A kids show host, Rainbow Randolph, is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the business of kids television isn't all child's play.
Fired in disgrace, kids show host Randolph Smiley finds himself out on the street, while his replacement Sheldon Mopes, finds himself on the fast track to success with a new hit show as the proud purple rhino Smoochy. But things take a turn for the worst when Sheldon finds out that some of the people that he works with, and some he doesn't know he's working for, are all in it for the money. Meanwhile, Randolph is slowly turning insane with his only thoughts focusing on killing Smoochy and getting back to his life of luxury. Written by
In Sheldon's (Edward Norton's) house/apartment he has a picture of a rhino on his wall. He kept this picture and has it hanging on his wall in real life. See more »
The bread in the restaurant scene between Sheldon and Burke keeps changing between shots (position toward camera and number of slices - 5 to 4 and back to 5). See more »
[Smoochy holds up a penis-shaped Cookie made by Randolph]
What are you, blind? It's a cock! It's not a rocket, you sick fuck! It's a cock! Look. It's a cock and balls! A dick! Chorizo and the huevos! It's a big stiffy! It's a penis! Penis maximus! A willie! A weenie! Mr. Jiggle Daddy! The one-eyed wonder weasel! Don't you see that? It's Jimmy and the twins. Rumple Foreskin. He made this. It's made from dil-dough.
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Death to Smoochy pushes the envelope of comedy, only to fail because it couldn't find the right audience. This comedy is amazing for its intensity and biting scenes that run side by side with comedy, there are dark scenes, harder dramatic elements not usually seen in regular comedies. Yet, this fun, entertaining, and cerebral comedy has great elements of timing, acting, and directing. Not for children, but the nature of plot (doesn't automatically capture any other audience), this sleeper comedy is a must see, because it breaks out of the mold of funny comedies into a more sophisticated, grown up form of laughter and comedical relief.
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