In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Set in 1938 Berlin, Louise Von Hollendorf is the wife of a young Nazi diplomat who meets and falls in love with a certain Mitsuko Matsugae, an artist and the daughter of the Japanese ... See full summary »
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
A series of copycat murders will challenge the preconceptions of the brilliant academic Angela and her lifelong studies of death and its rituals, throwing Angela into collaboration with one of the world's foremost mediums.
Fausto's mother refuses to accept the fact that her child is deaf, and refuse to send him to a special school where he can learn sign language. His aunt, though, teaches him to communicate,... See full summary »
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
John Malkovich remarked in an interview with the BBC that before starring in this film, he came close to directing The Talented Mr. Ripley (1999) and that he was in negotiations to obtain the rights to direct a remake of the first "Talented Mr Ripley" adaptation, Purple Noon (1960). See more »
Ripley's wife's sweater changes position during their love scene. See more »
You're not planning on singing me through the door, are you?
I've got the Carregio in here.
Well, you're not coming in.
I'm fucking coming in.
No, because it's not a Carregio, it's a *Correggio*. Just like it's not tacco but *ta-a-cco*. Not pasto but *pasta*, see? Your entire education comes from classic car magazine and you dress like you're on a condom run for the mob. By the way, it isn't a Correggio, it's a fake Rembrandt and until you know that, you're not coming in with me.
Don't fuck me ...
[...] See more »
This was good; a solid crime story. It's the "Tom Ripley" of "The Talented Mr. Ripley," but now older and being played by John Malkovich instead of Matt Damon. He's also, at least to me, a totally different character so this story stands on its own. There's no tie-in to that previous film
Malkovich plays his normal role, playing the kind of character he's good at playing: the smart, sarcastic and sadistic villain with the interesting vocabulary. In this story, he blends in with the locals as somewhat of a nondescript guy but inside he's a man with no conscience who is a killer. Late in the film, he admits and brags about having no conscience.
The plot in this movie revolves around Ripley having someone else do some of the latest killings for him, an "average Joe" that no one would suspect. That role is played by Dougray Scott, a young Englishman with a wife and young son, but a man who is dying of leukemia and could use a little extra money for his family when he's gone. That seems to be the lure when the evil Ripley and his partner give him the murder sales pitch. It takes some convincing, but "Jonathan Trevanny" eventually gives in to some persuasion, shall we say. Scott's reaction after the killing is very interesting...and he gets another assignment.
Ripley's partner "Reeves" also is an intriguing guy, played by Ray Winstone who also often portrays this type of character: a vicious, profane thug. If you saw "Sexy Beast," you'll know the type of guy Winstone plays here
Anyway,without giving the story away, suffice to say this wound up a pleasant surprise: great dialog, good photography and acting, some dark humor along with good suspense and just the right amount of action and lulls. It is heavy on the profanity, so beware of that.
This is a film one doesn't hear much about and is recommended for those who enjoy modern-day, tough crime films.
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