The two brothers Julien (Nicolas Duvauchelle) and Louis (Steve Le Roi) work on their father's steel barge, which he won't let them inherit. To keep the boat, they resort to stealing a ... See full summary »
Steve Le Roi
A random montage of disturbing images tell a story about one summer in the lives of two teenagers who somehow find love within each other, Orso and Marie. After they realize this, they run ... See full summary »
When the professor and writer Lola Sánchez is assigned to write a column in the newspaper about the Spanish Civil War, she researches and finds for the first time about the shooting of ... See full summary »
In France, terrorist groups and intelligence agencies battle in a merciless war everyday, in the name of radically opposed ideologies. Yet, terrorist and secret agents lead almost the same ... See full summary »
Alda, her sister Olga, and the latter's daughter Sigga live together in an old house facing a cemetery by the sea. Self-assured Alda collects men; Olga shuns them, but cannot help following... See full summary »
In this low key satirical farce, a CEO is released from prison and rejoins his family, who have a difficult time with his complete change in character, moving from a captain of industry to an eccentric innocent.
The 'philosopher' (modernist intellectual of the French 18th-century Enlightenment) Denis Diderot is part of an aristocratic circle which practices the libertarian principles on the rural ... See full summary »
Inevitable is a realistic paraphrase of a classic teen-movie, a deep dive into the 'Grey zone' of sexual abuse, told through the story of average suburban adolescents. The story takes place... See full summary »
Over-demonstrative and over-simplified, plagued by naivety, clumsiness and an over-long, never-ending finale, poorly acted by good actors (the last straw!) and "boasting" among the worst make up effects for the year 2001, "Bella Ciao" is not a bomb for all these shortcomings, thanks to writer-director Stéphane Giusti's sincerity (this is the true story of his roots) and ambition (doesn't he try to epitomize the whole Italian immigration wave to 20th century France in a single story?) Giusti also occasionally manages to add spice to his narrative thanks to welcome touches of humor (The Statue of Liberty which turns out to be Marseilles' Notre Dame de la Garde; the baby's Moses basket carried away by the sea) as well as sudden outbreaks of violence (the fascist drowned in the toilet bowl).
Disappointing on the whole, this tale of a communist schoolteacher turned house painter, his wife and his family, deserves respect. It is a work the viewer would love to love but to which they can give only half their heart.
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