The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families... See full summary »
Portrait of the first laughing club in India, its founding by a doctor who believes that laughter is the best medicine, his outreach to schools, interviews with club members, scenes of ... See full summary »
Geeta Rao has two admirers - one is Siddharth Tyabji and the other is Vikram Malhotra circa 1969 West Bengal that is witnessing it's struggle against the ruling Congress party, joining ... See full summary »
Kay Kay Menon,
A story set in the modern upper-middle class of India, where telecommunications and a western lifestyle mix with old traditions, like the arranged wedding young Aditi accepts when she ends the affair with a married TV producer. The groom is an Indian living in Texas, and all relatives from both families, some from distant places like Australia, come to New Delhi during the monsoon season to attend the wedding. The four-day arrangements and celebrations will see clumsy organization, family parties and drama, dangers to the happy end of the wedding, lots of music and even a new romance for the wedding planner Dubey with the housemaid Alice... Written by
Alessio F. Bragadini <email@example.com>
Monsoon Wedding was perhaps one of the most brilliant films I have ever seen. It took me somewhere I'd never been, and by the time two hours were up, I felt at home.
A lot of the film's success was in the acting. Talented portrayals of deep complex characters who can make you laugh and cry in just minutes. I was amazed how easy it was to keep tabs on no less than 5 separate subplots without getting the characters mixed up or losing interest.
Another key to Monsoon Wedding's success was how the camera told as much story as the actors and dialogue. Lingering shots on a character who doesn't seem part of the action revealed so much more than dialogue could.
And the most amazing thing - this film was made in 30 days!! Couldn't believe it. Fantastic production values, mind, not like many other Indian movies I've seen. And down-to-earth realistic, not like Bollywood. Yes, there is singing and dancing, but in context, not every five minutes!
I don't have anything against Bollywood, but I'm glad to see that there is a higher standard of Indian film-making out there.
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