Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
A macho cruiser comes of age. Frustrated by the repetitious grind of one night stands and aimless hustling, study drug dealer Rick is looking for meaning and intimacy in his life. Like his ... See full summary »
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Sean Vetter and Demetrius Hicks are members of the DEA who are fighting an ongoing drug war on the California/Mexico border, they are most successful at it because of their edge of growing up on the street and being thugs converted to cops. The DEA busts one of the major players by the name of "Memo" Lucero and imprison him in the United States but then a major player named Diablo then takes over the business and now he is now the major player targeted by Vetter and his team. But when Vetter's wife is killed in a botched hit organized by Diablo, he seeks revenge against those responsible and in the process has to seek help from the imprisoned Lucero in order to catch Diablo. But in the process, Vetter and Hicks have to fight their way up the chain to get to Diablo but it's easier said than done when all Vetter can focus on is revenge... Written by
The scene where Sean beats the dealer to death was cut by seven seconds. The original scene featured the dealer spitting out teeth and bloody pieces from his cheek. The scene was cut in order to get the R rating and not NC-17. See more »
Shadow of Camera is visible on Memo Lucero's taxi towards the beginning of the film. See more »
I know you don't like the police. Damn sure talkin' to a police in a attic. Back in the day, I couldn't stand the police, man. They used to fuck with us all the time, me and my homies, be rollin' down the street. They'd pull us over jackin' fools.
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A slightly below average movie. The film starts off well enough, but it soon gets entangled into scores of clichés as old as the cinematic art itself. Another drawback in this motion picture is Diesel's acting (mind you, I had just praised his work in 'Knockaround guys' a couple of days ago). It is not up to par, he does not manage to inspire any feeling for his character in the viewer, thence we cannot sympathize with his pain. The plot itself is a cliché in it's own way, there is nothing new there to awaken our curiosity, and considering that the screenplay, production, camera and Direction are all nothing more than average, we are left with a product that will not remain in our memories for very long.
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