6.7/10
15,325
110 user 56 critic

Ripley's Game (2002)

A dying family man in need of money is being persuaded to assassinate a European crime boss.

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3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Uwe Mansshardt ...
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Franco
Maurizio Lucà ...
Franco's Assistant
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Evelina Meghnagi ...
Maria
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Sam Blitz ...
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Shoe Shop Owner (as Emidio Lavella)
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Ernst
Nikolaus Dutsch ...
Dr. Wentzel (as Nikolaus Deutsch)
Wilfried Zander ...
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Storyline

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by <jhailey@hotmail.com>

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Taglines:

Older. Wiser. More talented. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and language, some sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

7 February 2003 (Italy)  »

Also Known As:

El amigo americano  »

Filming Locations:

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

€210,408 (Italy) (9 February 2003)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

When Jonathan goes to the doctor in Berlin, the doctor's lips stops moving long before his sentence is finished. See more »

Quotes

Tom Ripley: You're not planning on singing me through the door, are you?
Reeves: I've got the Carregio in here.
Tom Ripley: Well, you're not coming in.
Reeves: I'm fucking coming in.
Tom Ripley: No, because it's not a Carregio, it's a *Correggio*. Just like it's not tacco but *ta-a-cco*. Not pasto but *pasta*, see? Your entire education comes from classic car magazine and you dress like you're on a condom run for the mob. By the way, it isn't a Correggio, it's a fake Rembrandt and until you know that, you're not coming in with me.
Reeves: Don't fuck me ...
[...]
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Connections

Version of The American Friend (1977) See more »

Soundtracks

The Last Time
Composed and Performed by Mundy
(c) Warner/Chappell Music Ltd.
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User Reviews

 
Ripley, c'est moi
14 January 2005 | by (United States) – See all my reviews

I have always thought that Patricia Highsmith's Ripley novels were aimed (like a missile) at the reader. So, the films. One's immediate reaction to Ripley tells more about the viewer/reader than anything at all about Ripley. His charm is that he is absolutely immoral in a pseudo-moral universe of sentimentality passing for decency. He has taken the society's values, not at their word, but at their obvious meaning: benefit yourself at all cost; nothing is more important than your own welfare; if it seems necessary, do it - you can probably always get out of the consequences. He is popular with us all, not because he is a snob, or a cad, or a mediocrity,although he may be all of those things. He is popular because we recognize ourselves in him. This film portrays the Highsmith character fully and true to the novels. I found Malkovich, who I usually dislike, perfect in the role and the other actors are excellent. Being a European production makes it easier to avoid the soppiness of The Talented Mr. Ripley, a truly dreadful film to my mind. The score was a grand addition as was the perfect lighting and ambiance of the sets - brilliantly dark, full of the emptiness of a reality so flatly conveyed.I will be happy to see it again.


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