In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Set in 1938 Berlin, Louise Von Hollendorf is the wife of a young Nazi diplomat who meets and falls in love with a certain Mitsuko Matsugae, an artist and the daughter of the Japanese ... See full summary »
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
A series of copycat murders will challenge the preconceptions of the brilliant academic Angela and her lifelong studies of death and its rituals, throwing Angela into collaboration with one of the world's foremost mediums.
Fausto's mother refuses to accept the fact that her child is deaf, and refuse to send him to a special school where he can learn sign language. His aunt, though, teaches him to communicate,... See full summary »
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
John Malkovich remarked in an interview with the BBC that before starring in this film, he came close to directing The Talented Mr. Ripley (1999) and that he was in negotiations to obtain the rights to direct a remake of the first "Talented Mr Ripley" adaptation, Purple Noon (1960). See more »
Jonathan stirs coffee when talking with Reeves about the second job. The spoon is in and out of the cup between shots. See more »
I have always thought that Patricia Highsmith's Ripley novels were aimed (like a missile) at the reader. So, the films. One's immediate reaction to Ripley tells more about the viewer/reader than anything at all about Ripley. His charm is that he is absolutely immoral in a pseudo-moral universe of sentimentality passing for decency. He has taken the society's values, not at their word, but at their obvious meaning: benefit yourself at all cost; nothing is more important than your own welfare; if it seems necessary, do it - you can probably always get out of the consequences. He is popular with us all, not because he is a snob, or a cad, or a mediocrity,although he may be all of those things. He is popular because we recognize ourselves in him. This film portrays the Highsmith character fully and true to the novels. I found Malkovich, who I usually dislike, perfect in the role and the other actors are excellent. Being a European production makes it easier to avoid the soppiness of The Talented Mr. Ripley, a truly dreadful film to my mind. The score was a grand addition as was the perfect lighting and ambiance of the sets - brilliantly dark, full of the emptiness of a reality so flatly conveyed.I will be happy to see it again.
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