A scam artist convinces a naive young woman in Whitman, Montana, that she is to be given a job by a major Chicago discount store. However, her dad and mom see through the ruse and tries to ... See full summary »
Rachael Leigh Cook
This is the story of the lovely Kate Swallow and the loves of her life. At the start she is with Alec Bolton, a noted author, who discourages her when she wants to write a novel. Later she ... See full summary »
In an attempt to recover from his marriage to Rita Hayworth and restart his career, Orson Welles travels to Italy...only to be drawn into a dangerous web of intrigue, murder and politics when an actor is murdered on his set.
Joe McBeth is a hard-working but unambitious doofus who toils at a hamburger stand alongside his wife Pat, who has a significant edge in the brains department. Pat is convinced she could do a lot better with the place than their boss Norm Duncan is doing, so she works up a plan to usurp Norm, convincing Mac to rob the restaurant's safe and then murder Norm, using the robbery as a way of throwing the police off their trail. Though two stoners and a would-be fortune teller warn Mac that bad luck awaits him, he gathers his courage and goes through with his wife's scheme. At first, things seem to have gone just as Pat hoped, and after Norm's sons sell the restaurant to the McBeths (they pay for it with the money they stole from Norm), business takes off. But vegetarian police detective McDuff is convinced there's foul play at the new center of the fast food universe, and when the McBeths fear that fry cook Banco knows more than he's letting on, Mac takes charge in the plotting department ... Written by
I really didn't get the "Duncan Donuts" gag until I sat down to write this brief review. It's that kind of movie, I guess: it is smarter than you think, but in ways that aren't necessarily very illuminating to the core of the drama.
This take on Shakespeare's MacBeth is both lightweight and light on its feet. It doesn't take itself very seriously but it takes what it wants from the material and spins it into an unexpected and hard to categorize movie. Think "Dazed and Confused" meets the Bard and you're getting pretty close to the mark, but it's campier than that, not as heartfelt, more smart-alecky. There's a little Twin Peaks bound up in the recipe, as well.
Though the material is not as well-crafted as, say, "Shakespeare in Love", the sloppy, homemade quality almost becomes its central aesthetic. It feels like something you'd dream up on a Friday night sitting around a hookah with your best friends, and by Saturday morning nobody could remember quite what you were talking about.
Even though the film utterly lacks the air of serious drama that one normally expects in a rendition of a Shakespearian tragedy, one can't help but wonder if the slapdash charms of this production might not actually lie closer to what versions Shakespeare himself might have seen produced at the Globe...rowdy, loose, untamed entertainment that races from one side of the stage to the other without pausing to ask what its all about.
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