| Photos (See all 21 | slideshow) |
| Tatsuya Fujiwara | ... | Shuya Nanahara - otoko 15-ban | |
| Aki Maeda | ... | Noriko Nakagawa - onna 15-ban | |
| Tarô Yamamoto | ... | Shôgo Kawada - otoko 5-ban | |
| Takeshi Kitano | ... | Kitano-sensei (as Bito Takeshi) | |
| Chiaki Kuriyama | ... | Takako Chigusa - onna 13-ban | |
| Sôsuke Takaoka | ... | Hiroki Sugimura - otoko 11-ban | |
| Takashi Tsukamoto | ... | Shinji Mimura - otoko 19-ban | |
| Yukihiro Kotani | ... | Yôshitoki Kuninobu - otoko 7-ban | |
| Eri Ishikawa | ... | Yukie Utsumi - onna 2-ban | |
| Sayaka Kamiya | ... | Satomi Noda - onna 17-ban | |
| Aki Inoue | ... | Fumiyo Fujiyôshi - onna 18-ban | |
| Takayo Mimura | ... | Kayoko Kotôhiki - onna 8-ban | |
| Yutaka Shimada | ... | Yûtaka Seto - otoko 12-ban | |
| Ren Matsuzawa | ... | Keita Îjima - otoko 2-ban | |
| Hirohito Honda | ... | Kazushi Nîda - otoko 16-ban | |
| Ryou Nitta | ... | Kyôichi Motobuchi - otoko 20-ban | |
| Sayaka Ikeda | ... | Megumi Etô - onna 3-ban | |
| Anna Nagata | ... | Hirono Shimizu - onna 10-ban | |
| Yukari Kanasawa | ... | Yûkiko Kitano - onna 6-ban | |
| Misao Kato | ... | Yumiko Kusaka - onna 7-ban | |
| Hitomi Hyuga | ... | Yûko Sakaki - onna 9-ban | |
| Satomi Ishii | ... | Haruka Tanizawa - onna 12-ban | |
| Asami Kanai | ... | Chisato Matsui - onna 19-ban | |
| Satomi Hanamura | ... | Yûka Nakagawa - onna 16-ban | |
| Yousuke Shibata | ... | Mitsuru Numai - otoko 17-ban | |
| Shirô Gô | ... | Ryûhei Sasagawa - otoko 10-ban | |
| Yuuki Masuda | ... | Hiroshi Kuronaga - otoko 9-ban | |
| Shigeki Hirokawa | ... | Shô Tsukioka - otoko 14-ban | |
| Tamaki Mihara | ... | Izumi Kanai - onna 5-ban | |
| Tomomi Shimaki | ... | Sakura Ogawa - onna 4-ban | |
| Yasuomi Sano | ... | Kazuhiko Yamamoto - otoko 21-ban | |
| Shin Kusaka | ... | Yoshio Akamatsu - otoko 1-ban | |
| Gouki Nishimura | ... | Tatsumichi Ôki - otoko 3-ban | |
| Shigehiro Yamaguchi | ... | Toshimori Oda - otoko 4-ban | |
| Osamu Ohnishi | ... | Yôji Kuramoto - otoko 8-ban | |
| Satoshi Yokomichi | ... | Tadakatsu Hatagami - otoko 18-ban | |
| Junichi Naitou | ... | Yûichiro Takiguchi - otoko 13-ban | |
| Tsuyako Kinoshita | ... | Mizuho Inada - onna 1-ban | |
| Mai Sekiguchi | ... | Kaori Minami - onna 20-ban | |
| Takako Baba | ... | Yoshimi Yahagi - onna 21-ban | |
| Haruka Nomiyama | ... | Mayumi Tendô - onna 14-ban | |
| Ai Iwamura | ... | Onna no hito - won last Battle Royale | |
| Ai Maeda | ... | Shiori - Kitano no aijô (voice) | |
| Minami | ... | Keiko | |
| Michiko Yamamura | ... | Reporter | |
| Suzuka Tonegawa | ... | Young Mitsuko (in Special Version) | |
| Tarô Suwa | ... | Middle-aged man (in Special Version) | |
| Reiko Kataoka | ... | Mitsuko no okâsan (in Special Version) | |
| Takeyuki Hirai | ... | Soldier | |
| Tomu Asakawa | ... | Soldier | |
| Yûya Nakahara | ... | Soldier | |
| Takashi Komori | ... | Soldier | |
| Ryôta Nakamura | ... | Soldier | |
| Akihiro Ugajin | ... | Soldier | |
| Yôichi Murakami | ... | Soldier | |
| Tsuguharu Niizaki | ... | Soldier | |
| Jun'ichi Nashiki | ... | Soldier | |
| Hiroshi Kitagawa | ... | Soldier | |
| Hideaki Kawashima | ... | Soldier | |
| Umiji Tasaki | ... | Soldier | |
| Mitsuaki Tachikawa | ... | Soldier | |
| Hidetsugu Okumura | ... | Soldier | |
| Daisuke Yazawa | ... | Soldier | |
| Nobuki Baba | ... | Soldier | |
| Naoki Iwasawa | ... | Soldier | |
| Kôji Tokuhisa | ... | Soldier | |
| Mikiya Sanada | ... | Soldier | |
| Kazuhiro Yokokura | ... | Soldier | |
| Shigeki Homma | ... | Soldier | |
| Kazuo Araki | ... | Soldier | |
