The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
Portrait of the first laughing club in India, its founding by a doctor who believes that laughter is the best medicine, his outreach to schools, interviews with club members, scenes of ... See full summary »
The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families... See full summary »
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
A story set in the modern upper-middle class of India, where telecommunications and a western lifestyle mix with old traditions, like the arranged wedding young Aditi accepts when she ends the affair with a married TV producer. The groom is an Indian living in Texas, and all relatives from both families, some from distant places like Australia, come to New Delhi during the monsoon season to attend the wedding. The four-day arrangements and celebrations will see clumsy organization, family parties and drama, dangers to the happy end of the wedding, lots of music and even a new romance for the wedding planner Dubey with the housemaid Alice... Written by
Alessio F. Bragadini <firstname.lastname@example.org>
In one scene, Deubey-ji is on a scaffolding and speaking on the phone. He climbs around and has an amusing conversation which concludes with him noting that the signal was better on the ground then on the scaffold. The entire scene, with its intricate monologue and movement, was improvised by Vijay Raaz, the actor who played Dubey. Source: Director Mira Nair in a talk at Emory University. See more »
When Ria confronts Tej in the car with Aliya, Aliya is next to him. The camera goes back to Ria, and in the next shot, Tej is in the car alone. A moment later, Aliya is back in car. See more »
I went to to see this film almost by chance and I was rewarded by a gem. A truly sublime mix of musical, social comment and romantic movie-making at its best. Unlike many others I was not familiar with Mira Nair's work at all, but after having seen how she delicately handles child-abuse, pre-arranged-marital-infidelity, growing old and trying to be different as an upper middle class Indian boy, being a flirtatious, bored but basically settled non-resident Indian housewife, or being a too well-doing for your own class "wedding-parties producer" desperately seeking for love - I have surrendered!
This is a Great Film by a Great Director and you might not want to miss it...
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