IMDb > Nueces para el amor (2000)

Nueces para el amor (2000) More at IMDbPro »


Overview

User Rating:
6.7/10   223 votes
MOVIEmeter: ?

Up 2% in popularity this week. See why on IMDbPro.

Director:

Alberto Lecchi

Writers:

Alejandro Alem (story)
Daniel García Molt (writer)
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Contact:

View company contact information for Nuts for Love on IMDbPro.

Release Date:

10 August 2000 (Argentina) more

Genre:

Romance | Drama

Awards:

9 wins & 6 nominations more

User Comments:

Sleepless in Buenos Aires? more (7 total)


Cast

  (Cast overview, first billed only)
Ariadna Gil ... Alicia
Gastón Pauls ... Marcelo
Malena Solda ... Alicia de joven / Cecilia
Nicolás Pauls ... Marcelo de joven
Nancy Dupláa ... Claudia
Gabriel Goity ... Médico
Rodrigo De la Serna ... Armando
Cristina Fridman ... Isabel
Lola Berthet ... Susana
Leonardo Saggese ... Amigo de Marcelo
Lucas Roma ... Marcelo's friend
Alejandro Botto ... Marcelo's friend
Agustín Escobar ... Matías a los 5 años
Alejo Lecchi ... Matías a los 10 años
Roberto Ventura ... Martín a los 7 años
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Additional Details

Also Known As:

Nuts for Love (International: English title)
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Runtime:

103 min

Country:

Spain | Argentina

Language:

Spanish

Color:

Color

Sound Mix:

Dolby Digital


Fun Stuff

Soundtrack:

Déjame que te sienta more


FAQ

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2 out of 3 people found the following comment useful.
Sleepless in Buenos Aires?, 1 October 2003
7/10
Author: B24 from Arizona

A bittersweet kind of romantic soap opera loosely tied to three decades of Argentine history, not quite certain of its center -- that pretty well sums it up in terms of plot. Redeeming characteristics are generally superb cinematography, sense of place, costumes and makeup, and an occasionally remarkable score.

While Marcelo and Alicia seem destined at the beginning to live together for the rest of their lives, circumstances soon drive them apart. That's where the history bit comes in, accurate but not entirely germane to their personal story. Scenes are episodic and forced, sometimes intruded upon by inexplicable narration. It would be a more powerful film if the "missing" Horacio were seen for a while to lend credence to the Alicia-Horacio versus Marcelo-Claudia nexus.

The force of destiny is always a classic theme in stories such as this, resulting in agonizingly slow development toward the inevitable will he/she or won't he/she realize his/her/their ultimate desires. Either way, somebody is bound to get hurt, and this is no exception. The ending is, as others have said, not entirely satisfactory.

The Argentine film industry is vibrant and innovative in many instances, but this is at best a so-so example.

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