| Gôshi Matsuhara | ... | Soldier | |
| Akira Yoshizawa | ... | Soldier | |
| Kenzô Shirahama | ... | Soldier | |
| Kanji Okumura | ... | Soldier | |
| Shôji Takano | ... | Soldier | |
| Ryôji Sugimoto | ... | Soldier | |
| Hajime Yoneda | ... | Soldier | |
| Hideaki Kojima | ... | Soldier | |
| Nanami Ohta | ... | Mitsuko no tomodachi (in Special Version) | |
| Ayana Noguchi | ... | Mitsuko no tomodachi (in Special Version) | |
| Tetsu Masuda | ... | Kurasu 3A no sensei (in Special Version) | |
| Kazutoshi Yokoyama | ... | Basketball referee (in Special Version) | |
| Kotaru Kamijou | ... | Jô Kitô, Basketball player of Class 3-A (in Special Version) | |
| Hirobumi Seki | ... | Kôsuke Okiyama, Basketball player of Class 3-A (in Special Version) | |
| Kiyoyuki Matsumoto | ... | Shinichirô Tanaka, Basketball player of Class 3-A (in Special Version) | |
| Gou Ryugawa | ... | Lieutenant Anjo | |
| Takashi Taniguchi | ... | Nanahara no otôsan | |
| Ken Nakaide | ... | Hayashida-san - Kurasu 3B no sensei | |
| Kanako Fukaura | ... | Basugaido | |
| Yûko Miyamura | ... | Training Video Girl | |
| Kô Shibasaki | ... | Mitsuko Sôma - onna 11-ban | |
| Masanobu Andô | ... | Kazuo Kiriyama - otoko 6-ban | |
| rest of cast listed alphabetically: | |||
| Ivan Buckley | ... | Kitano | |
| Erin Fitzgerald | ... | Yukie Utsumi / Yumiko Kusaka (voice: English version) (uncredited) | |
| Stephanie Komure | ... | Mitsuko Souma / Megumi Eto / Training Video Girl / Kayoko Kotohiki (voice: English version) (uncredited) | |
| Stephanie Sheh | ... | Takako Chigusa (voice: English version) (uncredited) | |
| Spike Spencer | ... | Yoshitoki Kuninobu (voice: English version) (uncredited) | |
| Kaiji Tang | ... | Shogo Kawada (voice: English version) (uncredited) | |
Directed by | |||
| Kinji Fukasaku | |||
Writing credits | ||
| Koushun Takami | (novel) | |
| Kenta Fukasaku | (screenplay) | |
Produced by | |||
| Kenta Fukasaku | .... | producer | |
| Kinji Fukasaku | .... | producer | |
| Kimio Kataoka | .... | producer | |
| Chie Kobayashi | .... | producer | |
| Toshio Nabeshima | .... | producer | |
| Masumi Okada | .... | producer | |
Original Music by | |||
| Masamichi Amano | |||
Cinematography by | |||
| Katsumi Yanagijima | |||
Film Editing by | |||
| Hirohide Abe | |||
Production Design by | |||
| Kyôko Heya | |||
Makeup Department | |||
| Rena Grady | .... | makeup artist | |
Production Management | |||
| Motoki Ishida | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kenta Fukasaku | .... | second unit director (uncredited) | |
Art Department | |||
| Yasushi Nakayama | .... | designer: main title logo | |
| Motomu Takaba | .... | designer: BR logomark | |
Sound Department | |||
| Kunio Ando | .... | sound | |
Special Effects by | |||
| Kikuo Notomi | .... | armourer | |
| Kikuo Notomi | .... | pyrotechnician | |
Visual Effects by | |||
| Yoshiaki Nakaichi | .... | digital effects artist | |
Stunts | |||
| Ai Iwamura | .... | stunt double (uncredited) | |
Editorial Department | |||
| Yûki Izumi | .... | technical coordinator: post-production, Battle Royale 3-D | |
| Soichi Satake | .... | 3D colorist: Battle Royale 3-D | |
Music Department | |||
| Masamichi Amano | .... | conductor | |
Other crew | |||
| Makoto Ashikawa | .... | stand-in | |
| Haruhi Terada | .... | voice trainer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
The Place: Japan. The Time: The not-so-distant-future. Faced with the prospect of losing control over the nation's young people, a totalitarian government decides upon a ruthless demonstration of power. The Battle Royale Act annually sends a randomly-selected class of high school students to an uninhabited island where they are compelled to kill each other until only one of their number survives.
