| Photos (see all 15 | slideshow) |
| Tatsuya Fujiwara | ... | Shuya Nanahara - otoko 15-ban | |
| Aki Maeda | ... | Noriko Nakagawa - onna 15-ban | |
| Taro Yamamoto | ... | Shôgo Kawada - otoko 5-ban | |
| Chiaki Kuriyama | ... | Takako Chigusa - onna 13-ban | |
| Sosuke Takaoka | ... | Hiroki Sugimura - otoko 11-ban | |
| Takashi Tsukamoto | ... | Shinji Mimura - otoko 19-ban | |
| Yukihiro Kotani | ... | Yôshitoki Kuninobu - otoko 7-ban | |
| Eri Ishikawa | ... | Yukie Utsumi - onna 2-ban | |
| Sayaka Kamiya | ... | Satomi Noda - onna 17-ban | |
| Aki Inoue | ... | Fumiyo Fujiyôshi - onna 18-ban | |
| Takayo Mimura | ... | Kayoko Kotôhiki - onna 8-ban | |
| Yutaka Shimada | ... | Yûtaka Seto - otoko 12-ban | |
| Ren Matsuzawa | ... | Keita Îjima - otoko 2-ban | |
| Hirohito Honda | ... | Kazushi Nîda - otoko 16-ban | |
| Ryou Nitta | ... | Kyôichi Motobuchi - otoko 20-ban | |
| Sayaka Ikeda | ... | Megumi Etô - onna 3-ban | |
| Anna Nagata | ... | Hirono Shimizu - onna 10-ban | |
| Yukari Kanasawa | ... | Yûkiko Kitano - onna 6-ban | |
| Misao Kato | ... | Yumiko Kusaka - onna 7-ban | |
| Hitomi Hyuga | ... | Yûko Sakaki - onna 9-ban | |
| Satomi Ishii | ... | Haruka Tanizawa - onna 12-ban | |
| Asami Kanai | ... | Chisato Matsui - onna 19-ban | |
| Satomi Hanamura | ... | Yûka Nakagawa - onna 16-ban | |
| Yousuke Shibata | ... | Mitsuru Numai - otoko 17-ban | |
| Shirou Gou | ... | Ryûhei Sasagawa - otoko 10-ban | |
| Yuuki Masuda | ... | Hiroshi Kuronaga - otoko 9-ban | |
| Shigeki Hirokawa | ... | Shô Tsukioka - otoko 14-ban | |
| Tamaki Mihara | ... | Izumi Kanai - onna 5-ban | |
| Tomomi Shimaki | ... | Sakura Ogawa - onna 4-ban | |
| Yasuomi Sano | ... | Kazuhiko Yamamoto - otoko 21-ban | |
| Shin Kusaka | ... | Yoshio Akamatsu - otoko 1-ban | |
| Gouki Nishimura | ... | Tatsumichi Ôki - otoko 3-ban | |
| Shigehiro Yamaguchi | ... | Toshimori Oda - otoko 4-ban | |
| Osamu Ohnishi | ... | Yôji Kuramoto - otoko 8-ban | |
| Satoshi Yokomichi | ... | Tadakatsu Hatagami - otoko 18-ban | |
| Junichi Naitou | ... | Yûichiro Takiguchi - otoko 13-ban | |
| Tsuyako Kinoshita | ... | Mizuho Inada - onna 1-ban | |
| Mai Sekiguchi | ... | Kaori Minami - onna 20-ban | |
| Takako Baba | ... | Yoshimi Yahagi - onna 21-ban | |
| Haruka Nomiyama | ... | Mayumi Tendô - onna 14-ban | |
| Ai Iwamura | ... | Onna no hito - won last Battle Royale | |
| Ai Maeda | ... | Shiori - Kitano no aijô (voice) | |
| Minami | ... | Keiko | |
| Michiko Yamamura | ... | Reporter | |
| Suzuka Tonegawa | ... | Young Mitsuko (in Special Version) | |
| Taro Suwa | ... | Middle-aged man (in Special Version) | |
| Reiko Kataoka | ... | Mitsuko no okâsan (in Special Version) | |
| Takeyuki Hirai | ... | Soldier | |
| Tomu Asakawa | ... | Soldier | |
| Yûya Nakahara | ... | Soldier | |
| Takashi Komori | ... | Soldier | |
| Ryôta Nakamura | ... | Soldier | |
| Akihiro Ugajin | ... | Soldier | |
| Yôichi Murakami | ... | Soldier | |
| Tsuguharu Niizaki | ... | Soldier | |
| Jun'ichi Nashiki | ... | Soldier | |
| Hiroshi Kitagawa | ... | Soldier | |
| Hideaki Kawashima | ... | Soldier | |
| Umiji Tasaki | ... | Soldier | |
| Mitsuaki Tachikawa | ... | Soldier | |
| Hidetsugu Okumura | ... | Soldier | |
| Daisuke Yazawa | ... | Soldier | |
| Nobuki Baba | ... | Soldier | |
| Naoki Iwasawa | ... | Soldier | |
| Kôji Tokuhisa | ... | Soldier | |
| Mikiya Sanada | ... | Soldier | |
| Kazuhiro Yokokura | ... | Soldier | |
| Shigeki Homma | ... | Soldier | |
| Kazuo Araki | ... | Soldier | |
| Gôshi Matsuhara | ... | Soldier | |
| Akira Yoshizawa | ... | Soldier | |
| Kenzô Shirahama | ... | Soldier | |
| Kanji Okumura | ... | Soldier | |
| Shôji Takano | ... | Soldier | |
| Ryôji Sugimoto | ... | Soldier | |
| Hajime Yoneda | ... | Soldier | |
| Hideaki Kojima | ... | Soldier | |
| Nanami Oota | ... | Mitsuko no tomodachi (in Special Version) | |
| Ayana Noguchi | ... | Mitsuko no tomodachi (in Special Version) | |
| Tetsu Masuda | ... | Kurasu 3A no sensei (in Special Version) | |
| Kazutoshi Yokoyama | ... | Basketball referee (in Special Version) | |
| Kotaru Kamijou | ... | Jô Kitô, Basketball player of Class 3-A (in Special Version) | |
| Hirobumi Seki | ... | Kôsuke Okiyama, Basketball player of Class 3-A (in Special Version) | |
| Kiyoyuki Matsumoto | ... | Shinichirô Tanaka, Basketball player of Class 3-A (in Special Version) | |
| Gou Ryugawa | ... | Lieutenant Anjo | |
| Takashi Taniguchi | ... | Nanahara no otôsan | |
| Ken Nakaide | ... | Hayashida-san - Kurasu 3B no sensei | |
| Kanako Fukaura | ... | Basugaido | |
| Yûko Miyamura | ... | Training Video Girl | |
| Kou Shibasaki | ... | Mitsuko Sôma - onna 11-ban | |
| Masanobu Ando | ... | Kazuo Kiriyama - otoko 6-ban | |
| Takeshi Kitano | ... | Kitano-sensei (as Bito Takeshi) |
Directed by | |||
| Kinji Fukasaku | |||
Writing credits | ||
| Koushun Takami | (novel) | |
| Kenta Fukasaku | (screenplay) | |
Produced by | |||
