Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - than anyone else, the family about who he is obsessed. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by
In preparation for his role, Robin Williams trained for two and a half days at a photo developing training facility in Southern California on an Agfa MSC 101-D photo developing machine. See more »
When Sy is looking through the photos at the yard sale, a different person's hand is used in one of the close-ups; it's obviously a different thumb than in the previous and following shots. This happens again later in close-ups of Sy's hands as well. See more »
[while spying on the Yorkins]
What the hell is wrong with these people?
See more »
A seemingly innocuous man's descent into madness, and its effect on a family, gives One Hour Photo an advantage over most attempts at psychological thrillers. As with most movies, even critical darlings by the master himself, Mr. Hitchcock, there are questionable plot contrivences and scenes where reality has to be suspended, but these annoyances did not interfere with the total enjoyment of the movie. Williams was eerily brilliant as "Sy, The Photo Guy", and was able to travel between chillingly detached and forcefully angry with ease. The brilliant use of stark colors fleshed out the film, and those that garner enjoyment from the sets and cinematography, as well as the dialogue, will be pleased. This is a film for those that enjoy the total movie experience, and those that appreciate an intensity in their psychological thrillers will not be disappointed. After viewing this film, the question now becomes who gets the Oscar, Williams for One Hour Photo, or Pacino for Insomnia ?
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