| Mackenzie Astin | ... | Nick | |
| Ali Hillis | ... | August | |
| Randall Batinkoff | ... | Sam | |
| Candy Clark | ... | Tina | |
| Scott Benefiel | ... | Michael | |
| Angelica Bridges | ... | Emily | |
| Kimberley Davies | ... | Kelly | |
| Maggie Myatt | ... | Eileen | |
| Stephanie Reuter | ... | Jessica | |
| Julee Sullivan | ... | Jill | |
| Fred Ives | ... | Tim | |
| Rochelle Ruf | ... | Bartender | |
| Kory Maine | ... | Marley the Patron | |
| Vida Maine | ... | Coffee house patron | |
| Mark Maine | ... | Coffee house patron |
Directed by | |||
| Rex Piano | |||
Writing credits(in alphabetical order) | ||
| Scott Benefiel | ||
Produced by | |||
| Kevin Diamond | .... | supervising producer | |
| Charlie Jackson | .... | executive producer | |
| Roman Janos | .... | co-executive producer (as Roman J. Anderegg) | |
| Mark Maine | .... | executive producer | |
| Vida Maine | .... | co-executive producer | |
| Steve Nickell | .... | co-producer | |
| Bob Perkis | .... | producer | |
| Rex Piano | .... | producer | |
| Irv Schotz | .... | co-executive producer | |
Original Music by | |||
| Chris Anderson | |||
Cinematography by | |||
| Daniel Yarussi | |||
Film Editing by | |||
| Shawn Paper | |||
Casting by | |||
| Linda Berger | |||
Production Design by | |||
| Clare Brown | |||
Art Direction by | |||
| Katie Gonzalez | (as Katie Sanner) | ||
Set Decoration by | |||
| Jody Hart | |||
| Clint Schultz | |||
Costume Design by | |||
| Carolyn Leone | (as Carolyn Leone-Smith) | ||
Production Management | |||
| Gary Adelman | .... | post-production supervisor | |
| Mads Hansen | .... | production supervisor | |
| Mark Maine | .... | executive in charge of production | |
| Bob Perkis | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Stacy Fish | .... | first assistant director | |
| Kelly O'Brien | .... | second assistant director | |
Sound Department | |||
| Brion Condon | .... | boom operator | |
| Steve Weiss | .... | production sound mixer | |
Special Effects by | |||
| Brandon Maine | .... | special effects: smoke | |
Camera and Electrical Department | |||
| John Baron | .... | electrician | |
| Mitch Gulbin | .... | key grip | |
| Eric Kieweg | .... | electrician | |
| Brise Maine | .... | camera slate operator | |
| Mike Reppert | .... | best boy electric | |
| John Riedy | .... | Steadicam operator | |
| Joe Sellars | .... | grip | |
| Mick Spitalnick | .... | best boy grip | |
Casting Department | |||
| Melique Berger | .... | casting assistant | |
| Tina Real | .... | extras casting | |
| Chuck Saculla | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Brise Maine | .... | wardrobe thief | |
| Pippi Robben | .... | costumer | |
| Helen Shoemaker | .... | costumer | |
Editorial Department | |||
| Lee Wimer | .... | color timer | |
Music Department | |||
| Andre Trachsel | .... | music supervisor | |
Transportation Department | |||
| Brandon Maine | .... | production vehicles provider | |
| Kory Maine | .... | picture car consultant | |
Other crew | |||
| John Aguiar | .... | set host/craft services | |
| Amy Hansen | .... | production accountant (as Amy Fishman) | |
| Charlie Jackson | .... | consultant | |
| Greg C. Jensen II | .... | production assistant | |
| Vida Maine | .... | production executive | |
| Nicki Marshall | .... | production assistant | |
| David A. Perez | .... | location manager | |
| Rick Perez | .... | location assistant | |
| Winnie Tanaka | .... | script supervisor | |
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| The Cutting Edge | Feast of Love | Island of Fantasy | Corner of Your Eye | Play the Game |
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| Full cast and crew | Company credits | News articles |
| IMDb Comedy section | IMDb USA section |
The amazing thing about this script, I learned while talking to the director after the showing at the 2003 Hollywood Underground Film Festival, was that it was the writer's first attempt. The story has a good pace and doesn't drag in the second act the way so many romantic comedies do... August is a well-drawn character, and the scene where they meet in the men's room is really a very strong example of solid comedic writing.
There are a few issues I had with the film, but they were not enough to deter the fact that it was solidly written, well acted, and competently directed. Very nicely done.