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Black Hawk Down (2001)

R  |   |  Drama, History, Thriller  |  18 January 2002 (USA)
7.7
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Ratings: 7.7/10 from 262,818 users   Metascore: 74/100
Reviews: 1,092 user | 196 critic | 33 from Metacritic.com

123 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.

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(book), (screenplay)
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Won 2 Oscars. Another 8 wins & 34 nominations. See more awards »

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Cast

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Wex
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Yurek (as Thomas Guiry)
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Storyline

Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This lead to a large and drawn-out firefight between the Rangers and hundreds of Somali gunmen, leading to the destruction of two U.S. Black Hawk helicopters. This film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on Sgt. Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved. Written by Matthew Patay: revised by Brady Schloz

Plot Summary | Plot Synopsis

Taglines:

Rangers Lead the Way. See more »

Genres:

Drama | History | Thriller | War

Motion Picture Rating (MPAA)

Rated R for intense, realistic, graphic war violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

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Language:

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Release Date:

18 January 2002 (USA)  »

Also Known As:

La caída del halcón negro  »

Filming Locations:

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Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend:

$193,021 (USA) (4 January 2002)

Gross:

$976,530 (Germany) (11 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended)

Sound Mix:

| | (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The opening sequence that depicts numerous starving Somalis actually utilizes rubber bodies to represent the dying Africans. Some of the "bodies" had a hose inserted into them through which air was pumped to simulate the appearance of breathing. See more »

Goofs

When Sgt. Struecker enters the lead Humvee in the three-vehicle column to return to base, he closes the door which is missing the glass in the window. In the next shot where Struecker is driving the Humvee, the glass has re-appeared. See more »

Quotes

[first lines]
Dan Busch: There. Technicals, nine o'clock.
See more »

Crazy Credits

There are no studio logos at the beginning and the only opening credit is the title. See more »

Connections

Featured in The Face of the Hero (2002) See more »

Soundtracks

Tall King Dub
Written by Raz Mesinai
Performed by Badawi
Courtesy of Reachout International Records, Inc. (R.O.I.R.)
By Arrangement with Ocean Park Music Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very American war story directed by an Englishman
19 March 2005 | by (United Kingdom) – See all my reviews

I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.


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