The Malakian clan, a family of ruthless gangsters, controls the underworld of Southern France. At its head, the violent godfather Milo Malakian rules his world with an iron fist. His son ... See full summary »
When the professor and writer Lola Sánchez is assigned to write a column in the newspaper about the Spanish Civil War, she researches and finds for the first time about the shooting of ... See full summary »
1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
This is a combination coming out and first love story. The swimmer and diver Lucard is interested in attractive Martin. The film follows the characters' coming out with all its difficulties... See full summary »
Marcial Di Fonzo Bo,
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
Alledged wayward adolescent Louisiana gentleman Michael 'Mike' Blueberry is dumped by his family with a Wild West uncle. The brute's only 'motivation' is a stick. After a nearly fatal ... See full summary »
In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same ... See full summary »
Over-demonstrative and over-simplified, plagued by naivety, clumsiness and an over-long, never-ending finale, poorly acted by good actors (the last straw!) and "boasting" among the worst make up effects for the year 2001, "Bella Ciao" is not a bomb for all these shortcomings, thanks to writer-director Stéphane Giusti's sincerity (this is the true story of his roots) and ambition (doesn't he try to epitomize the whole Italian immigration wave to 20th century France in a single story?) Giusti also occasionally manages to add spice to his narrative thanks to welcome touches of humor (The Statue of Liberty which turns out to be Marseilles' Notre Dame de la Garde; the baby's Moses basket carried away by the sea) as well as sudden outbreaks of violence (the fascist drowned in the toilet bowl).
Disappointing on the whole, this tale of a communist schoolteacher turned house painter, his wife and his family, deserves respect. It is a work the viewer would love to love but to which they can give only half their heart.
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