With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Three grown prodigies, all with a unique genius of some kind, and their mother are staying at the family household. Their father, Royal had left them long ago, and comes back to make things right with his family. Written by
Written by Nick Drake
Published by Pubco and Rykomusic, Ltd. o/b/o Warlock Music, Ltd.
Performed by Nick Drake
Courtesy of Universal-Island Records Ltd.
Under license from Universal Music Enterprises See more »
Writing/Director team Owen Wilson and Wes Anderson follow up their wonderful 1999 film Rushmore with something not completely different but altogether more satisfying and a good deal more powerful.
The Tenenbaums are a wealthy New York family of eccentric genuises, headed by Angelica Huston. The pater familias Gene Hackman has been kicked out and estranged from the family for twenty years. The film begins with a prologue detailing the lives of the Tenenbaum clan - Ben Stiller, the real estate genius and safety obsessive, now widowered with two boys. Luke Wilson a former tennis wunderkind, now an isolated, lonely character all alone in the world and Gwyneth Paltrow, the adopted daughter, playwright, depressive and all-round misery guts. Other players include Bill Murray, Owen Wilson and Danny Glover.
The excellent cast is testament to the fantastic script. Filled with one-liners, hilarious situations and visual gags, it is a real winner. However, it would be a mistake to take this for an out-and-out comedy. Two-thirds in, the script takes a turn for the utterly dark with a bloody, affecting scene, not to everyone's taste and at odds with the film gone beforehand. It's a brave move by Wilson and Anderson and one that pays off in dividends, elevating this movie above others in the genre.
Hackman gives as good as he's got as Royal Tenenbaum, who takes a turn for the better when his kids wake him up to the kind of man he really is. His transformation from manipulative and selfish to a genuinely lonely and honest man is wholly believable. When he emerges as the only man who can bring the whole family together again, it really brings a smile to your face. The rest of the cast, with the exception of Luke Wilson, aren't given a huge amount to do but do extremely well with what they've got. Luke Wilson is superb, playing the confused and alienated Richie, at odds with himself and the rest of his family. His is possibly the best character in the film, symbolising all that is wrong with the Tenanbaum clan.> As usual, The Royal Tenenbaums is rife with Anderson's distinctive directorial touches - 90 degree overhead shots, dialogue-free sequences played to classic rock anthems, and memorably, towards the end, a one-take canvas shot, as beautiful as it is inspired.
Special mention must also be given to the New York painted in the film. All Georgian houses, tree-lined avenues and flat sky lines, it's one of the most beautiful depections of this city ever seen in a movie.
All in all, a delighful tragi-comedy, with great characters, lush direction and great gags. Don't miss it!
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