The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
A story set in the modern upper-middle class of India, where telecommunications and a western lifestyle mix with old traditions, like the arranged wedding young Aditi accepts when she ends the affair with a married TV producer. The groom is an Indian living in Texas, and all relatives from both families, some from distant places like Australia, come to New Delhi during the monsoon season to attend the wedding. The four-day arrangements and celebrations will see clumsy organization, family parties and drama, dangers to the happy end of the wedding, lots of music and even a new romance for the wedding planner Dubey with the housemaid Alice... Written by
Alessio F. Bragadini <firstname.lastname@example.org>
In the taxi, a sign reading "CNG" is visible on the back window. This means that the car uses Compressed Natural Gas, otherwise known as methane. Delhi regulations require all taxis to run on CNG because it creates less air pollution than gasoline or diesel. See more »
When the maid is picking the glasses off the ground, she also picks up an orange flower and puts it behind her ear which subsequently disappears and reappears between shots. See more »
If he wants the work done, he must get the cash out. The one-rupee era is over.
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The end credits are interspersed with footage of the wedding. Nair cuts back and forth abruptly between the credits and the footage. See more »
Monsoon Wedding was perhaps one of the most brilliant films I have ever seen. It took me somewhere I'd never been, and by the time two hours were up, I felt at home.
A lot of the film's success was in the acting. Talented portrayals of deep complex characters who can make you laugh and cry in just minutes. I was amazed how easy it was to keep tabs on no less than 5 separate subplots without getting the characters mixed up or losing interest.
Another key to Monsoon Wedding's success was how the camera told as much story as the actors and dialogue. Lingering shots on a character who doesn't seem part of the action revealed so much more than dialogue could.
And the most amazing thing - this film was made in 30 days!! Couldn't believe it. Fantastic production values, mind, not like many other Indian movies I've seen. And down-to-earth realistic, not like Bollywood. Yes, there is singing and dancing, but in context, not every five minutes!
I don't have anything against Bollywood, but I'm glad to see that there is a higher standard of Indian film-making out there.
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