| Photos (see all 30 | slideshow) | Videos (see all 11) |
| Emile Hirsch | ... | Matthew Kidman | |
| Elisha Cuthbert | ... | Danielle | |
| Timothy Olyphant | ... | Kelly | |
| James Remar | ... | Hugo Posh | |
| Chris Marquette | ... | Eli | |
| Paul Dano | ... | Klitz | |
| Timothy Bottoms | ... | Mr. Kidman | |
| Donna Bullock | ... | Mrs. Kidman | |
| Jacob Young | ... | Hunter | |
| Brian Kolodziej | ... | Derek | |
| Brandon Irons | ... | Troy | |
| Amanda Swisten | ... | April | |
| Sung Hi Lee | ... | Ferrari | |
| Ulysses Lee | ... | Samnang | |
| Harris Laskaway | ... | Dr. Salinger (as Harris Laskawy) | |
| Julie Osburn | ... | Jeannie | |
| Laird Stuart | ... | Mr. Ruether | |
| Dane Garretson | ... | Ryan Wenger (as Dane A. Garretson) | |
| Richard Fancy | ... | Mr. Peterson | |
| Catherine McGoohan | ... | Mrs. Peterson | |
| Josh Henderson | ... | Pep Rally Jock | |
| Nicholas Thomas | ... | Glenn | |
| John-Clay Scott | ... | Rent-A-Cop | |
| Matt 'Horshu' Wiese | ... | Mule | |
| Maria Arcé | ... | Chloe (as Maria Arce) | |
| Alonzo Bodden | ... | Steel | |
| Ellis Williams | ... | Scholarship President (as Ellis E. Williams) | |
| Stephanie Fabian | ... | Mina Lopez | |
| Michael Villani | ... | TV Talk Show Host | |
| Dan Klass | ... | School Photographer | |
| Steven St. Croix | ... | Karate Guy in Porn Film (as Benjamin Banks) | |
| Tomas Herrera | ... | Film School Student | |
| John Harrington Bland | ... | Fan at Convention | |
| Shu Lan Tuan | ... | Samnang's Mother (as Shulan Tabish) | |
| Kayla Tabish | ... | Kathy | |
| Nicholas Downs | ... | Bob in 70's Sex-Ed Film | |
| Danny Seckel | ... | Bob's Friend in 70's Sex-Ed Film | |
| Katie Stuart | ... | Jennie | |
| Olivia Wilde | ... | Kellie | |
| Autumn Reeser | ... | Jane | |
| Reda Beebe | ... | Cocktail Waitress | |
| Rudy Mettia | ... | Limo Driver | |
| Chris Leone | ... | Responsible Media Minion (as Chris Verdiglione) | |
| Martin Pierron | ... | Minion | |
| Freddy Smith | ... | Minion | |
| Ray Mond | ... | Minion | |
| Ricardo Amaya | ... | Minion | |
| Hector Garcia | ... | Minion | |
| Paul Aulicino | ... | Parrot (voice) | |
| Beth Buck | ... | Attractive Woman at Scholarship Banquet | |
| rest of cast listed alphabetically: | |||
| James Abraham | ... | Guy at video screening (uncredited) | |
| Ossie Beck | ... | Classroom Student (uncredited) | |
| Stuart Blumberg | ... | Dancing guy at the adult video convention (uncredited) | |
| Michelle DiBenedetti | ... | Flasher girl (uncredited) | |
| Bill Duggan | ... | Guy all over (uncredited) | |
| Tara Gerard | ... | Tina B. (uncredited) | |
| Charles Gordon | ... | Passenger at airport (uncredited) | |
| Karen McDougal | ... | Woman at Las Vegas convention (uncredited) | |
| Sean Riblett | ... | Prom Guest (uncredited) | |
| Mike Sabga | ... | Porn Set Video Technician (uncredited) | |
| Soshi | ... | Asian Sex Ed. Student (uncredited) | |
| Marc Sternberg | ... | Passenger at airport (uncredited) | |
| Parker Tilley | ... | Popular Guy (uncredited) | |
Directed by | |||
| Luke Greenfield | |||
Writing credits(WGA) | ||
| David Wagner | (story) (as David T. Wagner) & | |
| Brent Goldberg | (story) | |
| Stuart Blumberg | (screenplay) and | |
| David Wagner | (screenplay) (as David T. Wagner) & | |
| Brent Goldberg | (screenplay) | |
Produced by | |||
| Harry Gittes | .... | producer | |
| Charles Gordon | .... | producer | |
| Arnon Milchan | .... | executive producer | |
| Guy Riedel | .... | executive producer | |
| Marc Sternberg | .... | producer | |
| Richard Wenk | .... | co-producer | |
Original Music by | |||
| Paul Haslinger | |||
Cinematography by | |||
| Jamie Anderson | (director of photography) | ||
Film Editing by | |||
| Mark Livolsi | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Stephen J. Lineweaver | (as Stephen Lineweaver) | ||
Art Direction by | |||
| Jason Weil | |||
Set Decoration by | |||
| Traci Kirshbaum | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Suzan Bagdadi | .... | hair stylist | |
| Karen Blynder | .... | makeup artist | |
| Patricia Budz | .... | hair stylist | |
| Monique DeSart | .... | hair stylist | |
| Mary Jo Fortin | .... | hair stylist | |
| Maggie Fung | .... | makeup artist | |
