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One Hour Photo (2002)

A mentally unstable photo developer begins to attack a middle-class family after his obsession with them becomes more sick and disturbing than any of them could imagine.

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6 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Maya Burson
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Yoshi Araki
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Waitress
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Marion Calvert ...
Mrs. Von Unwerth
David Moreland ...
Mr. Siskind
Shaun P. O'Hagan ...
Young Father
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Amateur Porn Guy
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Repairman
Dave Engfer ...
Sav-Mart Clerk
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Soccer Coach
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Storyline

Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - the family about whom he is obsessed, than anyone else. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Er weiß, wo du wohnst! (He knows where you live!) See more »

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:

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Details

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Release Date:

13 September 2002 (USA)  »

Also Known As:

Retratos de una obsesión  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$1,037,361 (Europe) (23 August 2002)

Gross:

$31,597,131 (USA) (5 January 2003)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (uncredited)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During the DVD commentary, director Mark Romanek stated that Jack Nicholson was up for the role of Sy before Robin Williams. This is not the first time Williams was up for a role first approached to Nicholson. When Nicholson was stalling to sign on as Joker in Batman (1989) Williams was in talks before casting was finalized. See more »

Goofs

When Mrs. Yorkin drops off film, she leaves three rolls of Fuji Superia film, distinguished by its green and blue canisters. When Sy goes to inspect the film, he holds it up to the light and the edgeprint of the film is visible. The edgeprint reads "Portra 160 NC", which is a Kodak professional film. See more »

Quotes

Sy Parrish: Now, put his thing in your mouth.
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Connections

Features Hawaiian Blast (1999) See more »

Soundtracks

Amazonia
Written and Performed by Tim Heintz
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User Reviews

subtle but chilling portrayal of madness
29 September 2002 | by (United States) – See all my reviews

Robin Williams gives what may well be the performance of his career in `One Hour Photo,' a creepy psychological thriller written and directed with cool precision by Mark Romanek. Given its premise, the film could easily have degenerated into a sordid, exploitative tale of obsession and madness. Instead, Romanek has chosen to take a more subtle approach, fashioning a film that downplays the potential violence of its material while, at the same time, recognizing the humanity of its central figure.

Romanek understands that the greatest threats to our safety and lives often come from the gray, nondescript people who surround us unnoticed, the `nobodies' whose benign faces and vacuous smiles reveal no trace of the insanity, evil and potential for doing us harm that may be lurking right there under the surface. And nobody is `grayer' than Si Parrish, an innocuous, socially undeveloped milquetoast who spends his days working as a photo developer in one of those sterile five-and-dime drug stores (just like the one in `The Good Girl') - and his nights sitting all alone in his drab apartment brooding over a massive family-photo shrine he has erected to the Yorkins, a seemingly happy family of three whose pictures Si has been developing, copying and obsessing over for more than seven years now. The film centers around Si's growing fixation with this one family and his delusional belief that he too could somehow become an integral part of their family unit. Then comes the day when Si realizes that he is no longer content to be a mere vicarious member of this adopted family and, thus, begins his plan to gradually insinuate himself more and more directly into their lives.

As both writer and director, Romanek manages to keep us in a state of vague uneasiness throughout. We are always anticipating some potentially dreadful event, yet Romanek doesn't go for the easy thrill or the obvious plot turn. Thanks to Williams' subtle, incisive performance, we come to understand something of what makes this strange character tick. We begin to sense the deep-seated loneliness and social awkwardness that have come to play such an important part in defining both his behavior and his character. Si is scary, but he is also pathetic. He may have slipped over the edge into madness, but it is a pathology rooted in overwhelming loneliness and the inability to `fit in' to the societal `norm' of marriage and family. Even when his character is at his most threatening and irrational, Williams somehow makes us care about him.

Romanek hits upon a few ancillary themes as well. He acknowledges how photos create the appearance of a life without necessarily reflecting the reality of that life. Most people, Si confesses, record only the `special, happy' moments of their lives – birthdays, weddings, holidays etc. and leave out the mundane or painful ones. Moreover, Si tells us that people use pictures as a way of defeating aging and time, of saying to the world of the future that `I', this seemingly insignificant person, was really here, being happy and enjoying life. To match this theme, Romanek's visual style often feels like the director's own personal homage to The Photograph, as the camera scans caressingly across a sea of snapshots – and Si's voiceover narration complements that feeling.

`One Hour Photo' is not a film for those who like their chills heavily laced with bloodshed, murder and mayhem. It is, rather, for those who can appreciate a quietly unsettling, yet strangely compassionate glimpse into the dark recesses of the troubled mind.


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