7.7/10
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1,113 user 200 critic

Black Hawk Down (2001)

160 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.

Director:

Writers:

(book), (screenplay)
Popularity
462 ( 16)

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Won 2 Oscars. Another 8 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Wex
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Yurek (as Thomas Guiry)
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Storyline

Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This led to a large and drawn-out firefight between the Army Ranges, US Special Forces, and hundreds of Somali gunmen; resulting in the destruction of two U.S. Black Hawk helicopters. The film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on SSG. Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Chief Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved. Written by Matthew Patay: revised by Corbin L.

Plot Summary | Plot Synopsis

Taglines:

Leave No Man Behind. See more »

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for intense, realistic, graphic war violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

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Language:

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Release Date:

18 January 2002 (USA)  »

Also Known As:

La caída del halcón negro  »

Filming Locations:

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Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend:

$193,021 (USA) (4 January 2002)

Gross:

$108,638,745 (USA) (12 April 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended)

Sound Mix:

| | (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Orlando Bloom auditioned for the role, he informed the casting directors that he knew what it was like to break his back (as he had done so only a couple of years before when climbing out on a drain pipe from a friend's flat). His character in this movie breaks his back after falling from the helicopter. See more »

Goofs

When Eversmann's team proceeds to the first crash site, the supervisor reports: "Hostiles advancing parallel west your position." This would be misleading as the enemy is actually east of the team, according to the direction of the shadows as well as the fact that the scene takes place in the afternoon, well after 03:45 PM. It is questionable if the mission supervisor would use this kind of orientation, instead of rather saying something like "enemies at 9 o' clock". See more »

Quotes

[first lines]
Dan Busch: There. Technicals, nine o'clock.
See more »

Crazy Credits

There are no studio logos at the beginning and the only opening credit is the title. See more »


Soundtracks

Creep
Written by Scott Weiland, Dean DeLeo, Robert DeLeo and Eric Kretz
Performed by Stone Temple Pilots
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very American war story directed by an Englishman
19 March 2005 | by (United Kingdom) – See all my reviews

I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.


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So rewatchable michaelhoulihan-30566
Why is the U.S. military exclusively white in this movie? tjsutton04
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