| Joanne Harris | .... | hair stylist | |
| Paula Kelly | .... | makeup department head | |
| Dennis Liddiard | .... | key makeup artist | |
| Susan Mills | .... | key hair stylist | |
| Francisco X. Pérez | .... | makeup artist | |
| Sabine Roller | .... | makeup artist | |
| Peggy Semtob | .... | hair stylist | |
| Amy Lederman | .... | makeup artist (uncredited) | |
| Marsha Shearrill | .... | body makeup artist (uncredited) | |
Production Management | |||
| Udi Nedivi | .... | unit production manager | |
| M. Kent Kay | .... | production supervisor (uncredited) | |
Special Effects by | |||
| John C. Hartigan | .... | special effects supervisor (as John Hartigan) | |
| M.A. Thompson | .... | special effects foreman | |
| Chris Walkowiak | .... | special effects foreman | |
| Ron Rosegard | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Joe Gareri | .... | visual effects executive producer | |
| David Jones | .... | visual effects consultant | |
| Patrick Phillips | .... | compositor | |
| César Romero | .... | compositor | |
| David Sosalla | .... | visual effects supervisor | |
| Jamie Stevenson | .... | visual effects consultant | |
| James D. Tittle | .... | digital visual effects coordinator: Pacific Title | |
| Bob Wiatr | .... | compositor | |
Stunts | |||
| Brian Avery | .... | stunt driver | |
| Joni Avery | .... | stunts | |
| Kevin Beard | .... | stunts | |
| Jayson Dumenigo | .... | stunts (as Jayson Duminego) | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Sean Graham | .... | stunts | |
| Gary Guercio | .... | stunt double: Emile Hirsch | |
| Tabby Hanson | .... | stunts (as Tabby Hanson Graham) | |
| Hubie Kerns Jr. | .... | stunts | |
| Christopher Leps | .... | stunts | |
| Alan Michaud | .... | stunts | |
| John Robotham | .... | stunt coordinator | |
| Tim Sitarz | .... | stunt double | |
| Kym Stys | .... | stunt double | |
| Justin Sundquist | .... | stunts | |
| John-Clay Scott | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Minh Bahnsen | .... | company grip | |
| Dana Baker | .... | best boy grip | |
| Kent Baker | .... | key rigging grip | |
| Greg Banta | .... | key rigging gaffer (as Gregory Banta) | |
| Ken Berkhout | .... | rigging best boy (as Ken G. Berkhout) | |
| Eric Betts | .... | rigging grip | |
| Corwin A. Bibb | .... | lamp operator (as Cory Bibb) | |
| Bill Brummond | .... | camera operator | |
| Glenn Cannon | .... | additional video | |
| Steven Cardarelli | .... | rigging grip | |
| Billy Clevenger | .... | camera operator (as William Clavenger) | |
| Dale Cole | .... | company grip | |
| Vincent Contarino | .... | lamp operator | |
| Colin Couto | .... | lamp operator | |
| Scott Crabbe | .... | video assist operator (as Scott R. Crabbe) | |
| Chris Cunningham | .... | lamp operator | |
| Rumer Darrow | .... | rigging grip | |
| Seong Dilg | .... | company grip | |
| David Dunbar | .... | rigging electrician | |
| David Ellis | .... | rigging grip (as Dave Ellis) | |
| Adam Feinberg | .... | rigging electrician | |
| Tom Fendley | .... | best boy electric | |
| Jay Galbo | .... | rigging electrician | |
| Michael Grady | .... | best boy rigging grip | |
| Michael Herron | .... | additional video | |
| Tony Hibbard | .... | rigging set lighting technician | |
| Steven Hiller | .... | first assistant camera: second camera (as Steve Hiller) | |
| Peter Iovino | .... | still photographer | |
| Alan Jacoby | .... | additional film loader | |
| Matt Kennedy | .... | second assistant camera | |
| Al LaVerde | .... | key grip (as Alexander LaVerde) | |
| Jonathan Leary | .... | company grip | |
| Chris Leidholdt | .... | company grip | |
| George Lozano Jr. | .... | rigging electrician | |
| Richard Maldonado | .... | rigging electrician | |
| Daniel C. McFadden | .... | camera loader (as Daniel McFadden) | |
| Ken Metz | .... | company grip | |
| Larry Michael | .... | generator operator (as J. Larry Michael) | |
| George Michela | .... | company grip | |
| David Morton | .... | gaffer | |
| Dominic Napolitano | .... | first assistant camera | |
| David H. Neale | .... | rigging electrician (as David Neale) | |
| Jacqueline J. Nivens | .... | second assistant camera | |
| Jesse Olivares | .... | additional video | |
