The Cat's Meow (2001)

User Rating:

6.4/10   

Director:

Peter Bogdanovich

Writers (WGA):

Steven Peros (screenplay)
Steven Peros (play)

Release Date:

19 September 2002 (Australia)

Genre:

Drama

Tagline:

"The Whisper Told Most Often..."

Plot:

Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst's yacht in 1924.

Plot Keywords:

William Randolph Hearst | Hollywood | Yacht | Gossip Columnist | Gossip

Awards:

1 win

Cast

Kirsten Dunst	...	Marion Davies
Edward Herrmann	...	W.R. Hearst
Eddie Izzard	...	Charlie Chaplin
Cary Elwes	...	Thomas Ince
Joanna Lumley	...	Elinor Glyn
Jennifer Tilly	...	Louella Parsons
Claudia Harrison	...	Margaret Livingston
Victor Slezak	...	George Thomas
James Laurenson	...	Dr. Daniel Goodman
Ronan Vibert	...	Joseph Willicombe
Chiara Schoras	...	Celia
Claudie Blakley	...	Didi
Ingrid Lacey	...	Jessica Barham
John C. Vennema	...	Frank Barham
Steven Peros	...	Elinor's Driver

MPAA:

Rated PG-13 for sexuality, a scene of violence and brief drug use.

Runtime:

114 min

Country:

USA | Germany | UK

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Iceland:12 | Portugal:M/12 | Finland:K-11 | Argentina:13 | Australia:M | Singapore:NC-16 | UK:12A | USA:PG-13 | Canada:PG (Ontario)

Filming Locations:

Kyparisi, Greece

Company:

Lions Gate Films

Trivia:

The soundtrack for this film includes several songs performed by Paul Whiteman, including "Somebody Loves Me", "Say it with Music" and "Stumbling". In reality, Paul Whiteman would go on to marry Margaret Livingston, who is portrayed in this film by Claudia Harrison.

Goofs:

Anachronisms: The movie is set in 1924. One of the characters mentions The Lady of the Harem (1926) which wasn't released until 1926.

Quotes:

Elinor Glyn: [in the car leaving the dock in San Diego] I am not here.
[pause]
Elinor Glyn: Like others with tiny bullets hidden in their skulls, Thomas Ince held on unconcious for 2 days before dying in his own bed. There was plenty of misinformation in the days following his death, much of it coming from the Hearst press machine. Which inexplicably reported that Ince was stricken unconcious while visiting Hearst at his upstate ranch...
[...]

Movie Connections:

References Yolanda (1924)

Soundtrack:

Livery Stable Blues

It was Mr Hearst, in the yacht, with the gun!

`The Cat's Meow' is a mildly enjoyable telling of a notorious tall story that has been told in Hollywood for nearly eighty years.

Super-magnate William Randolph Hearst (Edward Herrmann) invites a diverse mix of Hollywood biggest names and its oddest fringe dwellers to celebrate the birthday of famed director Thomas Ince (Cary Elwes) aboard his luxury yacht. Things begin to fall apart when Hearst suspects a guest - none other than Charlie Chaplin (Eddie Izzard), the most famous man in the world - of having an affair with his actress girlfriend, Marion Davies (Kirsten Dunst).

Although the film is entertaining, there is something underwhelming about it. Its stage origins are obvious - characters perambulate from plot point to plot point, spouting exposition, never appearing much more than caricatures, and thus failing to evoke much sympathy.

The casting of Eddie Izzard in the pivotal role of Charles Chaplin is a grave mistake, though the script saddles him with a most unsatisfactory characterisation of Chaplin to work with. Chaplin was not a serial romancer, as is implied in the film, but a serial seducer. He would have been the last person to urge a woman to run away with him on the basis of undying love. He spent his most famous years running from women who suggested exactly that, freely admitting to them that while sex was a pleasant diversion, his work came before any woman. It's a casting decision that is an obvious attempt to distance us from the Little Tramp as opposed to Chaplin the real man, but we never get a true sense of either. Ironically, Izzard actually resembles the real Thomas Ince far more than does Cary Elwes, and as a real-life cabaret performer could conceivably have brought the flamboyance and eccentricity of the real-life director to life better than Elwes does.

The film also takes an annoyingly facile view of women, perpetuating the dull cliche that all women spent the 1920s with a bad case of St Vitus' dance and addicted to laughing gas. The grating performances of Claudie Blakley and Chiara Schoras in particular throw the beautifully understated efforts of Kirsten Dunst into high relief. Dunst feels like the only real person in this cast of cartoon characters - beautiful, funny, and vital, she is the best thing in the film. Yet there is never any moment in the movie to suggest the true depth of her dedication and passion for Hearst (portrayed as a roly-poly father figure rather than the hard nosed businessman he was), nor any justification for leaving him for the roguish but uncharismatic Chaplin. Unfortunately, the more interesting conflicts in Marion's life, such as her growing alcoholism and her dissatisfaction with Hearst's insistence on casting her in leaden romances rather than the comedy to which she was so obviously suited, are only touched on lightly.

Though it could have been a thought-provoking and complex experience, as Joanna Lumley's poignant final statements imply (and like `Gosford Park' to which it has been compared), in the end `The Cat's Meow' doesn't feel much more substantial than your average game of Cluedo.