Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
When Ripley and Trevanny leave the train station, they are supposed to have arrived in Düsseldorf. The approaching police cars have license plates with a 'D' designating them to be in Düsseldorf. However, behind the police cars, the letters "City Carré Passage" can be seen on a building. There is no shopping area with this name in Düsseldorf. They are still in Berlin, at the main train station. See more »
Well... you can't just go around killing people... Even bastards have friends...
...even dead bastards
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I must admit I enjoyed Matt Damon and company very much in The Talented Mr.Ripley. The character of Tom Ripley is thoroughly dislikable but also intriguing. Therefore when I realised that another Ripley film had been made I was curious to enjoy the earlier experience again. I was not disappointed either. John Malkovich who I usually do not like as a performer was totally creepy and perfect as an older Ripley. Up against him was the very talented Dougray Scott as his unlikely accomplice in murder, Jonathon Trevanny. There are grisly murders galore in this film of revolting Russian mafia murderers. The ending is great. I won't give it away as it would spoil it for others. The Italian and German settings are brilliant as are the train scenes. This film is very enjoyable.
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