In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
After separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected to have killed him.
After his friend, a hot young artist, is killed, a resourceful American man living in London covers up the crime and tries to keep the friend's name alive in order to exploit his legacy and... See full summary »
Dadaist, radical provocateur, surrealist painter, pioneering filmmaker and visionary educator - Hans Richter was a major force in redefining art in the 20th Century, yet he remains largely ... See full summary »
Timothy R. Benson,
A series of copycat murders will challenge the preconceptions of the brilliant academic Angela and her lifelong studies of death and its rituals, throwing Angela into collaboration with one of the world's foremost mediums.
The marriage of young, ambitious writer Nico Thomkins with Helen, coming from a rich family, is nothing more than a hardly concealed love-hate relationship. Because of Nico's aggressiveness... See full summary »
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience? Luisa prepares for her concert. Written by
In Patricia Highsmith's original novel, most of the action takes place in France, not Italy, Tom Ripley and Jonathan Trevanny are both married to Frenchwomen who are named Heloise and Simone, not Luisa and Sarah. The character of Reeves is also different, in the novel he is an American fence whose motives are more obscure than they are depicted in the movie. See more »
When Ripley and Trevanny are on the train to kill the Ukrainian mobster. Ripley puts on gloves before the killing. But after he does not have them on. See more »
It's him. Now he usually wears those 'orrible gold rimmed glasses and a great big fuck off Russian furry hat. You know, they had to kill three bears to make that.
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I have always thought that Patricia Highsmith's Ripley novels were aimed (like a missile) at the reader. So, the films. One's immediate reaction to Ripley tells more about the viewer/reader than anything at all about Ripley. His charm is that he is absolutely immoral in a pseudo-moral universe of sentimentality passing for decency. He has taken the society's values, not at their word, but at their obvious meaning: benefit yourself at all cost; nothing is more important than your own welfare; if it seems necessary, do it - you can probably always get out of the consequences. He is popular with us all, not because he is a snob, or a cad, or a mediocrity,although he may be all of those things. He is popular because we recognize ourselves in him. This film portrays the Highsmith character fully and true to the novels. I found Malkovich, who I usually dislike, perfect in the role and the other actors are excellent. Being a European production makes it easier to avoid the soppiness of The Talented Mr. Ripley, a truly dreadful film to my mind. The score was a grand addition as was the perfect lighting and ambiance of the sets - brilliantly dark, full of the emptiness of a reality so flatly conveyed.I will be happy to see it again.
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