A quirky, out-of-of place worker at a crucifix factory in the Bible Belt invents a device he claims can show pictures of Heaven. Discouraged and confused by the inability of those around ... See full summary »
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
Middle aged Sy Parrish works as a technician at a one hour photo lab located in a SavMart store in a suburban mall. Sy is a lonely man, never having had any friends. He knows much about his customers through the photographs they have developed. But he knows more about the Yorkin family - specifically Nina Yorkin and her adolescent son Jake Yorkin, the two in the family who drop off and pick up the family's photofinishing - than anyone else, the family about who he is obsessed. Nina's husband, Will Yorkin, is incidental to his obsession since Sy has only seen him in photographs. Sy's obsession includes fantasizing about being their favorite "Uncle Sy". He has even been making an extra set of prints for himself of all of their photographs since Jake was a newborn. After an incident at work and after Sy finds out more about the family through a set of photographs, he decides to right the injustices he sees in the only way he knows how. His actions demonstrate his true mental state. Written by
When Nina first gives Sy rolls film to develop it is consumer grade Fujifilm Color 400 as it goes into the machine. On the internal rollers and after he develops it, the film changes to Kodak Portra (400VC) See more »
Are you a family man, Detective?
Detective James Van Der Zee:
That's none of your business, Sy.
You're right, it's not. But I can see by your response and the ring on your finger that you are. That makes you a fortunate man. I can also tell be the way you've treated me so far that you're a good man, and that you appreciate your good fortune. You're not the kind of man who would cheat on his wife, hurt his family, abuse their trust.
You would never neglect or abuse your children.
Make horrible demands of ...
[...] See more »
well it was a pleasant surprise to see williams in this type of role and succeeding. although he played the very questionable (and dodgy) killer in insomnia, his role in one hour photo was very near perfect in this minor gem of a film. granted williams has been actively pursuing these alternative roles of late and yes it could be construed as being a cynical move on his behalf, however this does not detract from the fact that his role in photo was scarily on the mark.
the directors (romanek) flair for colour synchronicity and immaculate art direction does not stray far from his beginnings as a music video director, however it is this attention to detail and precision that accentuates williams when he chooses to lose the plot. a memorable scene in the film of william's characters eyes squirting blood is in stark contrast to the ordered white formica and polished chrome surfaces that intimate to the spectator a feeling of staring intently at snapshots of a desperate man's life.
if this film was to have any criticism is in the roles of the supporting actors. they are hardly fleshed out and as a spectator i felt that at times i was watching the robin william's rebirth show, however this is a minor point. if i were to mark this out of 10 i would give it a strong 8.
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