A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the ... See full summary »
Marie (and her three fathers) are taking A-levels. Marie passes. She spends the summer in the country with her mother, Sylvia, who has returned from America with her Californian husband who... See full summary »
Jacques, steward de Air France, accepte de garder un paquet pour le compte de Paul. Le paquet sera remis chez lui à la maison, où il vit avec deux amis, Pierre et Michel. Mais Jacques ... See full summary »
Alone in their isolated home where no cars pass and no one lives nearby, Vincent and Tally suffer together in a loveless marriage. But what they don't know is that they are not as alone as ... See full summary »
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
The driving license system with points was set up in France in 1992. It consists in withdrawing a certain number of points from the license (which has twelve or six) depending on the ... See full summary »
A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved. Written by
It's funny; the two best films I've seen this year (sadly, CHAOS has only just made it to the Midwest United States in 2003), are both from France. Not only that, but none of the American films I've seen thus far even come close to this or Gaspar Noe's IRREVERSIBLE. Maybe we should rethink that stupid freedom fries thing and go seek out some real culture. CHAOS is a great film, a film that wastes no time. It starts with a bang when an Algerian prostitute named Noemie begs for a ride from Paul and his wife Helene as they drive by the scene of her merciless beating at the hands of three pimps. Paul locks the doors and, after the pimps have gone, leaving Noemie unconscious, gets out of the car only to wipe the windshield clean of the inconvenient blood Noemie has spilled upon it. A perfect opening to this film, showing the frailty of women at the hands of dominating men, and the inhumanity and selfishness of said men. As a human of the male persuasion myself, I was surprised to not feel any resentment toward the film's representation of manhood. It does not try to convince the viewer that all men are like this; just all the men in this film. At the same time, many men might feel uncomfortable at the incisiveness of the film's characterizations. At one point Helene says, "Not all men are bastards"; Noemie merely shrugs and smirks ever so slightly. It is more telling than a thousand words.
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