| Anne Jackson | ... | Sylvia Payton | |
| Eli Wallach | ... | Paul Cunningham |
Directed by | |||
| Glenn Jordan | |||
Writing credits(in alphabetical order) | ||
| Murray Schisgal | play | |
Produced by | |||
| Morris Chapnick | .... | associate producer | |
| Lewis Freedman | .... | producer | |
Cinematography by | |||
| Pete Burris | |||
| James Mayweather | |||
Film Editing by | |||
| Ray Steele | (video) | ||
Art Direction by | |||
| Michael Devine | |||
Costume Design by | |||
| Gordon Brockway | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
Production Management | |||
| John Yingling | .... | production manager | |
Sound Department | |||
| Pete San Filipo Sr. | .... | sound (as Peter San Filipo) | |
Camera and Electrical Department | |||
| Rick Bennewitz | .... | camera operator | |
| Larry Bentley | .... | camera operator | |
| Jeff Engel | .... | lighting director | |
| George LaFontaine | .... | lighting designer | |
| Jack Reader | .... | camera operator | |
Editorial Department | |||
| Ray Steele | .... | editor: video tape | |
Music Department | |||
| Mundell Lowe | .... | musical director | |
Other crew | |||
| Gordon Baird | .... | technical director | |
| Nancy Funk | .... | production assistant | |
| Edith Hamlin | .... | executive supervisor | |
| Britt Leonard | .... | stage manager | |
| Joel Standard | .... | associate director | |
| Ann Woodall | .... | assistant to producer | |
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| Spider-Man 3 | Thank You for Smoking | Superman | Big | The Kite Runner |
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| Full cast and crew | Company credits | IMDb USA section |
I believe this was first presented off-Broadway in New York and after it got such rave reviews, was re-created for PBS TV's Great Performances (I might be wrong with the program). But, it was wonderful. It shows why Wallach and Jackson are among the great acting duos in theater history like Hume Cronyn and Jessica Tandy, Ossie Davis and Ruby Dee, Alfred Lunt & Lynn Fontaine, even George Burns and Gracie Allen! The realism in these performances was especially striking. For anyone who has studied acting, THIS is where you want to end up, like these two: KNOWING YOUR CRAFT. Getting yourself INSIDE the character and becoming that person is the goal and that's exactly where Jackson and Wallach are in this play. They know how to use props, just HOW to react to a line and they are perfectly prepared to give just enough to bring these people to life. I studied at the HB Studio in NY and recognize their technique. It works!
Working every day can be a tough grind. In a small office like this one (two people) and a boss you never see in the inner office, you get to know one another very well. During the course of the movie (play) these two not-so-young adults, laugh, argue, share stories, have lunch, get involved in office politics, power-grabbing, grow older, and eventually, face hard realities as the years drift by, leaving them two old people, still working at the same job 40 years later. It teaches people in their 20s that youth is fleeting and before one realizes it, middled-age arrives and suddenly, out of nowhere, you're old. All the hopes and dreams of "becoming a lawyer" or "having my own business" are nothing but childhood dreams, unless you have adult support to attain those goals. This is a heartbreaking play -- joyous, sad, funny and thought-provoking. The whole effect here is like sitting in a theater.
I hope this is out on DVD. I have a good VHS copy from PBS, but I'd love to have it on DVD, hopefully with comments from my former neighbors, Wallach & Jackson, from the west 70s and 80s (I used to see them walking their dog when I lived up there).