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Scotland, Pa. (2001)

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A modernized retelling of "MacBeth" set in 1970s suburban Pennsylvania. Joe McBeth, an unambitious hamburger stand employee, is driven to success by his scheming wife.


2 nominations. See more awards »



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Cast overview, first billed only:
Joe 'Mac' McBeth (as James LeGros)
Anthony 'Banko' Banconi
Norm Duncan
Malcolm Duncan (as Thomas Guiry)
Hector (Hippie #2) (as Timothy Speed Levitch)
Geoff Dunsworth ...
Donald Duncan
Jimmy McMann
Nicola Lipman ...


Joe McBeth is a hard-working but unambitious doofus who toils at a hamburger stand alongside his wife Pat, who has a significant edge in the brains department. Pat is convinced she could do a lot better with the place than their boss Norm Duncan is doing, so she works up a plan to usurp Norm, convincing Mac to rob the restaurant's safe and then murder Norm, using the robbery as a way of throwing the police off their trail. Though two stoners and a would-be fortune teller warn Mac that bad luck awaits him, he gathers his courage and goes through with his wife's scheme. At first, things seem to have gone just as Pat hoped, and after Norm's sons sell the restaurant to the McBeths (they pay for it with the money they stole from Norm), business takes off. But vegetarian police detective McDuff is convinced there's foul play at the new center of the fast food universe, and when the McBeths fear that fry cook Banco knows more than he's letting on, Mac takes charge in the plotting department ... Written by Anonymous

Plot Summary | Plot Synopsis


Greasy Spoon. Bloody Murder. See more »


Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for language, some nudity, drug content and brief violence





Release Date:

22 January 2001 (USA)  »

Also Known As:

Crimele din Scotland  »

Filming Locations:


Box Office

Opening Weekend USA:

$43,366, 10 February 2002, Limited Release

Gross USA:

$384,098, 30 June 2002
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


An actual Halifax strip club (now closed) served as location for both the Scotland tavern scenes and the Atlantic City strip club scene. See more »


When Pat McBeth chops her hand off, she falls left of her position directly in front of her severed hand. Later she is shown lying on the floor. Her body is facing the correct position, but she is far to the right of the point of view of the previous scene. See more »


Malcolm Duncan: I can't believe I just drank that. Your water tastes like ass!
See more »

Crazy Credits

This Film Is Dedicated to the Cast and Crew See more »


Version of Maqbool (2003) See more »


Satin Sounds
Written by Dick Walter
Published by KPM/APM (ASCAP)
Courtesy of APM
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User Reviews

Duncan Donuts...
18 February 2002 | by See all my reviews

I really didn't get the "Duncan Donuts" gag until I sat down to write this brief review. It's that kind of movie, I guess: it is smarter than you think, but in ways that aren't necessarily very illuminating to the core of the drama.

This take on Shakespeare's MacBeth is both lightweight and light on its feet. It doesn't take itself very seriously but it takes what it wants from the material and spins it into an unexpected and hard to categorize movie. Think "Dazed and Confused" meets the Bard and you're getting pretty close to the mark, but it's campier than that, not as heartfelt, more smart-alecky. There's a little Twin Peaks bound up in the recipe, as well.

Though the material is not as well-crafted as, say, "Shakespeare in Love", the sloppy, homemade quality almost becomes its central aesthetic. It feels like something you'd dream up on a Friday night sitting around a hookah with your best friends, and by Saturday morning nobody could remember quite what you were talking about.

Even though the film utterly lacks the air of serious drama that one normally expects in a rendition of a Shakespearian tragedy, one can't help but wonder if the slapdash charms of this production might not actually lie closer to what versions Shakespeare himself might have seen produced at the Globe...rowdy, loose, untamed entertainment that races from one side of the stage to the other without pausing to ask what its all about.

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