| Michael Orefice | .... | best boy electric (as Michael Paul Orefice) | |
| Derek Page | .... | set lighting technician | |
| James Plannette | .... | gaffer | |
| Edwin Quijanmo | .... | rigging grip (as Edwin 'EQ' Quijano) | |
| Nikola Ristic | .... | lamp operator | |
| Jason Selsor | .... | rigging grip | |
| Gomidas Semerjian | .... | rigging electrician | |
| Victor A. Shelehov | .... | dolly grip (as Victor Shelehov) | |
| Gary Stark | .... | lamp operator | |
| Russ St. John | .... | company grip | |
| Jason Talbert | .... | company grip | |
| Joshua D. Thatcher | .... | dimmer board operator (as Joshua Thatcher) | |
| Ryan Vanlossberg | .... | company grip (as Ryan von Lossberg) | |
| John A. Witmer | .... | company grip | |
| Michael S. Endler | .... | camera operator (uncredited) | |
| Dana Gonzales | .... | camera operator (uncredited) | |
| Joe Hill | .... | rigging grip (uncredited) | |
| Mark Hyde | .... | key grip: additional photography (uncredited) | |
| Jacques Jouffret | .... | Steadicam operator (uncredited) | |
| Jacques Jouffret | .... | camera operator (uncredited) | |
| Jonathan Sela | .... | additional photographer (uncredited) | |
| Mark Walpole | .... | first assistant camera: plate unit, Washington D.C. (uncredited) | |
Casting Department | |||
| David Anthony | .... | extras casting | |
| Micah Dahlberg | .... | casting assistant | |
| Tracy Dixon | .... | extras casting associate | |
| Barbara Harris | .... | voice casting | |
| Chris Hogenson | .... | casting assistant | |
| Kelly Hunt | .... | extras casting associate | |
| David Rapaport | .... | casting associate | |
| Kimberly Mullen | .... | casting: Florida (uncredited) | |
Costume and Wardrobe Department | |||
| Craig Anthony | .... | set costumer | |
| David Butler | .... | set costumer | |
| Elizabeth Frank | .... | set costumer | |
| Renee Madison | .... | set costumer | |
| Gerardo Rosette | .... | tailor | |
| Hope Slepak | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Tom Dailey | .... | assistant editor: avid | |
| William Kruzykowski | .... | associate editor (as Bill Kruzykowski) | |
| Sarah Lucky | .... | editorial assistant | |
| Ron Orenstein | .... | dailies colorist | |
| Jim Passon | .... | color timer | |
| Holly Sachi | .... | assistant editor (as Holly-Sachi) | |
| Tom Scully | .... | assistant editor | |
| Ronald White | .... | assistant editor | |
Music Department | |||
| Peter Afterman | .... | music supervisor | |
| Wolfgang Amadeus | .... | electronic scoring mixer | |
| Wolfgang Amadeus | .... | music editor | |
| Jessica Clements | .... | music coordinator | |
| Dan DiPrima | .... | supervising music editor | |
| Chris Douridas | .... | music supervisor | |
| Michael Farrow | .... | music scoring mixer (as Mike Farrow) | |
| Simon James | .... | orchestra contractor | |
| Carlton Kaller | .... | music consultant (as Carl Keller) | |
| Michael Mason | .... | score production coordinator | |
| Robert Puff | .... | music preparation | |
| Drew Sherrod | .... | music consultant | |
| Jennifer Stewart | .... | music editor | |
| Margaret Yen | .... | associate music supervisor | |
| Jane Antonia Cornish | .... | orchestrator (uncredited) | |
| Brienne Rose | .... | assistant music coordinator (uncredited) | |
Transportation Department | |||
| Krister C. Johnson | .... | transportation captain | |
| James Lowder | .... | transportation coordinator | |
| Jim Moores | .... | picture car coordinator | |
| Jack Jay Reece | .... | driver (as Jay Reece) | |
| John Simanovich | .... | transportation co-captain | |
| Morris Aroesti | .... | driver (uncredited) | |
| Elizabeth Chambers | .... | transportation secretary (uncredited) | |
| L. Chip Crosby Jr. | .... | dispatcher (uncredited) | |
| L. Chip Crosby Jr. | .... | driver (uncredited) | |
| J. Armin Garza II | .... | driver: camera car (uncredited) | |
| Kelsey Kimes | .... | driver (uncredited) | |
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In a world wrought with unoriginal and humor-lacking teen movies, The Girl Next Door provides a beacon of light. The director's hardest battle was to insure that although 90% of the cast are teenagers, that this movie should not be labeled as a teen comedy.
