A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the ... See full summary »
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1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
Director:
Bertrand Tavernier
Stars:
Philippe Noiret,
Isabelle Huppert,
Jean-Pierre Marielle
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Director:
Terry Zwigoff
Stars:
Billy Bob Thornton,
Lauren Graham,
Bernie Mac
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
Director:
Bertrand Blier
Stars:
Gérard Depardieu,
Patrick Dewaere,
Miou-Miou
In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.
An ultraconservative police officer (DeNiro) suffers a debilitating stroke and is assigned to a rehabilitative program that includes singing lessons - with the drag queen next door.
Director:
Joel Schumacher
Stars:
Robert De Niro,
Philip Seymour Hoffman,
Barry Miller
A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the ... See full summary »
An out-of-control speed freak (Schwartzman) is introduced his drug of choice's creator (Rourke) by his dealer (Leguizamo). A massive three-day adventure ensues (with Fugit, Murphy, and Suvari in tow).
Director:
Jonas Åkerlund
Stars:
Jason Schwartzman,
Brittany Murphy,
John Leguizamo
Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.
Director:
Samuel Benchetrit
Stars:
Anna Mouglalis,
Edouard Baer,
Jean Rochefort
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved. Written by
<aelsilva@studiocanal.com>
To say that this movie is a feminist movie wouldn't be fair, because even though only the women in the film are triumphs, whether it's a female or male character they're all honestly wrote. This movie could've been more of a strict screwball bourgouis comedy if it weren't for the character Noemie. I think the movie brilliantly creates 2 kinds of tones coming from 2 different modern female oppresions, one is the female oppressed by the world most of us are more familiar with, enslaved in her family and chores, the other is the female oppresed by lowest depths of tragedy, enslaved in prostitution and old Algerian society. It doesn't leave out neither of their stories. Combined, the movie becomes an exuberant and hilarious revenge story with uncompromising edge, providing also a constant study of values in modern life. But most of all it's a very juicy plot, a lot of suspense and comedy going on, and it's nice that all the supporting roles have a real and entertaining place in the story too. the result is very thrilling, it can make a woman righteously feel less serious about romance, because it seems to provide a lot factual observations towards man/woman relationships, for example Noemies key tactic in making a man insanely in love with her is by being unattainable, and that seems to work the other way around for men too like Fabrice, at least in the beginning. The fact is, in the movie, romantic love seems a little lame, a little silly, yet they all ring true, which is I think the most triumphant achievement for writer/director Coline Serreau. I think this movie even transcends screwball comedies, particularly the Depardieu or Auteuil ones, whereas those are only charming and satirically not interesting enough, this movie really makes you care and cheer with it, rather than grin and think it's cute. Overall this movie is really fantastic, I can understand why Meryl Streep wants to play the main character, the choice seems to match her kind of ambition and attitude and I hope Coline Serreau can pull the Hollywood one off well too.
11 of 16 people found this review helpful.
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To say that this movie is a feminist movie wouldn't be fair, because even though only the women in the film are triumphs, whether it's a female or male character they're all honestly wrote. This movie could've been more of a strict screwball bourgouis comedy if it weren't for the character Noemie. I think the movie brilliantly creates 2 kinds of tones coming from 2 different modern female oppresions, one is the female oppressed by the world most of us are more familiar with, enslaved in her family and chores, the other is the female oppresed by lowest depths of tragedy, enslaved in prostitution and old Algerian society. It doesn't leave out neither of their stories. Combined, the movie becomes an exuberant and hilarious revenge story with uncompromising edge, providing also a constant study of values in modern life. But most of all it's a very juicy plot, a lot of suspense and comedy going on, and it's nice that all the supporting roles have a real and entertaining place in the story too. the result is very thrilling, it can make a woman righteously feel less serious about romance, because it seems to provide a lot factual observations towards man/woman relationships, for example Noemies key tactic in making a man insanely in love with her is by being unattainable, and that seems to work the other way around for men too like Fabrice, at least in the beginning. The fact is, in the movie, romantic love seems a little lame, a little silly, yet they all ring true, which is I think the most triumphant achievement for writer/director Coline Serreau. I think this movie even transcends screwball comedies, particularly the Depardieu or Auteuil ones, whereas those are only charming and satirically not interesting enough, this movie really makes you care and cheer with it, rather than grin and think it's cute. Overall this movie is really fantastic, I can understand why Meryl Streep wants to play the main character, the choice seems to match her kind of ambition and attitude and I hope Coline Serreau can pull the Hollywood one off well too.