Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
John Malkovich remarked in an interview with the BBC that before starring in this film, he came close to directing The Talented Mr. Ripley (1999) and that he was in negotiations to obtain the rights to direct a remake of the first "Talented Mr Ripley" adaptation, Purple Noon (1960). See more »
When Jonathan goes to the doctor in Berlin, the doctor's lips stops moving long before his sentence is finished. See more »
I must admit I enjoyed Matt Damon and company very much in The Talented Mr.Ripley. The character of Tom Ripley is thoroughly dislikable but also intriguing. Therefore when I realised that another Ripley film had been made I was curious to enjoy the earlier experience again. I was not disappointed either. John Malkovich who I usually do not like as a performer was totally creepy and perfect as an older Ripley. Up against him was the very talented Dougray Scott as his unlikely accomplice in murder, Jonathon Trevanny. There are grisly murders galore in this film of revolting Russian mafia murderers. The ending is great. I won't give it away as it would spoil it for others. The Italian and German settings are brilliant as are the train scenes. This film is very enjoyable.
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