A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the ... See full summary »
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1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
Director:
Bertrand Tavernier
Stars:
Philippe Noiret,
Isabelle Huppert,
Jean-Pierre Marielle
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Director:
Terry Zwigoff
Stars:
Billy Bob Thornton,
Lauren Graham,
Bernie Mac
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
Director:
Bertrand Blier
Stars:
Gérard Depardieu,
Patrick Dewaere,
Miou-Miou
In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.
An ultraconservative police officer (DeNiro) suffers a debilitating stroke and is assigned to a rehabilitative program that includes singing lessons - with the drag queen next door.
Director:
Joel Schumacher
Stars:
Robert De Niro,
Philip Seymour Hoffman,
Barry Miller
A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the ... See full summary »
An out-of-control speed freak (Schwartzman) is introduced his drug of choice's creator (Rourke) by his dealer (Leguizamo). A massive three-day adventure ensues (with Fugit, Murphy, and Suvari in tow).
Director:
Jonas Åkerlund
Stars:
Jason Schwartzman,
Brittany Murphy,
John Leguizamo
Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.
Director:
Samuel Benchetrit
Stars:
Anna Mouglalis,
Edouard Baer,
Jean Rochefort
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved. Written by
<aelsilva@studiocanal.com>
This is one of the most accomplished films I've seen from France in a while. French cinema always presents risky situations. Hollywood, in search of ideas, sometimes turns into other films for American consumption under disguises, where the original idea is totally changed, or presented in such an idiotic way, that probably the new film derived has nothing to do with the original one.
Director Coline Serreau presents a story about today's society, where there's always no time to pay attention to things, let alone go to the aid of someone who's being victimized on the street. The Vidals, a bourgeois couple are a typical example of people so preoccupied in their own little game; they have no time to help the young woman who is beaten to a pulp in front of their eyes.
Well, actually, Mme. Vidal has a conscience. She protests to Paul, her husband; he couldn't care less. She goes to the hospital where the victim is under a coma, trying to put things right. She then becomes obsessed with the situation. At least she is a decent, if somehow tardy Samaritan.
Noemi, the woman who's been beaten has her own sad story. Played with conviction by Rashida Brakni, she puts a plan to avenge herself against the people that got her in the present situation and tried to kill her.
The interplay between Noemi and Mme. Vidal, also played earnestly by Catherine Frot, is one of the best combinations of wits in a film.
The film never lets up. Showing a sure hand, Ms Serreau gives us an enjoyable film and a feminist take on the way things are done when a woman decides to say enough to all kinds of abuses she has been put all her life.
5 of 7 people found this review helpful.
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This is one of the most accomplished films I've seen from France in a while. French cinema always presents risky situations. Hollywood, in search of ideas, sometimes turns into other films for American consumption under disguises, where the original idea is totally changed, or presented in such an idiotic way, that probably the new film derived has nothing to do with the original one.
Director Coline Serreau presents a story about today's society, where there's always no time to pay attention to things, let alone go to the aid of someone who's being victimized on the street. The Vidals, a bourgeois couple are a typical example of people so preoccupied in their own little game; they have no time to help the young woman who is beaten to a pulp in front of their eyes.
Well, actually, Mme. Vidal has a conscience. She protests to Paul, her husband; he couldn't care less. She goes to the hospital where the victim is under a coma, trying to put things right. She then becomes obsessed with the situation. At least she is a decent, if somehow tardy Samaritan.
Noemi, the woman who's been beaten has her own sad story. Played with conviction by Rashida Brakni, she puts a plan to avenge herself against the people that got her in the present situation and tried to kill her.
The interplay between Noemi and Mme. Vidal, also played earnestly by Catherine Frot, is one of the best combinations of wits in a film.
The film never lets up. Showing a sure hand, Ms Serreau gives us an enjoyable film and a feminist take on the way things are done when a woman decides to say enough to all kinds of abuses she has been put all her life.