| Kenta Fukasaku | .... | producer | |
| Kinji Fukasaku | .... | producer | |
| Kimio Kataoka | .... | producer | |
| Chie Kobayashi | .... | producer | |
| Toshio Nabeshima | .... | producer | |
| Masumi Okada | .... | producer | |
Original Music by | |||
| Masamichi Amano | |||
Cinematography by | |||
| Katsumi Yanagijima | |||
Film Editing by | |||
| Hirohide Abe | |||
Production Design by | |||
| Kyôko Heya | |||
Production Management | |||
| Motoki Ishida | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kenta Fukasaku | .... | second unit director (uncredited) | |
Art Department | |||
| Yasushi Nakayama | .... | designer: main title logo | |
| Motomu Takaba | .... | designer: BR logomark | |
Sound Department | |||
| Kunio Ando | .... | sound | |
Special Effects by | |||
| Kikuo Notomi | .... | armourer | |
| Kikuo Notomi | .... | pyrotechnician | |
Visual Effects by | |||
| Yoshiaki Nakaichi | .... | digital effects artist | |
Stunts | |||
| Ai Iwamura | .... | stunt double (uncredited) | |
Other crew | |||
| Makoto Ashikawa | .... | stand-in | |
| Haruhi Terada | .... | voice trainer | |
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| Halloween | Kataude mashin gâru | L'uccello dalle piume di cristallo | Profondo rosso | Tenebre |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
| Add this title to MyMovies |
This film is film that I believed had to be made, and it was only a matter of time before it was. Yet it was a film that the US mainstream could never have conceived making.
Firstly to get it out of the way I will say that I loved this movie, although at no point did I feel comfortable while watching it. It had the power and emotional content, that while not necessarily apparent in the dialogue was visible on screen at all times.
I am truly glad that this film has come out of mainstream Japanese cinema. It would have only been made in the US by independent film-makers who would have basked in the glory of its controversy and felt oh-so-smug that they had created it, while shoving a moral in your face. While I actually have no problem with US Indie film I do feel that a Western background would have comprised on visceral content, and upped the content of cheap moral points.
For those who say the violence was "cartoon-style" and laughable must have been watching a different film. Whilst this film is heavy in black humour I can clearly say that the deaths are shocking in the extreme, and there is no relenting from the beginning to the end. Only occasionally does the camera pan away from the final deed. The only deaths that have a dark humour content to them, are those involving Kitano (Beat Takeshi) and the "lone" vigilante (those who have seen the film will know what I am talking about). Other sections, such as the "Training Video" are equally comedic, and absurd. Yet other deaths are shocking in the extreme, and show how the slightest suspicion can have disastrous consequences for groups that only have trust to keep them together, a truly shocking scene in the Lighthouse reinforces this.
The fact that this film employs Children as the main protagonists of the story is the key to the whole impact of the film. We have all seen films like The Running Man where adults fight adults for survival and it seems that much less shocking, albeit that film was handled in a completely different manner. Children have the innocence that makes the brutality of this film that much more shocking, adults in the same situation would have had the reaction from audiences of cheering at the screen as the hero dispatches yet another victim. This could never and would never have been the case with this film.
To another commentator who felt that this film sticks with you less than Scream, I simply fail to find this to be anywhere close to the truth. The deaths in Scream although bloody are nothing but pastiche of those films that Scream is mimicking, ultimately throwaway deaths that up in brutality in order to out-do the last one that have one or two psychotic perpetrators, who eventually get their comeuppance. In this film their are no victims and besides one exception there are no villains amongst the children. They simply HAVE to play the game or die.
Well I encourage all those who feel they can stomach it to go and see this film or find it available somewhere (as I believe it has been banned in the US). It is not truly a film denouncing the evils of Reality TV or showing us the future of that trend of Broadcasting, that is merely a plot device to place the children in this situation. The nature of the film lies in its deconstruction of Friendships, Trust and our views on Innocence. Go and see it not as a spectator of this BR spectacle but as one of the participants and remember what was important to you when you were at school, and whether any of those rivalries, hatreds and friendships would have been enough for you to decide who deserves to die and who deserves to live.