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The Cat's Meow (2001)

PG-13  |   |  Drama  |  3 May 2002 (USA)
6.4
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Ratings: 6.4/10 from 6,628 users   Metascore: 63/100
Reviews: 119 user | 102 critic | 34 from Metacritic.com

Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst's yacht in 1924.

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Cast

Cast overview, first billed only:
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Claudia Harrison ...
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James Laurenson ...
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Ingrid Lacey ...
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Elinor's Driver
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Storyline

In November of 1924, a mysterious Hollywood death occurred aboard media mogul William Randolph Hearst's yacht. Included among the famous guests that weekend were, Charlie Chaplin, Hearst's mistress, starlet Marion Davies, the studio system creator, producer Thomas Ince, and feared gossip columnist, Louella Parsons. Written by Carol Lewis, Producer

Plot Summary | Add Synopsis

Taglines:

"The Whisper Told Most Often..." See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexuality, a scene of violence and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

Release Date:

3 May 2002 (USA)  »

Also Known As:

Everybody Charleston  »

Filming Locations:

 »

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$111,037 (USA) (12 April 2002)

Gross:

$3,176,936 (USA) (14 June 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

While shooting the exteriors in Greece the crew were cursed with bad weather. It went from sunny to rainy and back again at the drop of a hat which caused major problems with continuity. The whole crew decided that it was the ghost of William Randolph Hearst who was at the bottom of it, unhappy that they were making such a film about him. On set, each time the weather changed for the worst someone would shout "That's Hearst!!". See more »

Goofs

Elinor Glyn rides off in the back of a late-1927 Ford Model A. See more »

Quotes

[first lines]
Man in crowd: Stop pushing! Stop pushing!
[unintelligible yells from crowd]
Man in crowd: Please, calm down!
Elinor Glyn: [voiceover] In November of 1924, during a weekend yacht party bound for San Diego, a mysterious death occurred within the Hollywood community. However there was no coverage in the press, no police action, and of the fourteen passengers on board only one was ever questioned by authorities. Little evidence exists now or existed at the time to support any version of those weekend events. History has been ...
[...]
See more »

Crazy Credits

The characters, entities, and events depicted and the names used in this motion picture are ficticious. Any similarities to any actual persons living or dead or to any actual entities or events is entirely coincidental and unintentional. See more »

Connections

Referenced in Dinner for Five: Episode #2.6 (2003) See more »

Soundtracks

Say It With Music
(1921)
Performed by Paul Whiteman
Written by Irving Berlin
Courtesy of The RCA Music Group
A Unit of BMG Entertainment
See more »

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User Reviews

 
Enjoyable, flawed, and yet...
22 October 2001 | by (Los Angeles, Calif.) – See all my reviews

I went to see this movie not expecting much but was pleasantly surprised to find it was a light gaudy slightly malicious but brightly told tale of the rumored murder of Thomas Ince, It was great fun to watch, beautifully shot, with some very sharp dialogue and tasty performances.

I especially enjoyed Cary Elwes as the desperate, conniving Thomas Ince and much of Edward Herrmann's Hearst, the scenes with Elwes with their cat and mouse dialogue sparkled with wit. Kirsten I thought was quite lovable and good but still too young - I didn't believe she was Marion Davies, but more like a teenage version of Marion. Eddie Izzard was a charming, cunning, self assured Charlie Chaplin, but I didn't see the lechery that should have oozed out of him. Joanne Lumley was delicious as the jaded Elinor Gyn.

I did notice a slight frustration with some of the scenes. I wanted a bit more emphasis or drama to accent some of them, they all seemed to play at the same intensity and some of the reaction shots could had more omfph. But still I thoroughly enjoyed it.

Then the next day I started critique it more and noticed more flaws in the movie. The story didn't seem to gather momentum as it went on, but seemed too even in tone and pace. I imagined better ways to shoot some of the scenes and wished for a more mordant tone because the story is a pretty dark one after all. I thought, this seemed to have been shot with the budget and schedule of a TV movie, and was there no time or money to shoot alternative shots, or second takes for the actors?

But then something about the ending made me go back and reassess many of the scenes. Perhaps because I was caught up in the sort of flappergirl feel of the movie, that I did not see that there were secrets and competitions, all sorts of hidden things going on below the gaiety.

It's kind of like Memento, maybe you don't know quite what you are seeing. I wish I could watch it again, because I'm not sure if it's my imagination or if there is re


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