A scam artist convinces a naive young woman in Whitman, Montana, that she is to be given a job by a major Chicago discount store. However, her dad and mom see through the ruse and tries to ... See full summary »
Rachael Leigh Cook
In an attempt to recover from his marriage to Rita Hayworth and restart his career, Orson Welles travels to Italy...only to be drawn into a dangerous web of intrigue, murder and politics when an actor is murdered on his set.
In LA, Jason Lair is recently separated, living with his grandfather and his son; he's a banker, tense, with a limp. Grandfather Henry, an archaeologist, wants to take the family van on a ... See full summary »
It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's ... See full summary »
A hitman heeds a spiritualist's prophesies that he will rise to the head of his family. He starts his ascension by clandestinely executing the heads of the family and casting the blame on ... See full summary »
Shakespeare (more-or-less) in modern gangster setting. Lily MacBeth pushes her husband Joe to rub out the reigning crime boss and become the new "kingpin" himself. Success is short- lived, ... See full summary »
Joe McBeth is a hard-working but unambitious doofus who toils at a hamburger stand alongside his wife Pat, who has a significant edge in the brains department. Pat is convinced she could do a lot better with the place than their boss Norm Duncan is doing, so she works up a plan to usurp Norm, convincing Mac to rob the restaurant's safe and then murder Norm, using the robbery as a way of throwing the police off their trail. Though two stoners and a would-be fortune teller warn Mac that bad luck awaits him, he gathers his courage and goes through with his wife's scheme. At first, things seem to have gone just as Pat hoped, and after Norm's sons sell the restaurant to the McBeths (they pay for it with the money they stole from Norm), business takes off. But vegetarian police detective McDuff is convinced there's foul play at the new center of the fast food universe, and when the McBeths fear that fry cook Banco knows more than he's letting on, Mac takes charge in the plotting department ... Written by
Det. MacDuff says at one point "I used to be a dancer". This is an in-joke to actor Christopher Walken, who started out as an accomplished dancer. See more »
When Pat McBeth chops her hand off, she falls left of her position directly in front of her severed hand. Later she is shown lying on the floor. Her body is facing the correct position, but she is far to the right of the point of view of the previous scene. See more »
Let me get this straight. You got me here to kill me. Norm wasn't enough?
Joe 'Mac' McBeth:
Norm was an accident.
Accidentally got tied up and fell in the fryilator?
Joe 'Mac' McBeth:
You know what... it's kind of hard to explain, you sort of had to be there.
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This Film Is Dedicated to the Cast and Crew See more »
I really didn't get the "Duncan Donuts" gag until I sat down to write this brief review. It's that kind of movie, I guess: it is smarter than you think, but in ways that aren't necessarily very illuminating to the core of the drama.
This take on Shakespeare's MacBeth is both lightweight and light on its feet. It doesn't take itself very seriously but it takes what it wants from the material and spins it into an unexpected and hard to categorize movie. Think "Dazed and Confused" meets the Bard and you're getting pretty close to the mark, but it's campier than that, not as heartfelt, more smart-alecky. There's a little Twin Peaks bound up in the recipe, as well.
Though the material is not as well-crafted as, say, "Shakespeare in Love", the sloppy, homemade quality almost becomes its central aesthetic. It feels like something you'd dream up on a Friday night sitting around a hookah with your best friends, and by Saturday morning nobody could remember quite what you were talking about.
Even though the film utterly lacks the air of serious drama that one normally expects in a rendition of a Shakespearian tragedy, one can't help but wonder if the slapdash charms of this production might not actually lie closer to what versions Shakespeare himself might have seen produced at the Globe...rowdy, loose, untamed entertainment that races from one side of the stage to the other without pausing to ask what its all about.
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