2000 and 2001 and got shelved at first). The film certainly has some interesting elements and is better than most of Seagal's or Van Damme's new films. I was not disappointed to have rented it.
6,75 out of 10
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