Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
A macho cruiser comes of age. Frustrated by the repetitious grind of one night stands and aimless hustling, study drug dealer Rick is looking for meaning and intimacy in his life. Like his ... See full summary »
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge... Written by
After poor test screenings, New Line had 15 Minutes (2001) director John Herzfeld come in and shoot some additional scenes - notably the ending and cemetery finale - to wrap things up. Also, dialog scenes were cut and some scenes also shortened to speed up the pace. This caused the film to miss several release dates. Regular Herzfeld composer J. Peter Robinson also worked on some new score to jazz things up. New Line also had to change the name from El Diablo due to a law suit from the game developer Blizzard. Potential titles included Push The Limits, Diablo (no El in front), Sean Vetter, Vetter and This Man's Dominion. A Man Apart was finally chosen as the studio felt it suited the theme of the film. See more »
Vetter's Dodge truck clearly blocks Jack's Porsche preventing him from leaving, although later in the scene it is backed up giving plenty of room for Jack to leave. See more »
Get the fuck out of my house!
Listen man, you got to chill! All right?
Chill? Fuck you!
[fires a couple of gunshots while Sean fires back]
You want me to chill so you can ice me? Fuck you! Get the fuck out!
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A slightly below average movie. The film starts off well enough, but it soon gets entangled into scores of clichés as old as the cinematic art itself. Another drawback in this motion picture is Diesel's acting (mind you, I had just praised his work in 'Knockaround guys' a couple of days ago). It is not up to par, he does not manage to inspire any feeling for his character in the viewer, thence we cannot sympathize with his pain. The plot itself is a cliché in it's own way, there is nothing new there to awaken our curiosity, and considering that the screenplay, production, camera and Direction are all nothing more than average, we are left with a product that will not remain in our memories for very long.
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