The first comparison that should be made between your average Hollywood teen offering and this movie is the humor. Some movies (American Pie 1, Road Trip) are genuinely funny , but in a slapstick way. The Girl Next Door provides more intelligent jokes (Eli saying that Matthews's motel advances towards Danielle was a little forthcoming, for instance).
Even after this fact is acknowledged, it is still tempting to accuse The Girl Next Door of being a teen movie, but suddenly the thought springs to mind . "Hang on ; did that movie have a story line?" And the answer is of course "too right it did". The story line revolves around a life changing loss of innocence for: primarily, Matthew and Danielle, and secondarily: Eli and Klits.
Matthew starts the movie in a tether of his scholarship acquirement's, he spends hours studying and speech revising . enter Danielle, in the space of 2 weeks she turns Matthew from a text book geek, into the king of the school (I refer of course to his control over the jocks on prom night.). Danielle, for all her real world experience, is an emotional black hole. Matthew, in the movie breaks threw this, and Danielle "makes love" for the first time.
Eli, the local porn king, thinks he (sexually) knows it all, however, even the slightest sexual conduct, and he turns and runs (i.e. the porn star asking Eli/Klitz to feel his girlfriends breasts). Klitz, like Matthew, is a text book nerd and lacks any confidence in his appearance, what so ever. With the help of April, he breaks through this, gaining a silent reputation for the prominence of his manhood.
So let's compare these major story lines to some admitted teen movies. American Pie 2: The story line (singular) in this story is to go on vacation and get laid. WOW. Not exactly a feast for the thought. Road Trip: This time round the storyline (singular) is that a guy suddenly realizes that his pen pal is a girl and sets of on a several thousand mile trip to profess his undying love .. Rubbish.
One similarity I am happy to point out between this work and the self-proclaimed teen movies, is that it has an excellent sound track. A few examples of the excellent choices in music would be David Gray's This Years Loving. This song perfectly matched the budding affections of Danielle and Matthew, both while they share their first kiss, and when there have sex for the first time. On a smaller scale Lapdance by NERD, perfectly captures the moment when the new and improved Matthew, strolls into the Prom and officially becomes the Godfather of the school. On the topic of the sound track, I could go on for pages, so ill just stop that now.
The best movie to compare this piece to is Risky Business. You've all seen it I'm sure. The academically perfect Tom Cruise's parents do away for the weekend . And Cruise erupts. Going wild for the weekend, he dance around the house, pants-less (easily one of the most famous scenes in movie history) and more importantly (from a story line point of view), meets and falls in love with hooker Lana (Rebecca De Mornay). On comparison I preferred The Girl Next Door. The relationship between Hirsh/Cuthbert is far more convincing then that of Cruise/De Mornay, and more importantly, there was no real foundation for the change in Cruises character, whereas Matthew is forced out of his shell by the life-of-fun character of Danielle.
Unfortunately, Risky Business is unshakable from it pillar as one of the best movies ever. But the Girl Next Door deserves to stand right up there beside is it.
If you haven't seen this movie but have read this . sorry ., but go get the movie anyway, trust me, i didn't talk about, about 90% of the content of this masterpiece. If you have seen it, then I hope you agree with my synopsis.
This movie is worthy of much more recognition then it is currently receiving. And ill bet that the reason is in the first eleven words of this review.