The reasoning behind this bizarre piece of legislation is perhaps the weakest part of the plot - but the Director deftly causes us to suspend disbelief by drawing us surely and touchingly into the feelings of the young cast. Unlike many western movies which trot out a body count of simplistic characters who are only there to die horribly for our entertainment, Battle Royale somehow manages to rapidly introduce us to the story's potential victims and make us care about them.
You will read reviews that describe this film as excessively violent. I believe that this is a gross overstatement. Though there are many deaths and not a little blood, the main emphasis is upon simple human values - issues such as trust, friendship, love and hate - which the competition tests to their very limits. Children who have little genuine experience of living are forced to evaluate their relationships with each other if they want to stay alive. Alliances are formed and broken; long suppressed crushes and barely buried antagonisms influence their decisions.
There are no easy or mindless deaths in Battle Royale. The violent scenes make the point that violence and death are not cool or funny. This is not Kill Bill; every character in Battle Royale has value as a living, breathing human being. It may sound corny to say that the movie is an emotional roller-coaster ride, but it truly is - having dared to give us three dimensional people who bleed when they are cut, the Director sometimes further dares to cruelly follow scenes of tragedy with jarring moments of biting, dark and sarcastic wit.
If this was an American movie, the class would be played by people in their twenties and thirties. Two or three of the students would be given a lot of screen time and the rest would be faceless cannon fodder. Five seconds after the opening titles, you would know who was going to survive. Despite its odd premise, Battle Royale seems closer to reality because its teenagers really are teenagers and it allows no comforting certainties about who lives or dies.
The true genius of Battle Royale lies in the talented playing of the entire cast. Although young, not one of them strikes a dud note and the script gives almost all of the students a chance to shine at some point. The fight scenes are not staged in the style of 'Enter The Dragon' - the kids are not weapons experts or Karate champions. We see them kill each other but we are not invited to hate them - they are, after all, children and they are scared and desperate. Even a student who takes to killing with apparent relish deserves our sympathy.
Some reviewers have criticised aspects of the dialogue as unrealistic. There are certainly times when the script seems stagy - but it is important to remember that these Japanese children are products of a national culture which often finds the expression of passionate emotions problematical. If anything, the formal phrasing and awkwardness of their most heartfelt expressions only serves to make them more meaningful.
The Special Edition ends (quite literally) with a question. You will find yourself going back to this movie time and time again to answer it. Each viewing is rewarded with details that you probably missed previously - the depth of characterisation and the layers of hidden-in-plain-sight clues continually allow you to understand the story from fresh perspectives.