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Anything But Love (2002)
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Overview
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Plot:
A corporate lawyer is caught in a love triangle with an ambitious cabaret singer. | Full synopsis »
Plot Keywords:
Awards:
1 win
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NewsDesk:
(3 articles)
Millennium Films Acquires ‘My Owner’s Wedding’
(From Deadline New York. 14 May 2012, 4:49 PM, PDT)
'Abby' coupled with Magnolia
(From The Hollywood Reporter. 14 May 2007)
Westfeldt in Breakout deal for 'Divorce'
(From The Hollywood Reporter. 2 November 2005)
(From Deadline New York. 14 May 2012, 4:49 PM, PDT)
'Abby' coupled with Magnolia
(From The Hollywood Reporter. 14 May 2007)
Westfeldt in Breakout deal for 'Divorce'
(From The Hollywood Reporter. 2 November 2005)
User Reviews:
De-lovely
See more (20 total) »
Cast
(in credits order) | Andrew McCarthy | ... | Elliot Shephard |
 | Isabel Rose | ... | Billie Golden |
 | Cameron Bancroft | ... | Greg Ellenbogen |
 | Alix Korey | ... | Laney Golden |
 | Ilana Levine | ... | Marcy |
| Sean Arbuckle | ... | T.J. |
| Victor Argo | ... | Sal |
 | Michael J. Burg | ... | Amboise |
 | Eartha Kitt | ... | Herself |
 | Josh Stamberg | ... | Steve |
 | Matthew Lawler | ... | Ted |
 | Shannon Lewis | ... | Suzy |
| Leslie Bell | ... | Annette |
| Angela Pietropinto | ... | Peggy |
| Caroline Hall | ... | Kyra |
| Jesse Doran | ... | Ronald Salzman |
| Buzz Bovshow | ... | Casting Director |
| Lisa LeGuillou | ... | Toddler's Mother |
| Dawn Ouellette | ... | Monitor |
| Peter Maloney | ... | Cliff Mendelson |
| Joseph Murphy | ... | Doctor |
 | Frank Senger | ... | Limo Driver |
 | Peter Appel | ... | Man |
| Tom Fenaughty | ... | Senior Gay Man No. 1 |
| Gene Burke | ... | Senior Gay Man No. 2 |
 | Craig Wroe | ... | Minister |
| Bart DeFinna | ... | Handsome Man |
| rest of cast listed alphabetically: | |||
 | Lawrence R. Leritz | ... | The Choreographer |
| Vince Viverito | ... | Ronald Saltzman |
Directed by | |||
| Robert Cary | |||
Writing credits(in alphabetical order) | ||
| Robert Cary | ||
| Isabel Rose | ||
Produced by | |||
| Isen Robbins | .... | producer | |
| Valerie Romer | .... | line producer | |
| Aimee Schoof | .... | producer | |
Original Music by | |||
| Andrew Hollander | |||
| Steven Lutvak | |||
Cinematography by | |||
| Horacio Marquínez | |||
Film Editing by | |||
| Robert M. Reitano | |||
Casting by | |||
| James Calleri | |||
| Ricki Maslar | (as Ricki G. Maslar) | ||
Production Design by | |||
| Cecil Gentry | |||
Art Direction by | |||
| Maze Georges | |||
Set Decoration by | |||
| Charlotte Newman | |||
Costume Design by | |||
| Sarah Beers | |||
Makeup Department | |||
| Persefone Karakosta | .... | key makeup artist | |
| Susan Reilly LeHane | .... | makeup supervisor | |
Production Management | |||
| Aaron Levine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Urs Hirschbiegel | .... | first assistant director | |
Art Department | |||
| Alyssa Coppelman | .... | on-set dresser | |
Sound Department | |||
| David Alvarez | .... | sound re-recording mixer | |
| John D'Aquino | .... | foley artist | |
| Aaron Davies | .... | sound effects editor | |
| Seth Granger | .... | boom operator | |
| Fredrick Helm | .... | adr recordist | |
| Allen Lau | .... | assistant sound editor | |
| Phillip Lefesi | .... | post-production sound supervisor | |
| Brian O'Hara | .... | sound effects editor | |
| Theresa Radka | .... | sound mixer | |
| John Salk | .... | sound editor | |
| Steven Simons | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| George Bianchini | .... | Steadicam operator | |
| Christine DeSavino | .... | still photographer | |
| David Harges | .... | gaffer | |
| Susan Heller | .... | electrician | |
| Ron Travisano | .... | assistant camera | |
| Perry Unjang | .... | company electrician | |
Costume and Wardrobe Department | |||
| Frank Champa | .... | assistant costume designer | |
| Alexis Steinman | .... | set costumer | |
Editorial Department | |||
| Laura Weinberg | .... | assistant editor | |
Music Department | |||
| Janice Ginsberg | .... | music supervisor | |
Other crew | |||
| Ben Feldman | .... | production legal services | |
| Diane Hounsell | .... | additional script supervisor | |
| Susan T. Parsons | .... | script supervisor | |
| Luke Smith | .... | production assistant | |
Production CompaniesDistributors
- Samuel Goldwyn Films (2003) (USA) (theatrical)
- Showcase Entertainment (2005) (non-USA) (all media)
- Video Film Express (2007) (Netherlands) (DVD) (as "Anything But Love")
Additional Details
Also Known As:
"Standard Time" - USA (original title)
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MPAA:
Rated PG-13 for some language and innuendo
Parents Guide:
Runtime:
102 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Company:
FAQ
This FAQ is empty. Add the first question.See more (20 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Anything But Love (2002)| Recent Posts (updated daily) | User |
|---|---|
| Chee-Z | island_paradise44 |
| Enjoyed it | karchad |
| Loved this movie (may contain a spoiler) | njenkinson |
| A remarkable debut | notmtwain |
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| News articles | IMDb Musical section | IMDb USA section |
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At some movie theatres lately, you have the choice of seeing "Love Actually" or "Anything But Love"; ironically, the titles are the exact opposite of what these films are really about. After the depressing fairy-tales of "Love Actually" it was so refreshing to see a film that may not have had the advantages of a big budget or top-name talent, but makes up for it with sincerity. For Billie Golden, the first love in her life is her music, and she finds love with a man who has the same philosophy. How reassuring to find a film that doesn't glorify materialism and appearances and subjugates the love story to the more important life journey of finding one's passion. Miss Isabel Rose certainly looks and acts the part and has a nice little voice; Andrew McCarthy, as already noted, is perfect as the sclubby pianist. The rest of the cast is serviceable (Cameron Bancroft, I thought, was the weakest link). Costumes (particularly Billie's glorious retro fashions) were great and although there is a heck of a lot of distractingly bad ADR, there are some great NYC locations that make this one of the great movie valentines to the Big Apple, along the lines of "Annie Hall." The Technicolor dream sequence was a nice touch. Some interesting, not-oft-heard standards are to be found in the score. The script was awkward at times, particularly in the ending, but overall this is a fine little movie and a great holiday treat.