In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
After separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected to have killed him.
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
Dadaist, radical provocateur, surrealist painter, pioneering filmmaker and visionary educator - Hans Richter was a major force in redefining art in the 20th Century, yet he remains largely ... See full summary »
Timothy R. Benson,
A series of copycat murders will challenge the preconceptions of the brilliant academic Angela and her lifelong studies of death and its rituals, throwing Angela into collaboration with one of the world's foremost mediums.
The marriage of young, ambitious writer Nico Thomkins with Helen, coming from a rich family, is nothing more than a hardly concealed love-hate relationship. Because of Nico's aggressiveness... See full summary »
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
John Malkovich remarked in an interview with the BBC that before starring in this film, he came close to directing The Talented Mr. Ripley (1999) and that he was in negotiations to obtain the rights to direct a remake of the first "Talented Mr Ripley" adaptation, Purple Noon (1960). See more »
Jonathan stirs coffee when talking with Reeves about the second job. The spoon is in and out of the cup between shots. See more »
I want you to call the man who sent you here. I want you to tell him you got a very long look at the two of us, we were definitely not the people on the train. Do you understand? If you do that, you do it convincingly, you walk out of here, we give you half a million dollars, okay? If you don't do it convincingly, I take you out back, and I run my fucking tractor over your head the rest of the day. Okay?
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I must admit I enjoyed Matt Damon and company very much in The Talented Mr.Ripley. The character of Tom Ripley is thoroughly dislikable but also intriguing. Therefore when I realised that another Ripley film had been made I was curious to enjoy the earlier experience again. I was not disappointed either. John Malkovich who I usually do not like as a performer was totally creepy and perfect as an older Ripley. Up against him was the very talented Dougray Scott as his unlikely accomplice in murder, Jonathon Trevanny. There are grisly murders galore in this film of revolting Russian mafia murderers. The ending is great. I won't give it away as it would spoil it for others. The Italian and German settings are brilliant as are the train scenes. This film is very enjoyable.
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