Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family. Written by
Jackson Browne, who wrote and played guitar on the song "These Days" used in the film, forgot he had given permission for the song to be used until he saw the film. He described this in an interview, "I forgot that I'd licensed them to use this song. And this is one of those things that comes to you in the mail and you don't know what they're talking about and you simply give them their permission. You're sitting in the movie theater and there's this great moment when Gwyneth Paltrow is coming out of a bus or something like that. I'm thinking to myself, I used to play the guitar just like that. And then the voice comes on and it's Nico singing "These Days", which I played on." See more »
In the tent, Margot places the phonograph needle in the middle of one side of The Rolling Stones album. However, when the song ends, the needle is shown at the end of the first track. See more »
Royal Tenenbaum bought the house on Archer Avenue in the winter of his 35th year. Over the next decade, he and his wife had three children, and then they separated.
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The Royal Tenenbaums, to put it shortly, is a weird movie. It is the story of a family longing for its heyday to return. It is the story of a man who wants to be accepted. It is a story of redemption, filled with small epiphanies and smaller details that make for excellent viewing. It takes delight in showcasing its brilliant characterizations and depictions of social oddities. Many will find it hard to relate to such strangers and therefore decline to revel in this film's cinematic glory. We can pity them.
Those that enjoy Wes Anderson's films can be put into two categories. There are those that simply find them to be quirky joyrides and laugh them off as such. Then there are those who recognize the loneliness in all of the characters Wes Anderson writes - it is this sense of loneliness that Wes Anderson, as a storyteller, brings to the screen. It is this sense of loneliness that makes Wes Anderson one of the most visionary filmmakers out there today.
The Royal Tenenbaums is an altogether thrilling experience. It is epic, filled with pageantry. Though categorized as a comedy, at times it seems darker then typical black comedies - a drama, or even a triumphant tragedy of life's unrealized outcasts. As Margot Tenenbaum (Gwenyth Paltrow) says in one of the last scenes: "Well, I'm sure he'll get over it." The Royal Tenenbaums is a rejoicing in the human spirit's reluctant but continuous march forward.
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