A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - than anyone else, the family about who he is obsessed. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by
Names of other photographers also appear, including: Yoshi Araki (Nobuyoshi Araki is a very well-known Japanese photographer), Bill Owens, 'Ellen von Unwerth' (a popular German photographer), Aaron Siskind, Paul Outerbridge. See more »
Red light is added by the filmmakers to show the film moving through the developing machine. Color film is sensitive to all light, therefore all of that film would be fogged. Red light is only used for black and white paper print developing. See more »
When someone seems sad and don't have any friends, it makes me feel bad for them.
Who is sad and doesn't have any friends?
The Photo Guy at the one hour place? Well, we really don't know that much about him, do we? He might even have a lot of friends. He probably has a girlfriend and a mommy and daddy, who love him.
I don't think he does.
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Above average stalker flick that avoids some of the clichés
Seymour is a lonely nondescript man who lives by himself and works in the photo developing lab in a large mall. The only bit of cheer in his day is to develop very good photos in his lab, and he takes great pride in his work. His favourite customers are the Yorkin's, who have a son and regularly develop pictures. Seymour's like for this family goes beyond `like' and he feels part of their family and has all their pictures on his wall. However when both his job and the unity of his family are threatened he reacts.
I saw this film in a free preview screening before it came out so I had no reviews to cloud me first. Happily most of them appear to feel the same as I did. In terms of plot this set up will be no surprise to anyone we've all seen Single White Female and Pacific Heights etc, we know what happens that leads to the old bunny boiling etc.
However One Hour Photo is different enough to justify watching. My wife complained that it was too slow and boring but I felt this approach helped it stand out. Instead of being a thriller it was more of a cold slow boiler than was more chilling than thrilling. The plot is well laid out even the money shot of all the pictures on the wall is played out while we're distracted by a joke from the Simpsons on TV. The director's cold approach to story telling works very well and highlights Seymour's grey existence and cold life. Only occasionally does he go astray the fantasy sequences don't always work for instance but for almost the whole film he does very well.
Towards the end Seymour's behaviour goes erratic as we expect and I was worried that the film had eventually given way to cliché. Happily this is not the case. Yes, Seymour's change is a bit of a leap at first but the film cleverly pulls it back at the end. This makes it above the rest of this genre by a good head and shoulders. Clever touches abound in the film but don't always work. For example the director shows us that it is all about seeing by covering Seymour's eyes with objects in some shots to show he has lost his ability to watch, while the name Yorkin is a slight play on `Your Kin' or your family. These are clever but don't add very much the eye theme felt a bit too clever and intrusive.
Williams is excellent. Having paid to see him mush around in Patch Adams I was worried here that eventually his emotions would run away with him. However Williams (and here's something you'd won't hear much) keeps it all in check and underplays wonderfully. His Seymour is likeable, sad, pathetic and chilling all at once. It's hard not to feel for him and he is better for being low-key. I truly felt Williams had turned himself into a `little' man one of those people who you barely notice on the streets as they make no lasting image. Vartan (Alias) is good as Will and Nielsen is also good as Nina. They are also given firm support in the shape of Gary Cole and La Salle. However his is Williams show and, by underplaying, he steals it easily.
Overall this has it's flaws but it is head and shoulders above the rest of this stalker genre. Directed with a clinic eye rather than a thrilling eye this is clever and different enough to more than justify checking it out.
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